Qing Wan Jing: It is closely and dignified, like a teacher who doesn't know Cheng, with neat steps and no mistakes. His role should be on the right side of death and Han Shu's history. (Divided into Lee)
Fang Shuo in Qing Dynasty: Calligraphy is profound, heavy and quaint, with both structure and meaning. It is the product of the temple, and it is very authentic. (Inscription of Pillow Sutra)
Yang Shoujing in Qing Dynasty: In the past, it was said that Han Li was not all good, and an ancient and heavy spirit was out of reach, which was true. (Pingbei Ji)
Modern calligrapher's fee evaluation: "This tablet is simple, dignified and elegant, and has always been rated as a first-class tablet of Han Dynasty. There are few indelible places, which is a clear one among the Han steles. The writing of Qianbei seems a bit stiff, while the writing and writing rules of Houbei are more indulgent. Generally speaking, the font of "Chen Shiqian Beibei" is relatively regular, which belongs to Han Li's flat and even calligraphy. It was a typical official style at that time, suitable for beginners. "