Egret by Guo Moruo.
Guo Moruo is a modern and famous proletarian writer, poet, playwright, archaeologist, thinker, archaeologist, historian, calligrapher, scholar, famous revolutionary and social activist in China, and is well-known at home and abroad. He is the founder of China's new poetry and a recognized leader in revolutionary culture after Lu Xun.
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in terms of calligraphy art, Guo Moruo has also made extraordinary achievements and occupies an important position in the history of modern calligraphy. Guo Moruo took "turning back to the front, reversing into the flat" as the key to writing an eight-character book. His calligraphy style not only attaches importance to learning from teachers, but also is innovative, showing bold creative spirit and vivid characteristics of the times, and is praised as "Guo Style" by the world.
Guo Moruo is good at cursive writing, and his brushwork is cool, vigorous and free and easy, with flexible operation and endless charm. Although his regular script works have not been preserved much, they are particularly skillful, fluent and both in form and spirit. Guo Moruo's exploration and practice in calligraphy art lasted for more than 7 years. The calligraphy of young Guo Moruo was recognized by the society, which began in the year of 1911.
After the founding of New China, Guo Moruo engaged in more abundant calligraphy creation after heavy state affairs. He is generous, well-informed, and has left countless inscriptions on Mo Bao for historical sites, industrial and mining schools, as well as friends from all walks of life and at home and abroad.
His calligraphy works are numerous and have a wide influence, few of which are better than others. The huge calligraphy works created to commemorate the 15th anniversary of the founding of the People's Republic of China are one of Guo Moruo's masterpieces.
in his calligraphy works, there is a kind of "literary" breath everywhere, which is cherished in the chest, conjuring up thousands of thoughts, trickling out from the pen, creating a realm that is integrated with his poetry, literature and history, and showing it to readers in the form of externalization of calligraphy.