Posts are generally inked, and rubbings generally refer to "carving calligraphy into a stone tablet and reprinting it from the stone tablet, which is called" rubbings ".
Mi Fei's handed down works are full of ink (paste), with few rubbings and many fakes. Compared with ink, rubbings are not artistic, and the reference significance of research and learning is greater than model copying.
Online bookstores (such as JD.COM and Dangdang). ) There are a lot of Mi Fei's calligraphy works, some are collections, some are picture books, some are reduced, some are original, some are enlarged ... everything! ……
The work you posted is Mi Fei's "Poems of Scenery Building in Running Script" (partial), which is a paper version. The vertical dimension of the work is 365,438+0.2 cm, and the horizontal dimension is 538. 1 cm. It's in the Shanghai Museum now. There are eleven running accounts in this volume, and there is no seal. From beginning to end, the book is easy, fast and in one go. In the first year of Chongning (1 102), the postscript of He Zhizhong was written by Mi Fei. There is also a replica in Ye Gongchao, Taipei, both of which are suspected to be replicas. The explanation is as follows:
Hua Xu made a dream trip, the first floor in the world.
Ran Ran entered the Ming court with all kinds of spirits, and went all the way to Liuao in the sea.
The finger is exposed, and the top is weft floating.
Hengzi came, full of troubles, and Han Xing returned to the cow.
Clouds fly thousands of miles, and Miracle is like autumn wind.
Recreation pursues grandeur all its life, and its nameless seats are extremely Cangzhou.
The Zen master of Duojinglou has the meaning of Gai Lou.