Appreciation of Cao Quanbei s Lishu Calligraphy Creation;
Cao Quanbei Lishu Calligraphy Creation 1
Cao Quanbei Lishu Calligraphy Creation II
Cao Quanbei Lishu Calligraphy Creation III
Cao Quanbei Lishu Calligraphy Creation 4
Cao Quanbei Lishu Calligraphy Creation 5
Cao Quanbei official script:
Also called? Official script? 、? Zuo Shu? . It is a font evolved from the simplification of seal script, which changes the round strokes of seal script into square folds, and changes pictographs into strokes in structure in order to write conveniently and quickly. It was widely used in Qin, Han and Wei dynasties. Wei Heng's Four-body Book in Jin Dynasty said:? Due to the use of seal script in Qin dynasty, there are many things in Qin dynasty, and seal script is difficult to do, that is, Li people (referring to small officials, that is, small officials who handle documents) write books, which are called official scripts. ? In other words, official script was originally a simple and quick writing method of Xiao Zhuan, but in the Han Dynasty, it developed into a font with artistic value after processing. Qin Li is also known as? Coulee? Not far away, Xiao Zhuan: Is Han Li also called? Jin Li? Its brushwork and structure are different from those of Xiao Zhuan.
There are also great differences between the Western Han Dynasty and the Eastern Han Dynasty in Han Li. The strokes of the official script in the Western Han Dynasty are simpler than those in the Qin Dynasty, but there are no waves. To the eastern Han dynasty, there was a boss at the beginning, and later people called it? Eight points? . The structure of official script broke the tradition of six scripts, laid the foundation of regular script and improved the writing efficiency. Its appearance marks a turning point in the development history of Chinese characters. Cao Quanbei in the Eastern Han Dynasty displayed in Xi 'an Beilin Museum is a representative of official script and a masterpiece of Han stele. ? Cao Quanbei? The full name is "Heyang Ambassador Cao Quanbei". In October of the second year of Zhong Ping in the Eastern Han Dynasty (A.D. 185), it was engraved by Wang Chang and others. It was unearthed in Cuili Village, Heyang County (now Heyang County, Shaanxi Province) during the Wanli period of Ming Dynasty. The inscription records Cao Quan's suppression of the Yellow Scarf Uprising at the end of the Eastern Han Dynasty, and the peasant uprising led by Zhang Jiao spread to Shaanxi. It also reflects the momentum of the peasant army at that time and the loyalty of the Guo family in Heyang County, and provides important historical materials for studying the history of peasant uprising struggle in the late Eastern Han Dynasty. This monument is as black as grease, and the light can be used as a guide. Calligraphy is written in official script. The handwriting is clear, the structure is stretched, the font is beautiful and flying, the calligraphy is neat and fine, beautiful and powerful, and the style is elegant and colorful, which fully shows the maturity and elegance of Han Li. This stele is delicate and complete. This is the masterpiece of Han tablet and Han Li. It is also one of the few works with relatively complete preservation and clear fonts in the inscriptions of the Han Dynasty in China. This tablet is an important masterpiece of official script in Han Dynasty. This is unique in Han Li. It is a stone tablet that preserves a large number of official script characters of the Han Dynasty. Its handwriting is clear and beautiful, its structure is flat and symmetrical, its strokes are straight and long, and it belongs to the category of "Yi Ying" and "Li Qi", but its expression is gorgeous and beautiful. If she just turned her head and smiled, there would be a hundred spells to cast? State, is really a wonderful flower of Han Li. It is famous for its elegant style and even structure, so it has always been valued by calligraphers. Qing Wanjing commented on the cloud:? Beautiful flying, not bound, not running, but also fascinating? . Sun commented on his book cloud:? The calligraphy is elegant and elegant, and the "ritual tablet" shines before and after the Han Dynasty.