"Yan Ti" is aimed at Yan Zhenqing's regular script. Its regular script structure is square and dense, the strokes are horizontal and light, the brushwork is vigorous and round, and the momentum is solemn and vigorous.
Yan Zhenqing has opened up a brand-new realm of calligraphy: in terms of characteristics, Yan has a brand-new figure, strict statutes and great momentum. From the aesthetic point of view, beauty of face and beauty of body are dignified, masculine and artificial, and beauty of number is simultaneous, which sets a rule for later generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan style appeared, the new style of Tang Doutan casting became one of the distinctive features of the prosperous Tang Dynasty.
His regular script is contrary to the calligraphy style of the early Tang Dynasty, featuring brushwork. It is a typical example of perfect combination of calligraphy beauty and personality beauty. His calligraphy style is called "Yan Ti", which is also called "Yan Liu" with Liu Gongquan, and has the reputation of "Yan Liu Jin Gu".
Among them, Guo Bei and Duo Baota Bei are his representative works, but his personal style has not yet formed. He is refined, beautiful and handsome. Yan Bei is the first masterpiece of the old man. At this time, his vigorous and powerful personal style has been formed, and his works in his later years are represented by the more attractive Magu Mountain Xiantan.