1, direct lyric
Take the first person "I" as the lyric subject, and directly express the author's thoughts and feelings. It's also called direct expression. For example, the central sentence of Li Bai's Dream of Climbing Mount Tianmu is "Ah, how can I solemnly bow and scrape to those high-ranking officials whose sincere faces will never be seen?" On the basis of narrative description, the author expressed his thoughts and feelings of not colluding with the rulers with the passion of volcanic eruption.
Another example is Lu You's poem "Xiuer": "When you die, you will know that everything is empty and you will see Kyushu's sorrow. Julian Waghann set the Central Plains Day in the north, and the family sacrifice did not forget to tell Nai Weng. " The first two sentences begin with comments, expressing the poet's patriotic feelings of restoring the Central Plains until his death.
2. Indirect lyricism
Indirect lyricism can be divided into three categories according to the author's borrowing things: borrowing scenery to express feelings, borrowing things to express feelings, and borrowing things to express feelings.
Poets use various artistic techniques to express their thoughts and feelings euphemistically. It is divided into scene blending, borrowing scenery to match feelings, and expressing things. For example, Li Bai's "A Gift to Wang Lun" and Liu Yuxi's "Ci of Zhi Zhu" all adopt indirect lyric methods on the basis of narration. The difference is that the former uses "Peach Blossom Pond is deep in thousands of feet" as a metaphor for "Wang Lun sends me love", while the latter skillfully uses homophonic pun "Tao is sunny or sunny" to express the subtle love between lovers.
Borrow scenery to express emotion or blend scenes:
When a poet feels something about a scene or an objective thing, he entrusts his feelings and thoughts to the scene to express it, and expresses it through the description of the scene and the object. This lyric way is called borrowing scenery or borrowing things to express his feelings.
Scenery blending: it includes three forms: first, emotion in the scene, second, emotion in the scene, and third, emotion writing in the scene. China's ancient poems include pine and bamboo, Meilan, Shanshixi, ancient desert road, sunset at the border, jathyapple breeze, drizzling grass, banana residue, phoenix tree drizzle, duckweed, swan goose crane, roadside pavilion and so on.
It is often the object that poets express their feelings, and these scenes are no longer purely natural things, but carry and convey people's extremely rich and complicated thoughts and feelings. For example, Bai Juyi's "The Mountain Fire is Unfinished, and the Spring Breeze is High" vividly expresses his admiration for tenacious vitality through the image of "original grass".
For example, Liu Yong's Where Do You Wake Up Tonight, and Yang Liuan Xiao Feng's Canyue, the description of this scene contains the poet's infinite sadness and hatred.
In general, it is the happy scene of Syaraku's feelings, and the sad scene expresses the sadness, but it is also useful to express the sadness with the happy scene or sad scene of Syaraku's feelings.
The most typical example is in the Book of Songs: "I wasn't there yesterday, Liu Yiyi. I think about it today, it's raining. " Yi-Liu Yang, the beautiful spring scenery is intoxicating, but it is a sad time to leave; It's raining, it's raining, it's freezing, and it's time for my husband to return home! Writing mourning with music scenes or writing mourning with Syaraku can double the effect of mourning.