Characteristics and brushwork of Zhao Ti characters

The characteristics and brushwork of Zhao Ti characters are as follows:

1, hidden and full knot

Generally speaking, the strokes of regular script should be written against the front, back to the front and back, with hidden edges, which is extremely subtle. Zhao Ti dares to talk about going against the trend, but Zhao Ti's brushwork only focuses on going against the trend, going against the trend in space and not completely hiding his edge. Closing the pen means going back to the front, but I didn't mean to be frustrated. Force circle. This way of writing not only does not destroy the beauty of animals, but also increases the sense of life and natural relaxation.

2. Brush strokes stop evenly

Zhao Ti's strokes vary, but they are more elegant. Liu's body is obviously much more uniform. And there is no fixed program for horizontal light and vertical weight. Which one should be heavier and which one should be lighter in the end depends entirely on the need of words.

Step 3 fluctuate

Zhao Ti's paintings. Horizontal painting is full of ups and downs and twists and turns.

4, stippling echo

Zhao Ti's regular script draws lessons from the writing method of running script, which means running script, and points and paintings echo each other and are connected by freehand brushwork. Some even use running script, and there is a draw between strokes.