1908, Huang Kan's biological mother, Mrs. Zhou Ru, was seriously ill, and her family called Huang Kan, who was studying in Japan, to take care of her illness at home. Six months after Huang Kan returned to China, his biological mother died and was buried in Qichun's ancestral home. Huang Kan was scared and even vomited blood. When Huang Kan was guarding the tomb in his hometown, the Qing Dynasty ordered the revolutionaries to be arrested. Because of the traitor's snitch, * * * sent a catcher to catch Huang Kan. After hearing the news, he had to flee to Japan.
After Huang Kan came back, she still thought about her mother's grave every day. 19 12 years, Su (1884- 19 18), a poet and painter living abroad at that time, was invited to draw his mother's epitaph, and wrote an inscription on Meng's mother's epitaph to explain his family affairs in detail. This article is about 500 words. First, Xu Zushang (Song Dynasty calligrapher and poet, Huang Tingjian) moved from Jiangxi to Baomaocheng in the upper reaches of Qihe River to describe the local mountains and rivers. Surrounding environment of loving mother cemetery; At the end of the year, he guarded the tomb and went into exile, asking Su to paint. The paper explains the intention of drawing: "Since I fled to the East, I'm afraid I can't go back to my hometown or to my ancestors' graves. Once I die, I will never come back to my mother's spring. Dreaming at night is always a mountain, which is not only sad, but also sad. Because I asked Summerman to draw a picture, I saved it roughly, so I used it to send my thoughts. "This inscription describes Ming Che, with good writing, sincere feelings, full of love and writing, and it is touching to read. In Qian Jibo's History of China Literature, it is regarded as a model of China's modern prose.
Although Sue didn't personally visit the Huang Mu Cemetery, he made it according to the topography and the outline of the scenery dictated by Huang Kan, and he used a freehand brushwork technique. In the picture, a stream passes through and an arch bridge is built on it. There are three small trees by the stream in the south of the bridge, and their branches and leaves are withered. Other buildings separate the fields from the hills. There is a hill in the north of the bridge, with stone steps to climb. There are solitary tombs and tombstones at the top of the hill, solitary trees behind the tombs, several rafters on the Shandong side, and a far-reaching exhibition belt behind the mountain. A few strokes, the cemetery is cold and desolate, and the dreams are endless. The banner reads "Dream of Mother's Grave" at the top, and it is divided into three lines: "Renzi Schumann redraws Ji Gang in May", and Zhao Ti writes beautifully in regular script.
Huang Kan invited famous artists to draw the filial piety sutra, which deeply touched the master and the disciples. They wrote poems with inscriptions, affirming Huang Kan's great filial piety and expressing their feelings.
At this time, Huang Kan's teacher Zhang Taiyan (1869- 1936) also lived in Japan. After seeing this painting, he wrote a book specially for him: "Huang Kan and qi zhou, less like their fathers, more like gods, and especially like music. Clear pronunciation and mellow voice, elegant. Although it was a teacher's ceremony, many people were inspired by the transformation. It's a good Mahayana, but there are few rope inspections, so you are happy. Ruan Ji used to be in mourning because he didn't obey the ethical code, and lost several liters of blood. Kan misses his mother, if he is like Ruan Gong. Records are based on seeing that scholars are not neat, and taking them close to the truth is. If he is very clear about what he has learned, his young and elegant writing is hard to compare with the world, and he is afraid that the world will forget his beauty of cymbals and use it as a metaphor, then the people of Sri Lanka may not be able to explain themselves. Lao Tzu said,' I have always been good at saving people, so I don't abandon people.' I am willing to be a gentleman of the world, and I am willing to talk about it. Zhang. "Zhang Taiyan used Ruan Ji, the scum of the Jin Dynasty, as a metaphor for his disciples, which was actually an affirmation and praise of Huang Kan's character, and also a powerful counterattack against some criticisms.
Not only did the teacher write an inscription for Huang Kan, but three disciples of Huang Kan later wrote poems for this painting:
The first is a clever poem "Jiang Shenzi", which is orderly:
On the anniversary of teacher Qichun's death, I read the painting of mother's grave painted by monk Schumann for the teacher, and I was deeply impressed.
A sail shortage has river winds, light smoke cages and white clouds. Looking at the deep mountain, it is called Guihong outside the mountain. How many dreams did Wan Li miss, solitary burial and drawing? White door is in a hurry, I want to follow it and think about it. Hold the wine with pliers and remember that the gas is like a rainbow. Drop the jade statue and ride the crane. Where to find it, ask for it.
Finally, I signed the title of Disciple Gao.
Gong Mulan also used the original song of Jiang Shenzi as the title:
Pines and cypresses have surrounded the tomb door, dreaming, scratching their heads and clearing their tears. What is the limit of hatred in Spring of an inch of grass? Send it to private people by drawing. Jiang Curtain still remembers that in those years, Chu Jiang Mei, west of Shicheng, worked hard to pass on the scriptures and once abolished my poems. Today, wearing a picture adds a lot of feelings, the beams are not good, and Mount Tai is the top.
At the end of the book, Zhong Hua (Gao Ming) wrote "a picture of Ji Gang dreaming of his mother's grave". Gong Mulan on the job. "
These two sentences were written by the author after the teacher died. Later, Liu Taixi (1898- 1989) added a four-line, saying:
I also lost my mother and children in the world. Who cares about Joan Hinton?
For a long time, the central plains has been trapped by orphans and the elderly, and there is no way to relax and dream.
At the end of the book, "I respect Ji Gang's dream of paying homage to his mother's grave. Disciple Liu Taixi ".
The famous modern calligrapher (19 19-2006) is not familiar with Huang Kan, but after reading Su's "Dream Mother's Tomb Map" and three inscriptions, he also felt homesick, so he wrote a poem "Jiangchengzi" in the original tune of Gao and Gong, and gave it as a banner to Huang Nianxiang, the fourth son of Huang Kan.
Jiang (that is, "Jiang Shenzi")
Master Tishman painted the tomb of Mr. Ji Gang's dream mother.
The grass in Qingxi is covered with velvet. Move my heart, the road is heavy. Release children's feelings and write down pine trees at the bottom of the pen. In the picture, there is a voice. This article is honest and sincere. I can't make a pilgrimage and want to be a legacy. Spring water is the same as sorrow, and it floats on the water. Where is the dream grave? It's foggy.
The poems written by these four people are not only admiration for Huang Kan, but also praise for Huang Kan's filial piety. They are sincere and touching.
Huang Kan's filial piety to his mother can also be seen in his diary. 1922 September 12' s diary truly tells his heart: "A loving mother abandons disobedience for a hundred days. Chasing Wei San for ten years is the virtue of bow support, and the liver and viscera collapse. Kan was lonely at the age of thirteen, but his mother, Mrs. Zhou, died at the age of twenty-three. Now his mother has been admitted, so Kan will always be an unloved person. Wu Hu hurts! " In the same year1October 5 10, recorded: "Mid-Autumn Festival. Rural customs say there are three festivals a year, namely, the first day of the New Year, the fifth day and the Mid-Autumn Festival. When in Rome, do as the Romans do, eat, drink and give away. However, when the sun is shining, old relatives sit and watch and kowtow; During the Mid-Autumn Festival, old people lie down without kowtowing. The age series is like delusion, and the world changes. "