Explanation: Pass: Pass. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.
From: Tang Yan Zhenqing's Notes on Zhang Changshi's 12-sense brushwork: "When using the front, I often want to make it pass through the back of the paper, which is very successful."
Ex: intention before writing. ◎ Zhao Qingyi's Ou Bei Shi Hua Volume 6
(of a writing style) like floating clouds and flowing water—natural and smooth
Description: the description of the article is natural and unconstrained, just like floating clouds.
From: Shi "Teacher Xie's Book": "Books and poems are familiar; Roughly like a flowing cloud, it has no definite quality at first, but it often goes in what it is doing and stops there. "
Example: the structure is like ~, with distinct levels, which echo before and after. ◎ Mao Dun's Thought of "Pear Garden"
No shirt, no shoes. Bixing
Explanation: shirt: coat; Footwear: shoes. * * * robes, * * * shoes. Describe the untidiness.
From: Tang Du Guangting's "Biography of Campus Guests": "When Taizong arrived, he came without clothes and shoes, arrogant in his eyes and different in manner."
Ex.: This man is a good man. He is my father's closest relative. ◎ Qing Liu E's Travels of Lao Can (the ninth time)
2. What are the idioms that describe scribbling? 1,
Dragon and phoenix dance [dragon and phoenix dance w incarnation]
At first, it described the grandeur of mountains, and later it also described the grandeur and agility of calligraphy.
Out: stone "table loyalty and monument": "Tianmu Mountain; When the water comes out; Dragon and phoenix dance; Excerpt from Lin 'an. "
2、
Powerful and unconstrained style [ti ā n m m m m MK?ng]
Tianma: What? Tianma flies as if soaring in the air. Metaphor poetry is unrestrained. It also means that people are impetuous and unrealistic.
Out: Liu Yuan Tingzhen's Preface to Satyaxi Poetry: "Those who are deified and detached from the public are almost unconstrained and extraordinary."
3、
Handwritten graffiti
Letter: Listen and feel free; Letter pen: write at will; Graffiti: The figurative words are poorly written and scribbled casually. Describe scrawled. It is also often used to express modesty.
Appearance: Tong's poem "Shi Tian Ding" reads: "I don't know how tired I am, but the clay figurine cries. Suddenly, I turned over the ink on the case and painted the poem like an old crow. "
4、
Crows fly, magpies mess.
1. It's easy to hear. ② Describe chaos.
Out: Feng Ming Menglong's "Folk songs and fishing boats hit strangers and scold each other": "One mouth tastes like a crow flying around, and it is used to eating cowhide and bird tendons."
5、
Full of paper
Describe scribbling, scribbling at will. Also known as "Hongyi is full of paper".
3. What are the idioms that describe "notes"? 1. Take a long snake with a pen: bǐ zǒu lóng shé.
Interpretation: Describing calligraphy as vivid and magnificent.
2. The cloud startled the dragon
Interpretation: Describe the exquisiteness of calligraphy.
3. Dale g
Interpretation: Yan: Tang Dynasty calligrapher Yan Zhenqing; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty. Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
4. Running water: xíng yún liú shuǐ
Interpretation: Metaphor poetry is purely natural, unrestrained or insignificant.
5. Iron-painted silver hook: Tihu à yí n G not u not u
Interpretation: painting: strokes; Hook: hook. Describe the softness of calligraphy.
4. Describe idioms with good calligraphy, such as walking the dragon and snake, penetrating the back of the paper, dancing the dragon and the phoenix, and flowing freely.
First, the pen walks the dragon snake
Interpretation of vernacular Chinese: With a stroke of the pen, you can show the expression of dragon and snake dancing together.
Said by: cursive script song: "It seems to smell ghosts and gods, and you always see dragons and snakes."
Dynasty: Tang Dynasty
Author: Li Bai
I seem to be frightened by a ghost. At that time, I only saw the dragon and snake leave.
For example, grandpa's writing brush strokes is like writing dragons and snakes in one go.
Second, the force penetrates the back of the paper.
Interpretation of vernacular Chinese: force: pen power. Tou: yes. Describe the vigorous and powerful calligraphy; The nib almost pierces the back of the paper. It is also a metaphor for literary works with profound thoughts or superb skills in depicting characters.
Said by: "Zhang Changshi's Twelve-character brushwork": "It often tries to make it pass through the back of the paper, which is extremely successful."
Dynasty: Tang Dynasty
Author: Yan Zhenqing
Translation: They are sharp and often want him to penetrate the back of the paper, which is the highest level of success.
Ex.: His handwriting is very good, which penetrates the back of the paper.
Third, dragon and phoenix dance
Vernacular interpretation: such as dragonfly; Like a phoenix dancing. It turns out that the mountain is winding; Magnificent and majestic. Old superstition; Thought it was imperial weather. Now describe calligraphy as elegant and colorful. Multi-fingered cursive.
From: "Watch the Loyalty Monument": "The mountain with long eyes and plenty of water, flies while flying, shines in Lin 'an. "
Dynasty: Song Dynasty
Author: Su Shi
Tianmu Mountain is the birthplace of carrying water, with winding mountains and concentrated in Lin 'an.
Example: His cursive script is flying like a dragon and a phoenix, and he is worthy of being a famous calligrapher.
Fourth, running water.
Vernacular interpretation: describe the article as natural and unconstrained; Like floating clouds and flowing water.
From: "The Book of Pushing Officials with Xie": "Calligraphy and poetry are all familiar; Roughly like a flowing cloud, it has no definite quality at first, but it often advances in what it does and often stops in what it can't stop. "
Dynasty: Song Dynasty
Author: Su Shi
Translation: The essays of Buddhist poems seem mature; Generally speaking, like floating clouds and running water, there is no fixed form, but it often starts in the right place and often ends in the inevitable place.
Example: This article is scattered in form and meaning, and is worth reading.
Five, strict care
Vernacular interpretation: Yan: Tang Dynasty calligrapher Yan Zhenqing; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty. Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
From: Bachelor of Arts "Sacrificing Stone": "The pen of the pen, Yan Gu."
Dynasty: Song Dynasty
Author: Fan Zhongyan
Man Qing's pen and Yan Liu's calligraphy.
For example, after several years, he has learned very well and his strokes are quite imposing.
5. Describe the words that are particularly beautiful, beautiful, neat, flowing, neat and incisive.
First, roll embroidery
Explanation: Beautiful.
Quotation: The first article of Ba Jin's "New Life" wrote: "I flattened the envelope, tore it open and took out a narrow piece of paper. It is a good hand of Wenzhudi. "
Second, neat [g not ng zh ě ng]
Explanation: meticulous and neat; Don't scribble (especially when writing a paper).
Quote: Ba Jin's Cold Night 26: "That pile of stationery is full of her handwriting, which is quite neat, but the style is different from usual."
Three. (of a writing style) like floating clouds and flowing water—natural and smooth
Description: the description of the article is natural and unconstrained, just like floating clouds.
From: Mao Dun's Random Thoughts on the Pear Garden: The structure is like flowing clouds, with distinct levels, one after another.
Fourth, neatness.
Explanation: orderly; Organized; Not chaotic.
Quote: Lu Xun's Preface to the Compilation of Southern Dialects and Northern Dialects: "If I get more tidy materials, I will still write short stories."
V. Go straight to the point [rê mê sā n f ē n]
Commentary: According to legend, Wang Xizhi wrote on the board, and when the carpenter carved, he found that the handwriting penetrated into the board for three minutes. Describe that calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
Said by: Qin Mu's Reaching Out: When we read this poem, we have a feeling of penetrating everything and stirring people's hearts.