Chapter 1 Chinese Character Space and Calligraphy Art
Section 1 "Pictographic View" and Structural Consciousness
Does calligraphy originate from pictographs?
Second, the structural process of Chinese characters
Section 2 Chinese Character Structure and Its Abstraction
Cross and parallel conflicts and stability
Binary phenomenon and the principle of independence
The Trend of Three-point Painting —— Timeliness of Chinese Characters
Four Complexity and the Existence of Jane
The second chapter is the function and influence of traditional philosophical thinking on the spatial form of calligraphy.
The first section and the principle of "harmony"
A "gentle" and the doctrine of the mean
Second, naive dialectics and the principle of Tao
The second section "Zhonghe" influences calligraphy aesthetics.
The third section is the principle of master and slave: the embodiment of the relationship between Taoism, reason and law in calligraphy.
The relationship between Tao, reason and law
Second, calligraphy theory
Third, the method of calligraphy
Chapter III Calligraphy Space and Its Particularity
Section 1 Time and Space
Space-time relationship in nature
Second, the classification of time and space in art.
The second part: the duality of calligraphy space-time and structural space in space.
Extension of the concepts of time and space
Time Potential in Two Spaces
Three-structure space
Section three: the sense of space in calligraphy.
Comparison with painting
Secondly, compared with dancing.
Chapter IV Entities of Calligraphy Space
Section 1 Form of Calligraphy Lines
A calligraphy line
Second, the sense of force of calligraphy lines
Third, the rhythm of calligraphy lines
Section 2 Calligraphy Font Space
seal character
Erlishu
Three kinds of cursive scripts
Four kinds of regular script
Section 3 Individual and Whole-Knot and Combination
A string of words
Two-chapter method
The fifth chapter is the stipulation of calligraphy space
Section 1 Dependence on Chinese Characters
Historical practice
Second, the unity of practicality and aesthetics
Three carriers and ontology
Section 2 Interdependence of Lines
Section 3 dependence on the use of pens
Quality of pen and thread
Dual-purpose pen and its structure
Chapter six: the new order of space: about modern calligraphy.
The first part is about modern calligraphy.
The meaning of "modern calligraphy"
Second, the origin of modern calligraphy
Three "modern calligraphy" criticism
Tension principle in the second quarter
Single-line structure and formal structure
Second, the meaning of blank
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