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Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
2. The four-character idiom in calligraphy works is total annihilation, with a dragon snake in the pen and a swallow tail in the silkworm head, full of strength, iron-painted silver hook, fairy pearl, quiet and far-reaching, vivid charm, bold and unrestrained, straightforward and simple, unique personality, bright and natural, natural and interesting, centered, close to the heart, beautiful and natural. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style. China's calligraphy is an ancient art, which develops with the development of Chinese civilization.
In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history. Calligraphy, as an artistic creation, is deeply mysterious.
From Oracle Bone Inscriptions, Bronze inscriptions to Dazhuan, Xiaozhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script, running script and other forms were basically finalized. Calligraphy always exudes the charm of ancient art, and it is often referred to as soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy. The sweeping army described poetry, calligraphy and other magnificent and verve brushstrokes, while the dragon and snake described calligraphy as vivid and magnificent. Silkworm-headed swallowtail describes dignified calligraphy and light steps. Use abundant strength to describe the solid and full font structure and powerful brushwork. It is often used to describe the vigorous brushwork of calligraphy, or to describe the vigorous brushwork and graceful dancing, which penetrates the back of paper. The brush strokes can almost penetrate the back of the paper. The incisive description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. Tie Hua Yin Gou describes the softness of calligraphy. Fairy dewdrops describe the elegance and roundness of calligraphy. The vigorous description of calligraphy is vigorous and powerful.
3. The four words of Yan-style brush calligraphy are dragon snake at the bottom of the pen, ink with fine pen, dragon snake pen, swallow tail with silkworm head, hiding the head to protect the tail, sinking happily, being calm, carefree, learning to doodle, ups and downs, Ding Zhenyong grass, flying dragon dancing phoenix, full of strength, phoenix floating, phoenix dancing dragonfly, phoenix dancing back. Strong bones and muscles, thirst for spring, anger for spring, thirst for deer for spring, stress on paper, learning medical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen Tiger Zhen, Rowen Tiger Zhen, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pen, Tang Lin posts gold, draws a silver hook with iron, spits a silver hook with jade, Wang Yang is arrogant, Wang Yang is arrogant, and literary talents are illusory, writing Lei Feng and Lu Xian.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti at the bottom of the pen, Mo Miao, writing dragon and snake, silkworm head and phoenix tail, hiding the head and protecting the tail, happy and heavy, leisurely and happy, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon dancing phoenix, infinite strength, phoenix floating, phoenix dancing dragonfly, phoenix flying back, ancient fat and barren, phoenix dancing. Thirsty deer rushes to the spring, full of paper, snow trees in Linchi, six valleys of Yanjin, dragon and phoenix dance, dragon and snake dancing, dragon bending, Yue Long tiger lying, Rowen tiger shock, Rowen tiger shock, dragon and leopard changing, dragon and phoenix dance, dragon and phoenix dance, dragon and phoenix dance. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pen, Tang Lin posts gold, draws a silver hook with iron, spits a silver hook with jade, Wang Yang is arrogant, Wang Yang is arrogant, and literary talents are illusory, writing Lei Feng and Lu Xian. 1, the dragon and snake race through the iron inkstone and never stop waving their hands; 2, Gu Mo lightly grinds a few incense, and the new bath shines; 3. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates.
The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".
He writes quickly and forcefully. 4. A few times, a flying dragon appeared on the paper. The dragons he painted are lifelike, magnificent and varied.
Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 5,: "Books are scattered, and if you want to read, you should spread your arms first."
(Cai Yong's On the Pen) You must "write a book before the pen." (Wang Xizhi's "Mrs. Wei's brushwork") When writing, "the description of love means * * *; Yang Shu's melancholy is based on the heart of heaven and earth "(Sun Shupu)" The spirit of the book must reach the Tao, which is the same as the mixed element theory ... it is based on nature. "
6. In the Qing Dynasty, Liu Xizai was even more critical: "A writer writes his will" and "Calligraphy, like learning, like talent, like ambition, is like a person". 7. On the pen.