Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the past, there were comments about calligraphy.
The idiom "Huang Ting at the beginning is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance". Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
2. Four-word idioms describing calligraphy works Four-word idioms about calligraphy works: The sweeping army describes poetry and calligraphy. With great momentum and great courage; A dragon snake describes calligraphy as vivid and magnificent; A swallowtail silkworm head describes calligraphy as dignified and light; Rich and powerful metaphors mean that the font structure is solid and full, and the strokes are more than enough; A flexible dragon is often used to describe a powerful stroke of calligraphy. Or graceful dances run through the back of the paper, and calligraphy is vigorous and powerful, with one stroke and one painting almost running through the back of the paper. Calligraphy is characterized by its excellent brushwork. Now many metaphors are very profound. Iron-painted silver hooks describe the combination of rigidity and softness in calligraphy. Fairy dew pearls describe calligraphy as elegant and mellow. Calligraphy works are a relatively complete form of expression of calligraphy art and a way of entertainment.
The styles of calligraphy works mainly include nave, banners, horizontal stripes, couplets, plaques, long scrolls and fan faces.
3. Ask four words to describe calligraphy and describe idioms in calligraphy.
Calligraphy:
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes. Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter doodling" and "scribbling" to describe poor handwriting or scribbling.
4. Four-word idioms describing calligraphy works. Hello, I wrote you some four-character idioms about calligraphy works. Please read it carefully.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Jin Feng, the metaphor font structure is solid and full, and the brushwork is more than enough.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Penetrate the back of the paper to describe the strength of calligraphy, and the nib can simply penetrate the back of the paper.
The ingenious description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and round.
5. A complete set of four-character idioms in calligraphy: dragon snake, Yan Liu Jingu, iron-painted silver hook, transparent paper back, and easy to write; Dragon snake bǐ zǒu lóng shé Interpretation: Describe calligraphy as very beautiful and skillful; Yan Gu Yá n JΡ n Interpretation: Yan: Tang Dynasty calligrapher; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
6. What are the four-character idioms that describe calligraphy, such as total annihilation, pen for a long snake, silkworm head for a swallow-tail, strong and powerful, clever and surprising, transparent paper back, transparent wood, iron-painted silver hook, and fairy pearls?
1, the pen belongs to the dragon snake [bǐ zǒu lóng shé]
Basic explanation:
Describe calligraphy as vivid and imposing.
2. Swallowtail of silkworm head
Basic explanation:
Describe calligraphy as dignified and light.
3, full of muscle and strength [fē ng j ī n du not Li]
Basic explanation:
Abundance: fullness, fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
If you are as agile as a dragon.
Basic explanation:
Correction: vigorous. It is often used to describe the vigor of calligraphy or the beauty of dance.
5, forced through the back of the paper
Basic explanation:
Tou: yes. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.
6. Go straight to the point [rê mê sā n f ē n]
Basic explanation:
According to legend, Wang Xizhi wrote on the board, and when carving, he found that the handwriting penetrated into the board for three minutes. Describe that calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
7. Iron-painted silver hook
Basic explanation:
Painting: strokes; Hook: hook. Describe the softness of calligraphy.