Writing regular script with a brush is not good.

I also study Europe, and I hope I can introduce some experiences. Ou Yangxun's calligraphy is solid, but after years of development, up to now, some European font writing methods have been out of touch with modern times. As far as the word "Dong" is concerned, there are only two main changes in this word, one is big and small, and the other is big and small. The eastern character and the Japanese character in the middle of European regular script are particularly wide and correct, lacking changes. If you look at it blindly, you will miss something. Look at the word "East" written by Liu Ti, and you can do whatever you want. Sometimes teachers teach temporary stickers and circle words with pens, which is why. The word "east" in European running script is different. It has the characteristics of shrugging up and down, and it is well written.

Let's talk about the word "sea". I think Ouyang Tong writes better than his father Ou Yangxun. The word "sea" is not well written. The main part of the word is difficult to operate. How can we turn over a new leaf in danger? The key is that there is a horizontal line in the middle of each word. This horizontal line should be flat and hard to stabilize the whole word, and other oblique pens should also be tilted to a certain extent. In the middle of the letter, you can see that it is a Tian Zi, and the prominent strokes, as you can see, are similar to the radiation of the sun, and the territory delineated by each radiation point must be equal. Every word in this book is a basic skill. You should read more and try to shine on it. You can also look at the meaning of other calligraphers, such as the word "sea" written by Mi Fei. Each part is particularly round, and the foot under each word is almost invisible, just like a ball pierced by a sword, but it has a unique charm.

There is nothing but diligent writing and practicing books. I sometimes look at the words and observe them for more than ten minutes before writing one. The way to manipulate them is to look at them as much as possible. Fingers keep practicing drawing in the air, and don't write until you think clearly. You should also set yourself the number of times to write. If you write more, it will be fine naturally. Liang Qichao said that it is not too much to practice one sentence for three or five hundred times.