"Chu style", that is, Chu Suiliang's calligraphy font, is very suitable for writing big characters according to the inherent characteristics of Chu style. Generally speaking, Chu style has three main characteristics, that is, it is practical, in layman's terms, it is adapted to local conditions, and according to the characteristics of Chinese characters, when it is wide, it is long, and it will not deliberately change the font, which is exactly the characteristics needed to write Chinese calligraphy.
Secondly, from the aspects of word spacing and line spacing, the layout of Chu Ci is compared with Shu Lang and Shu Lang, and even compared with Shu Lang from the aspect of the layout of a word.
Third, Chu Feng's figures are smart, and it is difficult for calligraphy to be horizontal and vertical. Posture is a key point. Among Chu-style characters, not only are they good at drawing postures horizontally, but other strokes can also be used to take postures. The postures of the characters are changeable, especially when they are left and right, just like boxing, which belongs to that kind of outward-looking type.
To sum up, according to the characteristics of Chu style, Chu style is very suitable for writing big characters.
The skills of writing Chinese characters with Chu pen;
1. Swing pen: In long strokes with large characters, in order to emphasize the astringency of the stone, you can increase the up-and-down movement when you cross, and increase the left-and-right swing when you stroke vertically, but you should increase the appropriate pressure.
2, pen withdrawal: suitable for centers and wingers, writing long pens can appropriately increase pen withdrawal, which can increase the sense of pen leakage. The method of withdrawing the pen is to raise and press the pen tip properly in the line pen and add a small retreating action intermittently.
3. Skip the pen: write big lines and graffiti. When the pen is dry to the last stroke, you can lift it slightly, but don't leave the paper, so that it will produce some flying white sand pens, and then sink the pens and put them away. It can generate motivation and change, and give people inner strength.
5. Brush: In order to create a sense of rhythm of black and white, virtual reality and dryness, you should still finish writing the words or strokes after the pen is dry, slow down the writing speed, increase the pressure, finish with a dry brush, and stop collecting the pen.