Song Xuanhe's Book Score: "In the early Han Dynasty, Wang Cizhong began to use official script as regular script." People think that regular script evolved from official script. It is said: "On the tomb of Confucius, a regular script tree planted by Zi Gongzhi has straight and unyielding branches." The strokes of regular script are concise and refreshing, and must be like the branches of regular script trees.
In the early days, there were few official handwriting, the structure was slightly wider, the horizontal painting was long and the vertical painting was short. In Wei Jinzhong handed down from ancient times, such as Zhong You's "Declaration Form" (left), "List of Recommended Seasons", Wang Xizhi's "Le Yi Lun" and "Huang Ting Jing" can all be regarded as representative works. Look at its characteristics, as Weng Fanggang said: "Change the wave painting of official script, pick it up, and still keep the vertical of official script."
After the Eastern Jin Dynasty, the north and the south were divided, and calligraphy was also divided into two factions. The calligraphy style of the Northern School has inherited the legacy of Han Li. Its brushwork is simple and rigorous, but its style is simple and rigorous, so it is called "Weibei". Southern calligraphy is more sparse and beautiful than letters. During the Northern and Southern Dynasties, because of regional differences, personal habits and book styles were very different. The books in the North are strong and the books in the South are rich, each of which is wonderful and inseparable, while Bao and Kang Youwei highly admire the books of the two dynasties, especially the epitaphs of the Northern Wei Dynasty. Kang cited ten beauties to emphasize the advantages of Weibei.
Regular script in the Tang Dynasty, like the prosperity of the national situation in the Tang Dynasty, is really unprecedented. Calligraphy style is mature, and calligraphers come forth in large numbers. In terms of regular script, Yu Shinan, Ou Yangxun, Chu Suiliang in the early Tang Dynasty, Yan Zhenqing in the middle Tang Dynasty and Liu Gongquan in the late Tang Dynasty all valued their regular script works and regarded them as models of calligraphy.
In ancient times, there was a saying: "Learning calligraphy must start with the pattern, and writing must start with the big characters. Chinese characters are based on Yan, Chinese characters are based on Europe, Chinese characters are familiar, and then they are gathered into small characters. " However, according to the results of many years of experimental research, it is not appropriate for beginners to learn too big words first, but it is more suitable for Chinese letters.
The regular script of Ou Yangxun, Yu Shinan and Chu Suiliang, three great calligraphers in the early Tang Dynasty, is the most suitable model for copying Chinese characters. This is a simple introduction as follows:
Regular script, which originated from ancient Li, is based on the style of two kings and the style of northern school in the Six Dynasties. They are unique in structure, unique in originality, authoritative and influential in society, and are the standard for learning books. Investigating the characteristics of regular script, the pen is strong and powerful, the strokes are neat and tidy, and the structure is cheerful and healthy. His representative works of regular script inscriptions include "Jiuchenggong Liquan Ming" and "Huadu Temple Monument".
Yu Shinan's regular script, elegant and graceful, inherited the legacy of the wise and brave Zen master and was the clique of the Wang school. Although it originated in Wei and Jin Dynasties, its softness on the outside and rigidity on the inside swept away the cowardice of Wei and Jin calligraphy style. His masterpiece in regular script is Confucius Temple Monument.
Chu Suiliang's regular script is famous for its sparseness and strength. Although he is the ancestor of the right army, he can win its charm. Its font structure seems very bold and unrestrained, but it can skillfully reconcile the quiet style and create an unprecedented situation. His masterpiece in regular script is Preface to the Sermon of Yanta.
Lower case, as the name implies, is the lower case in regular script, which was founded by Zhong Yao in the Wei Dynasty of the Three Kingdoms. He is the most outstanding authoritative official script master, and his regular script style is also born out of Han Li, and his brushwork is very vivid. However, the structure is wide and flat, the horizontal painting is long and the vertical painting is short, and the legacy of official division still exists. However, the model method is ready, and it is actually the ancestor of the official book. When Wang Xizhi came to the Eastern Jin Dynasty, he studied the lower case calligraphy more carefully and made it perfect, which also set a good appreciation standard for China's lower case calligraphy.
Generally speaking, writing small characters is very different from writing big characters. In principle, writing big characters should be close and seamless, and writing small characters should be more spacious. In other words: writing big characters should be as accurate as writing small characters; Writing small characters is as cramped as writing big characters, so the ancients said, "Writing big characters should be like small characters, and writing small characters should be like big characters." In Su Dongpo's essays, there is a fine saying that "big characters are hard to be seamless, and small characters are hard to be generous". How do you say these words? Because when we usually write big characters, we think that our position (area) is very wide and we can write freely. As a result, the fonts become loose and empty. Writing small print is just the opposite, because the space is too small, and it is inevitable that you will try your best to shrink it if you are worried that you can't write it. It tends to curl. This is a natural psychological phenomenon, which is easy to break. Therefore, the CPSU's statement that "there are great difficulties and minor difficulties" is based on this statement and is based on experience.
There is not much difference between the center of gravity of writing fine print and the coordination of strokes. As for the pen, it is slightly different. Small print should be round, beautiful and quiet ... >>
Question 2: What is regular script? _? regular script
Regular script refers to a font that can be used in formal occasions and can be used as a model. We can understand the concept of regular script from two angles:
First, in a broad sense, whether it is seal script, official script, running script or cursive script, as long as it conforms to the statutes, it can be called regular script.
Second, in a narrow sense, it refers to regular script after Wei and Jin Dynasties. We generally say that regular script refers to the latter category. Regular script is also called official script and real script, which have similar meanings.
Question 3: What does regular script mean? Regular script, also called regular script, regular script, regular script or original script, is a common font in China's calligraphy. Its glyph is square, unlike the flat one written in official script. Regular script is still the reference standard of modern calligraphy in China, and another kind of calligraphy, pen-and-ink, has also developed.
Regular script is also called regular script, real script and official script. It gradually evolved from official script and became more simplified. The font is changed from flat to square, and the wave potential of Han Li is omitted in the strokes, which is horizontal and vertical. Ci Hai explained that its shape is square and its strokes are flat, so it can be used as a model. Hence the name regular script. It started at the end of the Han Dynasty and has been popular ever since. The appearance of regular script follows closely Han Li's composition and pursues the further development of formal beauty. During the Three Kingdoms period at the end of the Han Dynasty, Korean characters gradually changed from wave to wave, and strokes such as side (point), scanning (long), pecking (short) and lifting (straight hook) appeared, which made the structure more neat. Such as Wuwei medical bamboo slips and Juyan Han bamboo slips. Regular script is characterized by neat rules, so it is called regular script, which has been used ever since. [1] Regular script is a modular body, which was mentioned by Zhang Huai in Shu Duan. People in the Six Dynasties still used it habitually. For example, Cai of Yang Xin and Shan Wei's On Books all said: "The new words are generals, and the people in Beijing and Zhao are good at regular script." That's the abbreviation of "eight-block method", which didn't replace the name of the official book until the Northern Song Dynasty, and its content was obviously different from the ancient name. There is probably an example of the above. If these concepts are not clear, they will inevitably confuse other aspects forever, which is useless.
Question 4: What does Q's regular script look like? Q pronunciation, xuān n n.
Question 5: What does regular script mean? Regular script is a kind of Chinese character font, which is also commonly used handwritten orthographic Chinese characters. It is a long-term evolution of official script (now regular script, before Tang Dynasty) founded by Cheng Miao in Qin Dynasty, also known as regular script and regular script.
Question 6: What's the difference between regular script and regular script? There is no difference between block letters and regular scripts, which are also called block letters and real books. As long as you don't buy running script, running script is just a form with running script in the font.
Question 7: What are the four styles of regular script? Ou Yangxun in Tang Dynasty (European style), Yan Zhenqing in Yuanbao Dynasty (Yan style), Liu Gongquan in Tang Dynasty (Liu Ti) and Zhao Meng in Yuan Dynasty (Zhao Ti).
Ou Yangxun (557-64 1) was born in Linxiang, Tanzhou (now Changsha, Hunan). His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations.
Ou Yangxun (European Style) in Tang Dynasty: Regular script is rigorous and precipitous, and is praised as "the first regular script in Tang Dynasty" by the world, with its masterpiece "The Ritual Spring Inscription in Jiucheng Palace".
Yan Zhenqing, (709-785), a native of Wanzhao, Jingzhao, was born in Linyi (now Linyi, Shandong) in the Tang Dynasty. In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings. His book was first learned in Zhang Xu's four years in the early Tang Dynasty. Later, it was widely collected and learned, changed the ancient method, opposed the calligraphy style of the early Tang Dynasty, and used the pen of seal script to make it thin and hard, with a broad structure and magnificent momentum. This style also embodies the style of the prosperous Tang Dynasty, which is consistent with his noble personality. This is the beauty of calligraphy.
Yan Zhenqing in Tang Dynasty (Yan Ti): Regular script is dignified and majestic, known as "Yan Ti" in the world, and his masterpiece "Many Pagodas and Monuments".
Liu Gongquan (778 -865), whose real name was Cheng Xuan, was a Jingzhao Chinese in the Tang Dynasty. He is a prince's official and is called "Liu" in the world. Later generations called it "Yan Liu", which became a model of calligraphy in past dynasties. His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite.
Liu Gongquan (Liu Ti) in Tang Dynasty: His regular script is clean and vigorous, with rigorous structure, delicate brushwork and straight brushwork. He is known as "Liu Ti" in the world, and his masterpieces include Mysterious Tower Monument and Shence Army Monument.
Zhao Meng (1254- 1322) was born in Song Xue Road, Huzhou (now Xing Wu, Zhejiang). He is good at seal script, official script, authentic works, calligraphy and cursive script, especially at regular script and calligraphy. "The History of Yuan Dynasty" said that "Shu Meng's official calligraphy is the highest in ancient and modern times, so the name of the book is the world". Yuan Xianyu wrote the Collection of Xue Kunzhai: "Zi Angyin, Li, Zhen, Xing and Dian Cao are the first in the contemporary era, and Xiao Kai is the first among Zi Ang's books." His elegant style, neat structure and skillful brushwork are praised as "Zhao Ti" by the world.
Zhao Meng \ (Zhao Ti) in Yuan Dynasty: His regular script is round, delicate, correct and rigorous, and it is also called "Zhao Ti" internationally. His masterpiece is Rebuilding the Three Storeys of the Xuan Dian.
Question 8: What's the difference between regular script and official script? The basic characteristics of official script and regular script: official script is basically evolved from seal script, mainly changing the round strokes of seal script into square folds to make the writing speed faster, and it is difficult to draw round strokes when writing with pigments on wooden slips. Official script is a common solemn font in Chinese characters, with a slightly flat writing effect, long horizontal drawing and short straight drawing, and pays attention to "swallow tail of silkworm head" and "twists and turns". It originated in the Qin Dynasty and reached its peak in the Eastern Han Dynasty. Calligraphy is known as "Han Li Tang Kai". It is also said that official script originated in the Warring States period. Official script is flat, neat and exquisite. In the Eastern Han Dynasty, stippling such as skimming was beautified as upward provocation, with different degrees of severity and artistic beauty of calligraphy. Styles also tend to be diversified, which is of great artistic appreciation value. Regular script is also called official script, or real book. Its characteristics are: square shape, straight strokes, can be used as a model, hence the name. Began in the Eastern Han Dynasty. There are many famous regular script writers, such as Ou Ti (Ou Yangxun), Yu Ti (Yu Shinan), Yan Ti (Yan Zhenqing), Liu Ti (Liu Gongquan) and Zhao Ti (Zhao Meng? #92; ) and so on. Generally speaking, writing small characters is very different from writing big characters. In principle, writing big characters should be close and seamless, and writing small characters should be more spacious. In other words: writing big characters should be as accurate as writing small characters; Writing small characters is as cramped as writing big characters, so the ancients said, "Writing big characters should be like small characters, and writing small characters should be like big characters." There is not much difference between the center of gravity of writing fine print and the coordination of strokes. As for the pen, it is slightly different. Small print should be round, beautiful, straight and neat; Big characters should be magnificent and heavy. Use the back front (hidden front) to write big characters and the back front to receive pens; You don't have to use sharp edges to write fine print, but use sharp edges to collect pens.
Question 9: What does hard-pen regular script mean? Regular script is a font of China's calligraphy, also known as regular script, which appeared in Wei, Jin, Southern and Northern Dynasties and reached the peak of its artistic life in the Tang Dynasty. At present, the most classic inscription is "Liu Zhao the tern", one of the four masters of regular script. Earlier calligraphers included Wang Xizhi, Wang Xianzhi, Zhong You, and Zhi Yong monk.
The ancient regular script works we saw were all written with a brush, or directly written on paper or cloth, or burned on ceramic utensils and engraved on stone tablets after writing. But later, hard writing tools such as pens, pencils and ballpoint pens appeared. We call regular script works written with this writing tool "hard pen calligraphy".
However, there is another view that the hard pen appeared before the writing brush, because before we invented the writing brush, our ancestors had carved marks on animal bones and stone walls with stones and knives. Since it is also a writing tool, it should belong to the category of hard pen.
Although this view has some truth, marks do not belong to calligraphy after all, so they do not belong to calligraphy tools.
Question 10: What dynasty is the regular script? Regular script is also called official script, or real book. Its characteristics are: square shape, straight strokes, can be used as a model, hence the name. Began in the Eastern Han Dynasty. There are many famous regular script writers, such as Ou Ti (Ou Yangxun), Yu Ti (Yu Shinan), Yan Ti (Yan Zhenqing), Liu Ti (Liu Gongquan) and Zhao Ti (Zhao Meng).
Song Xuanhe's Book Score: "In the early Han Dynasty, Wang Cizhong began to use official script as regular script." People think that regular script evolved from official script. It is said: "On the tomb of Confucius, a regular script tree planted by Zi Gongzhi has straight and unyielding branches." The strokes of regular script are concise and refreshing, and must be like the branches of regular script trees.
In the early days, there were few official handwriting, the structure was slightly wider, the horizontal painting was long and the vertical painting was short. In Wei Jinzhong handed down from ancient times, such as Zhong You's "Declaration Form" (left), "List of Recommended Seasons", Wang Xizhi's "Le Yi Lun" and "Huang Ting Jing" can all be regarded as representative works. Look at its characteristics, as Weng Fanggang said: "Change the wave painting of official script, pick it up, and still keep the vertical of official script."