Catalogue of calligraphy space theory

order

Chapter 1 Chinese Character Space and Calligraphy Art

Section 1 "Pictographic View" and Structural Consciousness

Does calligraphy originate from pictographs?

Second, the structural process of Chinese characters

Section 2 Chinese Character Structure and Its Abstraction

Cross and parallel conflicts and stability

Binary phenomenon and the principle of independence

The Trend of Three-point Painting —— Timeliness of Chinese Characters

Four Complexity and the Existence of Jane

The second chapter is the function and influence of traditional philosophical thinking on the spatial form of calligraphy.

The first section and the principle of "harmony"

A "gentle" and the doctrine of the mean

Second, naive dialectics and the principle of Tao

The second section "Zhonghe" influences calligraphy aesthetics.

The third section is the principle of master and slave: the embodiment of the relationship between Taoism, reason and law in calligraphy.

The relationship between Tao, reason and law

Second, calligraphy theory

Third, the method of calligraphy

Chapter III Calligraphy Space and Its Particularity

Section 1 Time and Space

Space-time relationship in nature

Second, the classification of time and space in art.

The second part: the duality of calligraphy space-time and structural space in space.

Extension of the concepts of time and space

Time Potential in Two Spaces

Three-structure space

Section three: the sense of space in calligraphy.

Comparison with painting

Secondly, compared with dancing.

Chapter IV Entities of Calligraphy Space

Section 1 Form of Calligraphy Lines

A calligraphy line

Second, the sense of force of calligraphy lines

Third, the rhythm of calligraphy lines

Section 2 Calligraphy Font Space

seal character

Erlishu

Three kinds of cursive scripts

Four kinds of regular script

Section 3 Individual and Whole-Knot and Combination

A string of words

Two-chapter method

The fifth chapter is the stipulation of calligraphy space

Section 1 Dependence on Chinese Characters

Historical practice

Second, the unity of practicality and aesthetics

Three carriers and ontology

Section 2 Interdependence of Lines

Section 3 dependence on the use of pens

Quality of pen and thread

Dual-purpose pen and its structure

Chapter six: the new order of space: about modern calligraphy.

The first part is about modern calligraphy.

The meaning of "modern calligraphy"

Second, the origin of modern calligraphy

Three "modern calligraphy" criticism

Tension principle in the second quarter

Single-line structure and formal structure

Second, the meaning of blank

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