1. To appreciate the beauty of calligraphy, we should unify the subjective and objective, improve our calligraphy literacy and improve the knowledge structure of calligraphy, so as to enhance our aesthetic ability.
A. correct
B. mistakes
Correct answer: a
2. The beauty of calligraphy implication is expressed through unique artistic language, which includes: _ _ _.
A. the beauty of brushwork
B. the beauty of the knot
C. the beauty of composition
D. the beauty of ink painting
Correct answer: Beauty of brushwork # Beauty of writing # Beauty of composition # Beauty of ink painting.
3. To appreciate a calligraphy work from an aesthetic point of view, we must first be interested in this work.
A. Attention
B. Lenovo (brand name of computer)
C. Emotion
D. understanding
Correct answer: attention
4. If sentiment opens the door to calligraphy aesthetics, then _ _ _ _ has inserted wings for calligraphy aesthetics.
A. Attention
B. Association and imagination
C. Emotion
D. understanding
Correct answer: association and imagination
5. The aesthetic psychology of calligraphy begins with attention, and then goes through several steps in turn to complete the appreciation of calligraphy.
A. emotion? Do you understand? Association and imagination? feel
B.do you understand? Association and imagination? Perception? mood
C. perception? Association and imagination? Emotion? Understand; understand
D. perception? Association and imagination? Do you understand? mood
Correct answer: perception? Association and imagination? Emotion? Understand; understand
1, Zhao's seal script and seal cutting have far-reaching influence at home and abroad in the Qing Dynasty.
A. correct
B. mistakes
Correct answer: a
Wang Xianzhi's former residence is in yunmen temple.
A. correct
B. mistakes
Correct answer: a
3. In the old days, Wang Xietang was in front of Yan, referring to a person.
A. correct
B. mistakes
Correct answer: b
4. Su Dongpo's regular script was taken from Yan Zhenqing.
A. correct
B. mistakes
Correct answer: a
5. Jin Nong is also called Jin Jinji.
A. correct
B. mistakes
Correct answer: a
1. We can choose the following tools () when creating the Book Style of Inscription Studies.
A. Yang Hao Peninsula
B. bamboo pulp paper
C. heavy glue ink
D. raw rice paper
Correct answer: Yang Haobi # Heavy Glue Ink # Raw Xuan Paper
2. Which of the following does not belong to this grass ()
A. grass
B. Cao Zhang
C. big grass
D. locoweed
Correct answer: Cao Zhang.
3. What should be pursued when creating seal script works? Round? Pass? Thick? The artistic effect of
A. correct
B. mistakes
Correct answer: a
4. Zhiyong () * * * has two books handed down from generation to generation. One is an ink book introduced to Japan in the Tang Dynasty, and the other is an engraving of the Northern Song Dynasty preserved in the forest of steles in Xi, Shaanxi.
A. Zhang Qianbei
B. "Self-narrative posts"
C. preface to Lanting collection
D. "True Grass Thousand Characters"
Correct answer: "True Grass Thousand Characters"
5. In seal engraving, engraving is the most important, seal engraving is the main one, supplemented by cultivation.
A. correct
B. mistakes
Correct answer: b
1. In traditional calligraphy, Chinese characters have complex and simple characters with different shapes, such as? Cloud? After that? Repair? Wait, it should be created with traditional Chinese characters.
A. correct
B. mistakes
Correct answer: b
2. In the creation of traditional calligraphy, what should I do if I meet something written for someone in my work? So-and-so Yazheng? Like this, it is higher than the author's own name.
A. correct
B. mistakes
Correct answer: a
3. The experience of calligraphy appreciation can be divided into several levels from psychological perception.
A. Technical understanding
B. Formal understanding
C. Emotional understanding
D. Life * * *