Jejunum roast wine emerges,
The song goes down and the autumn wind grows.
At the beginning of this century, I went to Mr. Yu Qingyuan's house and found the bamboo carving left by Zhao in Jingshan. I couldn't get it out, so I had to settle for the next best thing. I immediately "rubbed" it out with a pencil and white paper, then chose a big bamboo, asked someone to carve it and copy it, and hung it in the restaurant for another ten years. At that time, I only knew that Zhao was good at seal cutting, and he carved less than 400 square seals in his life. Bamboo carving was the first discovery.
According to Mr. Yu, this bamboo carving was carved in the inclined pit of Jingshan Mountain. Xiekeng is also the only place to go to Jingshan, which is halfway up the mountain. It is certain that Zhao arrived in Jingshan in a certain autumn. I estimate that he went to Jingshan on the eve of his appointment in Jiangxi. First, from the time when Wei carved the tablet, he changed his "dirty beginning and dirty end" problem; The second is to try to figure out his mood when he carved this pair of children. "The Mountain Reflects" and "The Autumn Wind is Long" just reflect his state of mind after he is not confused.
Now it takes nearly half an hour to drive from the foot of the mountain to Jingshan Temple. In those days, it was not easy to climb Jingshan. Those are all mountain roads. You must walk with your feet. Zhao walked tired and hungry, and finally drank rice wine in a mountain family. He is really happy. He sang and made love to the moon. When he was proud, he stayed for a few days and left this bamboo carving, which left a valuable artistic wealth for Jingshan.
The empty field is full of wine, and the autumn wind is long. Interestingly, what is "Mangjiao" to "autumn wind"? "Angle, touch also. When things touch the ground, the horns are also ground. " Here awn angle refers to the sharp leaves of plants; Stone? The poem "Pan-West Lake at Night" says: "There is no bullfight in the Black Dragon, and Chang Geng rises in Dongmangjiao." The awn angle here refers to the light of the stars; "If a husband writes evil, there will be no angle, and if he writes wide, the book will be weak." The awn angle here refers to the pen tip; "You must spit out the horns on your chest." Here, awn angle refers to a person's spirit or spirit. Zhao's "awn angle" I thought refers to the latter.
Zhao Qianzhi lived from Daoguang to Guangxu in Qing Dynasty and experienced four dynasties: Daoguang, Xianfeng, Tongzhi and Guangxu. Social corruption, opium is harmful, hairy rebellion, Yuanming and other gardens were burned by foreigners, and he was born in troubled times. He had no choice but to follow the old road of China literati and learn calligraphy and seal cutting. Only art was useless, thus creating a generation of artists. Zhao was disheartened by the decline of the world. After 44 years old, he went into politics, determined to be a good official who was loved by the people and tried to save the people in from the mire. He quoted Ouyang Wenzhong from a banquet in the Twelve Cities of Xiangjiang Pavilion and wrote: "Officials and people have always been compatriots, so we should pay attention to the painful treatment of our bodies. This state is called the ancient Tang Dynasty, and our generation should follow the example of Han officials. " Zhao went to Jiangxi from 1872 and devoted himself to the compilation of Jiangxi local chronicles. Since 1878, he has served as the magistrate of Poyang County, Fengxin County and Nancheng County. Spend money to get Poyang, but it was destroyed by the flood after taking office 19 days. Although "Dan Li spared no effort", she was dismissed in the second year; Later, he was given the right to serve the new, build Confucian temples, bridges and cities, which won the hearts of the people; Finally, the power of Nancheng County coincided with the invasion of Taiwan by French soldiers, and the army of aid to Fujian flowed through Jiangxi and Zhao, and broke down from overwork at the official residence, at the age of 56. After the Great Depression, Lao Qian was buried in Dingxiang Mountain in Hangzhou. Intellectuals in China run the country by wishful thinking and passion, just like Zhao.
Baidu information: Zhao (1829- 1884), with the prefix "Lengjun"; Change the words later? Uncle, whose real name is Tie San, Han Liao, also known as Bei 'an, Wumen and Mei 'an, was born in Shaoxing, Zhejiang, and was a famous painter and seal engraver in Qing Dynasty. He lived in the "Two Golden Butterflies Hall" and the "Room of Sorrow". He used to be an official in Poyang and Fengxin County, Jiangxi Province, and was good at calligraphy. He is a beginner in Yan Zhenqing and transferred his seal to Deng. Later, he became a school of his own, eccentric and strong, and he was not out of date. He is good at painting, and flowers learn from the stone. He is a pioneer of freehand brushwork flowers in the late Qing Dynasty. At the beginning of seal cutting, I learned from Zhejiang School, followed Qin and Han Dynasties, and returned to Song, Yuan and Anhui Schools. I collected Qin imperial edicts, Han mirrors, spring coins, Han inscriptions and inscriptions as seals, which swept away the old habits and became a grand view. When I was young, I was famous for my talent. His accomplishments in calligraphy are various, and he can integrate the brushwork of truth, cursive script, official script and seal script, and complement each other. Zhao Ceng said: "Being alone is expensive and the world is big. Many people say that it is always exhausted and it is hard to find it alone." He made unremitting efforts in poetry, calligraphy, painting and meaning all his life, and finally became a master.
He added: Zhao studied calligraphy since he was a child, and he was well-read and knowledgeable. He used to make a living by painting and calligraphy. I took three exams and failed. At the age of 44, he was the editor-in-chief of Jiangxi Tongzhi. He served as the magistrate of Poyang, Fengxin and Cheng Nan, and died in office. He is good at figures, landscapes, especially flowers. At first, he painted beautifully. Later, he adopted the methods of Xu Wei, Zhu Da and Yangzhou Eight Eccentrics. His pen and ink tend to be indulgent, with vigorous and free brushwork, rich colors and innovative ideas. His calligraphy began in Yan Zhenqing, and later he took the inscriptions of the French Northern Dynasties. His regular script is tactfully written and is called "Di Wei's face"; On the basis of Deng, seal script combines Wei Bei's brushwork, which is unique and can also be used as a cursive script based on Wei Bei. Zhao Chu copied eight seals from Xiling, and after Huizhou School, he added imperial edicts, Han mirrors, coins, tiles and clay seals, forming a unique style with changeable composition and fresh artistic conception, and creating a new frontier style. His art organically combined poetry, calligraphy, painting and printing, which had a great influence on the art world in the late Qing Dynasty. Many of his paintings and calligraphy works have been handed down from generation to generation, and later generations have edited and published a variety of picture albums and collections, including the biography of an ascetic monk, the poem of an ascetic monk, Dan Xian, the epitaph of traveling all over the world, the notes of the Six Dynasties, etc., and printed with the seal of two gold stacks.