The six elements of Mr Wang Dingjun's composition have finally come to an end. Although it is a short composition book, it is really extremely interesting. When reading, he often hides his face and laughs, or laughs directly. After reading it, I would like to thank a literary man for condescending to write such a beautiful reference book for us pawns outside the door, which seems to open the entrance to writing a mysterious "Xanadu" and enjoy the scenery along the way through the boat built by Mr. Wang. It is wonderful.
Just about to give Enzai, who is about to enter school, a calligraphy class. The book quoted Mr. Xuan Shuzheng's experience in writing brush characters when he was young. When he was a child, he began to write calligraphy in red, and the red word "red" was a model for learning. The characters in italics are printed on paper in red. The "tracing" of tracing red is that students dip ink in red strokes with a brush, and the black part should just cover the red part, without revealing red or exceeding red. Most students can't practice calligraphy at one go. Distraction delays time, and the pen tip dries. At that time, the popular habit was to put the pen tip in your mouth and soften it. When children from scholarly families come back from school, most of them have ink marks on their lips, just like when painters call it a day, there is paint on their trouser legs, and when kitchen maids serve food, there are a few drops of soy sauce on their skirts. Xuan Shuzheng said that when he painted red, "he often painted two pieces of red on his lips", which was very nice.
After the stage of painting red, it is a temporary post. "Iron" is a copy of famous calligraphy, and the writer imitates it one by one. At this time, only a piece of white paper is used for writing, and the words on the post seem to be spread out on this piece of white paper. The teacher asked you to follow the copybook over and over again until your handwriting was exactly the same as it. At this time, the deepening of red painting and psychological red painting are not as easy as red painting, with sweaty palms and sweaty chest and back. At this time, Xuan Shuzheng came to the mysterious tower of Liu Gongquan. Liu Gongquan's brushwork is like an elongated bow, twice as hard as painting. He said that he got up early every day to "climb" the mysterious tower, and the word "climb" was beautifully used. Think about it: if you copy the tablet of Yanshi temple, you may want to bump into it; If you copy 90% of the palace, it's like being a maid-in-waiting in the dark.
Xuan Shuzheng's article goes on to say that three years later, he changed his teacher, changed the template of calligraphy and began to copy Lu Runxiang? Xiang's "Night Tour of Six Bridges and Waiting for the Moon". The reason for changing copybooks may be that Lu Runxiang is the No.1 scholar in Suzhou, and Uncle Xuan is a native of Suzhou, dating his fellow villagers. Lu's regular script is neat and soft, close to Xuan Shuzheng's temperament. Visiting the Sixth Bridge at night and waiting for the moon? A short essay was originally written by Yuan Hongdao, a Sanyuan person in the late Ming Dynasty. Lu slightly changed it and kept a regular script for later study. The location of the night tour is the West Lake, and the article is very chic, with less pressure to post. Xuan Shuzheng has calligraphy classes every day. He is so close to every word in the post that every word is fermenting and incubating him. He wandered in the dream of words. According to Xuan himself, he "swam the West Lake with a pen for three or four years until he graduated from primary school". It's a little "unbearable" for children to learn to write Chinese calligraphy. Xuan Shuzheng's childlike structure and clever word formation make ordinary experiences fresh and special.
CICI, who likes reading and painting, used a wonderful recommendation, "Well, you can also practice while reading". Pingsheng's handwriting is not too ugly, but it is far from it. In the third grade of primary school, three or two students studying calligraphy in the class were often called out by the teacher to write for school activities. They are envious and want to write hard. They work very hard in the teacher's writing class, but the teacher's only praise is that "every pen is written slowly" and they have never praised the "good writing" that they have been longing for. One of the three students still has a crush on himself, so even when he grows up, he prefers boys with good handwriting, such as his current husband.
When you arrive in Enzai, you can learn calligraphy and practice calligraphy beside you. After reading Mr. Xuan Shuzheng's calligraphy experience, he insisted on giving his brother a good hand.