Mountains and clouds are far from clear, and mountains are still gone.
But I saw those two cliffs were dark, and there were hundreds of springs flying inside.
The winding forest and complex stones were hidden again, and I went down to Gukou and rushed to Sichuan.
Pingchuan Mountain is isolated from the forest, and Xiaoqiao Wild Shop is in front of the mountain.
Pedestrians are a little outside the tree, and fishing boats swallow the river.
How did you get this book, embellishing it and distinguishing beauty from ugliness?
I don't know where the world is, but I want to buy two hectares of land.
Didn't you see the secluded place in Fankou, Wuchang? Mr Dongpo will stay for five years!
The spring breeze shakes the drought in the river, and the clouds roll up the mountains and roll up the clouds.
Feng Dan turns crows over with water, making them loose and falling snow, and waking up at night.
Peach blossoms flow in the world. Must Wuling be a fairy?
Jiangshan dumped my dust, although there is a way to find it.
I'm sorry about this painting, but an old friend in the mountains should invite me back.
-Su Shi
The title of this poem is Painting by Wang Jinqing. Wang Shen (1037- 1093), whose real name is Jin Qing, was born in Taiyuan, and has been living in Kaifeng since Wang Quanbin, the founding hero of the Northern Song Dynasty (see Biography of Wang Quanbin in the Song Dynasty). His wife, princess royal, is the daughter of Shu Yingzong. Although he is a famous family, he loves literature and art deeply and has made friends with poets and painters such as Su Shi, Huang Tingjian and Mi Fei. The painting hall is located in the east of the private house, and the collection is quite rich. Su Shi wrote it as a record. Good at poetry and calligraphy, especially industrial landscape painting. It is good to write the scenery of Yunshan on the river, cold forest in the valley and plain with Li Cheng's painting method, and it also has sparkling colors. Both ink and bamboo are good at learning the same. According to the annotation of Su Shi's poem, this poem was circulated in Su Shi's ink, followed by "Yuan You studied on December 15th, three years".
There are twelve clouds in Fang's Zhao Wei: "The first paragraph is written as a narrative, which is beautifully written, with high brushwork and high tolerance." The so-called "narrative in words" means that this passage is essentially a description of the contents of Jiang Yan Picture, but there is no abstract description, but an image description. In fact, if you don't look at the title of the poem or the next paragraph of the poem, you won't think it is an introduction to the pictures of mountains and rivers, but only a description of natural scenery.
The first four sentences, focusing on lofty, write the general appearance of mountains and rivers. "On the River", click on the location of "Qian Shan died". Worrying about Your Heart melts your feelings into the scene. "Floating and accumulating Cui" is the inverted sentence of "accumulating Cui and floating", and the subject is "Thousands of mountains". "Emerald" is full of emerald color between the lines. "Qian Shan Wanshui" has accumulated infinite emerald, floating in the distant sky, like smoke and clouds. After the smoke disappears, the mountain shape still exists. A few poems, changing a static scene into a moving scene, are written in thousands of layers, and the emerald color floats like before.
The last four sentences, from far and near, from high to low, highlight the two cliffs first, and then fly out of the valley of two cliffs and hundreds of springs; These hundreds of flying springs linger in the Woods and rocks, sometimes appearing and disappearing, and finally "descend to the mouth of the valley" and merge into a huge river, rushing forward. Here, the poet unified the scenery with flying springs, thus using the artistic techniques of seeing the dark in the light and seeing the obvious in the hidden. Between the two cliffs, there are countless valleys, which are invisible and unable to write because of "darkness"; As long as you write a hundred springs flying in and out, it's not hard to imagine: this is seeing darkness in the light. The trees are sparse, and the strange stones are aboveboard, visible and writable; But if you want to describe them one by one, it will inevitably waste more ink and distract the key points. Therefore, it is not difficult to imagine why they are "hidden" only by writing the "hidden" of Baiquan: from hidden to obvious.
In the last four sentences, the poet draws the reader's attention from the valley where hundreds of springs meet to the close-up. "Pingchuan, Shan Kai and Lin Luduan" show three pictures; At the foot of the forest, there are bridges, wild shops, trees and pedestrians. And "A Leaf on a Fishing Boat" pushes the line of sight to the open Yanbo River. The word "swallowing the river" covers the panoramic view of "smoke waves overlapping the river", which really has the potential of Wan Li.
The following four sentences of "Your Majesty" are in themselves a paragraph. Ji Yun commented on the cloud: "The rhythm is wonderful and pure in the realm." Fang said, "Four positive sentences." The sentence "How did the monarch get this book" returned to the topic, which not only turned the real scene into a painting scene, but also pointed out that the painting was hidden by Wang Dingguo. It goes without saying that this painting is unique and provides a strong basis for the praise of "embellishing details and distinguishing beauty" The sentence "I don't know where there is such a world" has become a reality from the painting. I hope to seek such a beautiful country in the "world" and buy land for retirement, thus changing the layout of the whole article from scenery writing to lyricism and discussion.
"Didn't you see" is the last paragraph. Starting with "I don't see you", it leads readers to the world in the poet's memory. This kind of memory is not pleasant for poets. In March of the second year of Yuanfeng (1079), Su Shi stopped Xuzhou Zhizhou and changed to Huzhou. In April, I went to Huzhou. He Chen Zheng quoted the words in Huzhou Xie Biao and accused Su Shi of being "arrogant". Shu Shu, Li Ding etc. And criticized Luo Zhi's poems. On July 28th, Su Shi was arrested in Huzhou and put into Yushitai prison. This is Wutai Poetry Case (Rain Stone Terrace is also called Wutai). In December, the case was closed, and the deputy envoy of Huangzhou should be demoted forever. The country has been resettled and is not allowed to sign books and businesses. Su Shi arrived in the relegation mansion in February of Yuanfeng three years, and was appointed as the assistant minister of Yingzhou Yingyong in April of Yuanfeng seven years. * * * spent more than four years in Huangzhou. Now, because he saw the picture of the Yanhe River, he felt something and recalled the past. "You didn't see" leads to "the secluded place of Fankou in Wuchang", which points to the depths of the relegated land; "Mr. Dongpo stayed for five years" was a long time when he was relegated. In the following four sentences, Wu Beijiang thinks that it is not entirely wrong to write "Scenery at Four Seasons" alone, because it does write landscapes; But more precisely, it is not simply to write about scenery, but to use scenery to describe and express emotions because of scenery. These four sentences after the first two sentences sum up the poet's experience and feelings in that "secluded place" and "staying for five years": in spring, watching "the spring breeze shakes the river"; In summer, I am alone in "Juanjuan in the misty clouds and rainy mountains"; Lonely autumn night, "Feng Dan turns to crow with the water"; Indulge in winter, "long pine falls snow, drunk." One year, two years, three years, four years … year after year! The relegated life and mood are vividly expressed through the description of the four seasons.
The phrase "Peach Blossom Flowing Water" is continued with the allusion of "Peach Blossom Spring". Tao Yuanming's Peach Blossom Garden is an ideal society pursued by people suffering from tyranny and will be a fairyland for later generations. Su Shi said: Peach Blossom Garden is "on earth", and people there are not necessarily "immortals". These two sentences are the answers to "I don't know where the world exists". The sentence "Jiangshan is empty and I am dusty" has a turning point "Jiangshan is empty", which is closely related to "Peach blossoms and flowing water are on earth"; "I am Dust" is followed by six sentences: "I haven't seen you", which not only refers to the "five years" of relegation in Huangzhou, but also includes the present situation. Only "I am dusty" thought of buying land for retirement. The scenery in the first paragraph, "I don't know where there is such a scene in the world" in the second paragraph, "Peach blossoms on earth" and "mountains and rivers are empty" in the third paragraph all refer to places where you can retire. The following sentence "although there is a way" is an extension of this line. The "seeking" that "can't find the opportunity" is exactly where "seeking" retreats. Because I want to "find" and "have no chance", I "give you three sighs" Although "no chance", I still have to "find", and the whole poem ends with "an old friend in the mountains invited me back"
The title of this poem is "A Stack of Smoke River Maps Collected by Wang Dingguo", and of course, the first is the painter Wang Dingguo and the painter Wang Jinqing. "Jun" in the poem first refers to Wang Dingguo and Wang Jinqing. Influenced by Su Shi's Wutai poetry case, Gong and Su Shi were both demoted. Wang Jinqing was also involved in Wutai poetry case, because some of Su Shi's poems were "engraved" by Wang Jinqing. As a result, he was demoted to Zhou Jun. After returning to the DPRK, the three men got together, "sighing and writing poems belonging to each other to support things with sadness" (preface to Su Shi's "He Wang Jinqing"). This poem is a work of "nourishing things with sorrow".