Calligraphy-an ancient art of writing Chinese characters, from Li Si, the prime minister of Qin Dynasty, to Guo Moruo, a great modern writer, has left wonderful ink marks in the world, which is a unique cultural aura of Chinese civilization. Among thousands of writing symbols in the world, only China's Chinese characters can create this kind of writing art and show its eternal charm.
Some people say it is a silent Peking Opera, others say it is a colorless painting-in short, it has become a unique image of China and a national quintessence of China.
With the development of calligraphy today, its practical function has been greatly weakened, while its artistic value is constantly expanding. When people from different cultural backgrounds appreciate China's calligraphy, they are obviously not only appreciating the characters themselves, but appreciating the taste and realm of life.
As a famous calligrapher in Qinghai, Wang Qingyuan is neither a modern writer who lives by writing nor a traditional one who fiddles with the moon. However, his military career and interest in life gradually led him to reach a hopeless agreement with his calligrapher. By comparing his calligraphy works and understanding his life track, you will consciously or unconsciously give birth to a kind of recognition that "ink has true meaning and pitching is life"
Participating in calligraphy exhibition is not his ultimate goal, but it is a necessary form of communication with the outside world. When you appreciate his calligraphy works, you feel not only his talent and interest, but also his character and personality, as well as his atmosphere and realm.
"Sincerity, whitewashing, less affectation and no ostentation"-this is Mr. Lu Xun's advice on writing and being a man. If you use this sentence to give advice on calligraphy, it is obviously to the point-because the essence of artistic mystery is actually interlinked and integrated. When I feel Wang Qingyuan's calligraphy, I have a feeling that his heart is virtuous, his mood, his mental image, his heart-his calligraphy is in our nature, like a natural sound without decoration, like a meteor without trace. Heart, hand, ink and meaning-what his calligraphy shows is the result of cultivation, just like the wind blowing on the sand dunes and the spring singing on the Songshan Mountain.
Real calligraphy is natural, and real calligraphy returns to nature. Learn from nature and don't stick to nature. Advocating nature, but also higher than nature-this requires subtle grasp and transcendental sentiment. I think that Wang Qingyuan's calligraphy is by no means at the mercy of structure, nor is it a wandering ink meaning, but between intentional and unintentional, above the creation of intention and environment.
Understanding this big image requires a big realm. Wang Qingyuan's more than 20 years of military career, more than 20 months of ups and downs, swords and shadows, groping-can it be said that his heroic and dusty, has nothing to do with his calligraphy practice?
The majestic atmosphere of the Qinghai-Tibet Plateau, the tempering experience of the snow-capped mountains and deserts, the eagle hitting the sky directly, and the weeds singing in the wilderness-can it be said that the primitive vicissitudes of that school have nothing to do with the connotation of his calligraphy?
Military career has nothing to do with singing and dancing; Military life is insulated from affectation; Military career is the most real life track-the track revealed in his calligraphy has its own broad and real background.
Obeying the dedication of military career is selfless; Obeying the performance of a calligraphy art means having me. Between me and myself, above me, the mystery of his book can only be understood, but it is difficult to explain.
He comes from the countryside, from simplicity, from the military camp, from the literary and art circles, from the most thorough rules and Fiona Fang-these information, like his palm prints, run through the context of his calligraphy works. Experience has created his affinity for calligraphy, and learning from the ancients has created his calligraphy personality. After all, the art of calligraphy does not come out of thin air, and everyone has his or her learning experience when he or she is a toddler. In his calligraphy works, we can clearly see the looming and unreal shadows of the ancestors' calligraphy masters. Wang Qingyuan's calligraphy works seem to have a quaint taste. Did he do it spontaneously or intentionally? Is it emotional appeal or the pursuit of chic? It seems so, but it is not. Looking at his calligraphy, sometimes you feel that you are talking to an ancient farmer, and sometimes you feel that you are playing chess with an ancient philosopher. A sense of distance pushes you closer and closer, and pushing far and near seems to be a heart.
Wang Qingyuan likes calligraphy since he was a child. He used to draw nourishment from the pen and ink of Jin people, but what really benefited was Ode to Shimen and Su Dongpo and Huang Tingjian. However, whether Wang Qingyuan believed in the past but was not fascinated, he gradually formed a simple, elegant, natural and unique style, due to a natural guidance.
In the final analysis, the art of calligraphy still comes down to people themselves. In the field of calligraphy sharpening and character cultivation, there is no doubt that all roads lead to the same goal. His calligraphy works have been selected for the National Book Fair, and his name has also appeared in various classics, and his works have also won various awards. But when you wander in his humorous calligraphy intention, all external description and carving will appear redundant and cumbersome.
Taste, realm, meteorology, life, culture and philosophy-these are the endless and lifelong value goals in his calligraphy field. In the face of impetuous cities, rampant material desires and publicized fame and fortune, he believes in and sticks to an old proverb: quiet and far-reaching. He believes that art rejects greed. Calligraphy is not colorful flags, stocks, stamp collecting, gambling and lottery tickets. True art depends only on honesty and wisdom. True art abandons luck and luck.
Fortunately, the highland where he lives is vast, but the road he has traveled is far away. Look forward, look back, everything is in silence.
He believes that life is limited and the sea of books is boundless. He believes that mountains and rivers are flowing and friends are comfortable. He thinks that the calligraphy world enjoys it.