With the development of the times, people are eager to spread Chinese civilization and need new humanistic classics. Grasping the requirements of the times, Comrade Gao Zhanxiang created a new three-character classic in vivid and fluent language, which was published by Renmin University of China Press, and soon aroused strong repercussions from all walks of life.
Gao Zhanxiang is currently the president of China National Culture Promotion Association, a famous writer, poet, literary critic, calligrapher and photographer. He used to be Party Secretary of China Federation of Literary and Art Circles, Executive Vice Minister of Ministry of Culture, Deputy Secretary of Hebei Provincial Committee and Secretary of the Central Secretariat of the Communist Youth League. Rich life experiences and nearly half a century's ideological education for teenagers have enabled Gao Zhanxiang to accumulate rich life experiences. These life philosophies and social experiences have been compiled into ***236 sentences, with the three-character rhyme of 14 16, which rhymes vividly, is both popular and philosophical, and has been appraised as "an enlightening little book and a life philosophy book" by Mr. Wen, a famous scholar and master of Chinese studies.
After 465,438+0 revisions, in the new Three-Character Classics, Gao Zhanxiang made a detailed annotation on the profound meaning of each sentence, and extracted the core concepts in the book to help readers understand. In addition, the new Saint Amethyst replaces classical Chinese with vernacular Chinese and is expressed in modern vernacular Chinese, which is easy to understand and catchy. Secondly, this book has a strong spirit of the times, which embodies the characteristics of adapting to contemporary society and coordinating with modern civilization; At the same time, the New Three-Character Classics inherited the characteristics of China's excellent cultural education for young people.
In addition, in the appendix, the New Three-Character Classic specially includes the updated version of Zhang's Three-Character Classic and gives necessary explanations. The "old and new three-character classics" set each other off into interest, and readers can read them in contrast.