Flowers can't bloom, and independent fences are not poor.
Instead of blowing incense into the north wind, it is better to hold it in the branches and wait for death!
Translation of ancient Korean dramas;
You are open in autumn and never associate with flowers. Alone by the sparse fence, your sentiment and interest have not diminished. I would rather die in the branches than in the cold north wind!
Appreciate:
This poem entitled "Cold Chrysanthemum" shows Zheng Sixiao's ideological character and open mind. The poem begins with the fragrance of the evening: in the beautiful spring season in bloom, the unique chrysanthemum stands in the fierce wind and frost, and does not compete with the flowers. Zheng went on to write that the flowers had withered, and only chrysanthemums stood by the hedge, which was full of interest. The "interest" here not only refers to the natural interest of chrysanthemum in resisting frost and displaying brilliance alone, but also refers to the painter's subjective interest in chrysanthemum image, that is, lofty, loyal, sincere and complacent. Tao Yuanming's interest in "picking chrysanthemums under the hedge" and "making sense" is integrated into the poem. Fan Chengda mentioned the saying that "Chrysanthemum is not as good as a gentleman" in Preface to Chrysanthemum in Fan Village. As the saying goes, when people get old, flowers and trees will decline, which is the only thing that makes your hair look beautiful and proud. This is a gentleman's practice. Fan Chengda's preface is consistent with the theme of Zheng Sixiao's poems, and the model essay can help us understand the profound connotation of Zheng Sixiao's poetic images.
The last two sentences are very poetic. After the chrysanthemum blooms, it gradually fades on the branches, but the petals don't fade and fall to the ground, so the cloud says, "The branches hold incense and die." The north wind is a metaphor for the invasion of the aristocratic ruling group from the north in the Southern Song Dynasty. In the poem, the metaphor is that you would rather die than succumb to Meng Yuan's ruling clique, which shows the lofty integrity of "rather die than surrender" and sincerely interprets the poet's own lofty national integrity. These two poems have their own origins. In the Song Dynasty, Zhu's poem "Chrysanthemum" said that "I would rather stick to the fragrant branches and grow old than dance with the yellow leaves in the autumn wind", which deepened the meaning of the poem and had a strong flavor of the times.
The object of this poem is the chrysanthemum in the painting, and the focus of the poem is to express the will, not to give play to the painting theory, so it has the characteristics of chanting things. The whole poem describes the shape of chrysanthemum, gains the spirit of chrysanthemum, and goes beyond it. While fully expressing the natural attributes of chrysanthemum, it also describes Zheng Sixiao's patriotic feelings, which not only shows the natural beauty and painting beauty of chrysanthemum, but also shows the personality beauty of painters and poets, so that the naturalness and sociality of chrysanthemum images are harmonious and unified. This poem has lofty aesthetic experience and profound philosophical implication, from which readers can gain aesthetic pleasure and life enlightenment.
Precautions:
1. Disagreement: Disagreement, dependence. And, together
2. Sparse hedges: Sparse fences.
3. Not poor: endless, endless.
4. Die with incense: Chrysanthemum will not fall off after withering, but will still wither on the branches, so it will die with incense.
5. He Zeng: No, never.
6. North wind: cold wind, pun intended here, also refers to the brutal forces of the Yuan Dynasty.
Creative background:
Zheng Sixiao was a patriotic poet in the late Southern Song Dynasty. After the demise of the Southern Song Dynasty, the author lived in seclusion in a monk temple in Suzhou and never came out as an official again. He even sat facing south, indicating that he had not forgotten the Song Dynasty. This poem was written after the demise of the Southern Song Dynasty. ?
About the author:
Zheng Sixiao (1241-1318) was a poet and painter in Lianjiang (now Lianjiang County, Fuzhou City, Fujian Province) in the late Southern Song Dynasty. Because of its original name, it was renamed after the death of Song Dynasty, because it was an integral part of Zhao's surname in Song Dynasty. Recalling the word Weng means not forgetting the old country; No.3 is in the south, sitting and lying down every day, facing south and north. He also claimed to be a descendant of the giant mountain, a poet in Ding Jing, a savage in Sanwai and an old lady in Sanwai. I once tried to give up my life in business school to become knowledgeable. When the Yuan army invaded the south, it offered a defense strategy to the court, which was not adopted. Houke lives in martial arts.
Zheng Sixiao was good at making orchids, and spent less money on Xiao Ye, which showed that the land in Song Dynasty was plundered. Rootless orchids mean that the Southern Song Dynasty lost its land base. There are poems such as History of Mind, Works of Mr. Zheng Suonan, Poems of One Hundred and Twenty Pictures by Weng Suonan, etc.