The tiles with the same characters are varied face to face, and some have rough borders, but the characters are ethereal and light, with strong contrast and rigid-flexible combination; There are also the words "Long live the Millennium" and "Thousand" in the tile, which are regarded as "double hooks" because of the lack of strokes. They are combined with other words in reality and reality, complement each other and are unique.
Or boldly delete the word "autumn", clean and neat, seemingly non-existent, looming, memorable, vivid interpretation of Laozi's concept of "existence", which has a far-reaching impact on later calligraphy art.
The deep-rooted concept of "Yin-Yang deficiency and excess" makes the creation of tile-shaped art reflect the trend of the times and artistic aesthetic fashion, and begins the hard exploration of pursuing "artistic conception" in calligraphy creation. Not only do we pay attention to the change of face spirit, exaggeration, scattered modeling and blank space layout, but we also stick tiles on the whole building and the surrounding natural environment to pursue the beauty of overall harmony.
Tiles are placed on the eaves, and you can see the sunshine from morning till night. Because of the intensity of light, the contrast of angles, the lightness of colors and the concave-convex background of tiles, it gives people an unpredictable aesthetic feeling.
The foundation of the beauty of Chinese characters lies in skill and momentum, and the tile, as a decorative part of the building, is even more solemn, because it is the foil of solemn and magnificent tall buildings. And different buildings, different regions, write different styles of tiles. In this way, both calligraphy and architecture itself will show more personality beauty.
China's calligraphy is often combined with poems and paintings, and word tiles are often used to write auspicious words with interesting, wishing and praying meanings, or combined with pictures to bring out the best in each other. Calligraphy creates a deeper and more beautiful artistic conception through the connotation of words or paintings.
Tiles are often equipped with patterns and nails, words add interest to paintings, and paintings add color to words. For example, "On the Tomb" and "Quewen Palace" are lively, illustrated and have no monotonous feeling; "Niangong" tile, with zigzag and square characters and three single-line clouds, is very decorative; "Changle Fugui", the layout of words and pictures is reasonable, the collocation is proper, and it is not chaotic.
The shape of tile circle is divided into semi-circle, fan-shaped circle or patchwork due to the number of recorded characters, which greatly exerts the artist's imagination and creativity, and obtains superb and radiant text deformation in order to adapt to ever-changing situations.
The peculiar form of tile-dang characters is "squeezed out" by the inherent spatial form. This is a creation full of brand-new interest and vitality, and it is also an unprecedented free creation.