The contents of the ancient poems about places of interest and historical sites are as follows:
1. Inscription on the West Forest Wall
Viewed from the side, it looks like a ridge and a peak on the side, with different heights near and far. I don’t know the true face of Mount Lu, just because I am in this mountain.
"Inscription on the Western Forest Wall" is a poem written by Su Shi, a writer in the Song Dynasty. This is a landscape poem with paintings within the poem, and it is also a philosophical poem. The philosophy is contained in the description of the scenery of Mount Lu.
The first two sentences describe the different morphological changes of Mount Lu. From the horizontal view, Lushan Mountain stretches and winds, with lush and green mountains and mountains; from the side, the peaks are undulating, with strange peaks protruding into the clouds.
Looking at Lushan Mountain from different directions from far away and from near, the mountain color and momentum you see are different. The last two sentences express the author's deep thoughts: The reason why you will have different impressions when looking at Mount Lu from different directions is because you are "in this mountain".
2. Wanglu Mountain Waterfall
The incense burner in the sunshine produces purple smoke, and you can see the waterfall hanging in front of the river in the distance. The stream flows straight down three thousand feet, like the Milky Way falling into the sky.
"Two Poems on the Waterfall of Mount Lu" are two poems written by Li Bai, a great poet of the Tang Dynasty. One is a five-character ancient poem, and the other is a seven-character quatrain. These two poems closely follow the word "look" in the title. They both use Xianglu Peak in Lushan Mountain to describe the scenery of Lushan Waterfall. They both use the word "hang" to highlight the waterfall hanging like a bead curtain in the sky, using highly exaggerated artistic techniques.
The waterfall is vividly sketched, and then the specific scene of the waterfall is described in detail. The waterfall is described as majestic and magnificent, with a myriad of atmospheres, just like a vivid landscape painting.
The second one, Qijue, has always been widely recited. The first two sentences describe the majestic scene of Lushan Waterfall, which is both hazy and majestic. The last two sentences use exaggerated metaphors and romantic imagination to further describe the image and momentum of the waterfall, which can be said to be every word.
3. Wangyue
How is Dai Zongfu? Qilu is still young. The clock of creation is beautiful, and the yin and yang cut off the dawn. There are clouds growing in the chest, and birds returning to the canthus. You will be at the top of the mountain, and you will have a panoramic view of the mountains.
"Wang Yue" is an ancient five-character poem written by Du Fu, a poet in the Tang Dynasty. By describing the majestic scenery of Mount Tai, this poem enthusiastically praises the towering momentum and magical beauty of Mount Tai, reveals his love for the mountains and rivers of the motherland, and expresses the poet's willingness to not be afraid of difficulties, dare to climb the top, and overlook everything. Ambition and spirit, as well as the heroic ambition to be independent and benefit the world.
One or two sentences describe the vastness of the Taishan Mountains; three or four sentences describe the majesty and majesty of Mount Tai; five or six sentences are about looking carefully from a distance and seeing the clouds of peaks, as if there are returning birds entering the valley. Seven or eight sentences imagine what you will see when climbing mountains in the future, and at the same time express your ambitions.
4. Zhongnan Mountain
Taiyi is close to Tiandu, with mountains and seas. The white clouds look back and merge, and the green mist comes in to see nothing. The peaks in the field change, and the clouds and sunshine are different. If you want to stay somewhere, ask the woodcutter across the water.
"Zhongnan Mountain" is a five-character poem written by Wang Wei, a poet in the Tang Dynasty. The first couplet describes the distant view of Zhongnan Mountain, rendering the towering and endless atmosphere. The couplet goes from far to near, describing the feelings on the way to the mountain: climbing in the mountains, looking back at the way we came, white clouds and green mist form a vast expanse, but we are nowhere to be seen in it.
The neck couplet goes from high to low, describing the impression of climbing to the top of the mountain, highlighting the vastness and depth of Zhongnan Mountain. The last couplet outlines a picture of asking for directions in the mountains, expressing the desolate and deep meaning that the mountains and ravines bring to people's hearts. This poem describes the sceneries from far to near, changing shapes step by step, vividly and vividly, describing the myriad shapes of the scenery in Zhongnan Mountain. The whole poem has strong writing power, vivid charm and fresh artistic conception, just like a landscape painting.