Commenting on the calligraphy art, Liao, a famous calligrapher, Mrs. Xu Beihong and chairman of China Calligraphers Association, said: "Zi Zhong's calligraphy art touched many people with the charm of' vigorous and harmonious', and more and more people hung his works on their desks, halls and bedrooms. His calligraphy is fluent, graceful, steady and durable. Its running script and official script, on the basis of absorbing many Mo Yun, have their own styles. Although the book style is authentic, elegant and harmonious, it does not lose its majestic charm, giving people a sense of strength and pleasing to the eye. The style of the book is full and thick with a pen, open posture, square shape and upright character; His book style is unassuming, unpretentious, comely and free, easy to accept, easy to read and without curiosity. Its composition is even in density, quiet and peaceful, lively and elegant, and its brushwork and ink painting are harmonious and unified. Zi Zhong's book is true, elegant and harmonious. Its character is' primitive, just and kind'. Therefore, the words' integrity, clarity and harmony' are my basic evaluation of Xiao Zhong's books and character. "
In the spring of 265438+the beginning of the 20th century, Matu won the gold medal in the New Century Asian Painting and Calligraphy Exhibition. Mrs. Xu Liao was full of praise for Ma Tu, calling it "close-fitting, straightforward, open-minded, cool as a horse's sad rhyme, and full of sense of the times". It can not only bring readers into the artistic vision of "seeing a loyal horse makes a sad horse", but also lead readers' thoughts to yearning and association for a better future, which is the spiritual enjoyment of beauty brought by the painter. Mr. Lei, an art critic and former general secretary of China Artists Association, said in his comments: "Zi Zhong has devoted himself to studying the horse painting techniques of Xu School for many years. With his profound calligraphy skills and his calm, bold and familiar understanding of Xu Beihong's "having a horse in his chest" and "having a whole horse in his chest", he has created many "horses of Xu School", which are full of tragic horse brushwork genes and have the characteristics of the times. The appearance of "Kyoto Sanma", in which Wang Zizhong is among them, reflects the objective requirements of the times for inheriting Xu Beihong's classic works, shows the professionalism and aura of Xu Paima's paintings, opens up a way to directly provide authentic Xu Paima's paintings from Xu Beihong's studio, and relieves the helplessness of many people who are obsessed with collecting Xu Paima.
265438+In the early autumn of the 20th century, Song Hetu won the gold medal in the UNESCO Cross-century Painting and Calligraphy Exhibition of World Peace Educators. Wen Jing, the wife of Xu Liao, praised Wang Zizhong as "the crane of the north". She said: "Zi Zhong's painting of cranes, like many painters, has formed its own unique techniques and artistic style and has become the artistic language of A Crane in the North. Therefore, his crane has been recognized by the society, loved by the public and praised by experts. " Lei said in a special comment: Zi Zhong's crane painting is the crystallization of his years of hard study. A solid theoretical foundation and a solid pen and ink foundation come from his fearless and painstaking pursuit and accumulation. The cranes in his works are various in shape, graceful in posture and unique in brushwork, forming a style and establishing his reputation as "a crane in the north".