1, flowing, flowing.
2. Pick up the pen and daub it a few times, and a flying dragon will pop up on the paper. The dragons he painted are lifelike, magnificent and varied.
3. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked and almost overturned, but this inclination is not blunt, but relatively free, which embodies his arbitrary side and has his own style.
Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly, with a strong pen and great effort.
4. Gu Mo grinds a few perfumes lightly, and the new bath in the inkstone pool is full of light, either thick or tactfully, or graceful and graceful beauty, or vigorous and brave, or spring breeze, or deep and cold when the north wind enters the customs.
5, the brushwork is bold, the posture is horizontal, and out of carelessness, his palm is forgotten, which has the characteristics of the most angry perfusion.
6, its color, its shape, its yin and dryness, its breaking and turning, the thickness of hidden dew is endless, and the weather is myriad.
7. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.