1. Yao Mengqi: [Qing] courtesy name Fengsheng, first name Fengsheng, Gongsheng in Wuxian County (Suzhou, Jiangsu). According to the title of the book, Ouyang Xun, the author of Zongshu, tasted the Liquan inscription in Jiucheng Palace and forced the portrait.
Interpretation: Yao Mengqi: [Qing] named Fengsheng, one made Fengsheng, Gongsheng from Wuxian County (Suzhou, Jiangsu). Famous for his calligraphy, Ouyang Xun, the orthodox calligrapher, once made lifelike inscriptions in Liquan of Jiucheng Palace.
2. The official script is slightly imitated by Chen Hongshou. He also treated seals and got Jiang Ren's Xiu Jin Qi. I paint occasionally, as crudely as a gold farmer. "Ink Forest on the Sea, Biography of Guangyin People, Records of Calligraphers and Painters of the Qing Dynasty, History of Wumen Painting".
Interpretation: The official script is roughly modeled after Chen Hongshou. He also treated the seal and found Jiang Renxiu's strong energy. Occasionally paint, as simple as a gold farmer. "Ink Forest on the Sea, Biographies of Guangyin People, Copyings of Calligraphers and Painters of the Qing Dynasty, and the History of Wumen Painting".
3. With whom do I sit in the pavilion? It is a pavilion in the Humble Administrator's Garden in Suzhou. The inscription on the pavilion is "With whom do I sit in the pavilion" written by Yao Mengqi in official script, and the inscription is "Feng Sheng Yao Mengqi", which takes its meaning. Su Shi of the Song Dynasty wrote a poem in "Dian Jian Lip·Leaning on the Hu Bed": "Leaning on the Hu Bed, there are thousands of flowers on the peak outside Yu Gong Tower. Who are you sitting with? The bright moon and the clear breeze are with me. Don't take a ride, there will be singing and you must be harmonious. You also know Well, since I added one, the wind and the moon have been divided equally."
Interpretation: "Who are you sitting on the pavilion with?" is a pavilion in the Humble Administrator's Garden in Suzhou. The inscription on the pavilion is "Who are you sitting on the pavilion with?" written by Yao Mengqi in official script. The signature of the inscription is "Fengsheng Yao Mengqi", which is taken from the poem "Dianpin Lips. Familiar Leaning on the Hu Bed" by Su Shi of the Song Dynasty: "Leaning on the Hu Bed, there are thousands of flowers outside the Yugong Tower. Who are you sitting with? The bright moon and the clear breeze." I. The other one is a little bit needy and. Do you know that from Tiange, Feng Yueping split?"
Extended information:
1. Chinese calligraphy in the Qing Dynasty in the past 300 years. In the development history of the 19th century, it has experienced a difficult transformation, breaking through the barriers of calligraphy studies since the Song, Yuan and Ming Dynasties, and creating stele studies, especially in seal script, official script and Northern Wei stele calligraphy. It can be compared with the achievements of the Tang Dynasty It is comparable to the regular script of the Song Dynasty, the running script of the Song Dynasty, and the cursive script of the Ming Dynasty, forming a majestic and vigorous calligraphy style.
2. In the early Qing Dynasty, the country was at the beginning of peace, and many wastes were waiting to be revitalized. It was not yet able to pay too much attention to calligraphy. Therefore, the calligraphy style of the late Ming Dynasty basically continued during this period, which can be generally regarded as three lines of development: 1. It is a new development of the cursive calligraphy style in the late Ming Dynasty. The second is the traditional calligraphy style, and the third is the initial rise of seal script and official script.
Baidu Encyclopedia-Qing Dynasty Calligraphy
Baidu Encyclopedia-Yao Mengqi