2. Four-character idioms are suitable for calligraphy works with a long history.
Yang Lichang
It goes back to ancient times. Metaphor has a long history.
Tang Bai Juyi's "Epitaph of Mrs. Haizhou" Source: "The husband is long and the roots are deep."
Structural combination.
The usage is awesome Mostly used in the origin and origin of historical things. Generally used as predicate and attribute.
Pronunciation length; It can't be pronounced as "zh m: n ɡ mn ɡ".
Identify the source of the shape; Can't write "original".
Synonyms are endless, endless and endless.
The antonyms are rootless wood and passive water.
China has a history of 5,000 years. China culture can be described as ~.
3. Pupils' calligraphy idioms are incisive.
rù mù sān fēn
[Interpretation] This means that calligraphy is vigorous and powerful. After metaphor, it is well-informed; The discussion was profound.
[Language] Zhang Tang Huai Guanshu broke: "Jin Emperor sacrificed to the northern suburbs; I wish you a better version; Workers cut it; The pencil is inserted into the wood. "
[Pronunciation] 3; It can't be pronounced "shān".
[shape discrimination] into; Can't write "people"
Draw a silver hook with a penetrating paper back.
A glance [antonym]
[Usage] Used as a compliment. Praise others or make profound comments. Generally used as predicate, attribute, adverbial and complement.
[structure] is more formal.
Some essays by Lu Xun vividly exposed the ugly faces of Kuomintang reactionaries.
Handwritten with great force
[Idiom story]
4. What are the four-character idiom calligraphy? Such as swimming in the clouds to frighten the dragon, penetrating into the wood, protruding into the bone, deftly scaring the dragon, floating in the Phoenix Garden, flying in a snake, penetrating through the back of the paper, drawing silver hooks with iron, flowing in the clouds, and dancing with a pen [bǐ zǒu lóng shé]. Basic explanation: describe calligraphy.
2. The basic explanation of [cán tóu yàn wěi] is that it describes calligraphy as dignified and light. 3, full of muscle and strength [fēng jīn duūl] Basic explanation: Feng: plump, rich; Tendon: a ligament in a tendon or bone; Many: redundant.
Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
4. Jiao Ruojing Long [ji m: o ru ò j: ng ló ng] Basic explanation: Jiao: Jiao. It is often used to describe the vigor of calligraphy or the beauty of dance.
5, force through the paper back [lò t ò u zhǐ bè i] Basic explanation: penetration: passing through. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper.
It also describes poetry as profound in conception and concise in words. 6, three points into the wood [rù mù sā nē n] Basic explanation: According to legend, Wang Xizhi wrote on the board, and when woodworking carved, he found that the handwriting penetrated into the board three points deep.
Describe that calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
7. Iron-painted silver hook [ti Huàyín gūu] Basic explanation: painting: strokes; Hook: hook. Describe the softness of calligraphy.
5. Four-character idioms in calligraphy, complete works of dragons and snakes at the bottom of the pen.
Describe calligraphy as vivid and imposing. Source: Xiao Xiaosheng of Ming Lanling's "Jin Ping Mei Hua Thorn" The thirty-first chapter: "Wen Gong is knowledgeable and knowledgeable, and the dragon snake at the bottom of the pen is really talented."
A long snake used a brush to describe calligraphy as vivid and magnificent. Source: Tang Libai's "Cursive Song": "Always seeing dragons and snakes, the left side is shocked."
Silkworm head and phoenix tail describe calligraphy as dignified and light. Source: Song Zhao's "Xuanhe Painting Spectrum Yan Zhenqing" "Only he is loyal to heaven and knows the world, so the spirit is seen in the table of calligraphy, which is unique and inclusive.
..... After popular science, it is to seek the end of its shape, which is called the swallow-tail of silkworm head, and it is only obtained. "Heavy sound a joy, powerful and smooth, vigorous and bright.
Describe the fluency of poetry and calligraphy. Source: The law book should be recorded. Volume one quotes an ancient cloud from Yang Xin's Who's Who: "The emperor of Wu is like grass, and the world calls it joy."
Calm, happy, strong and smooth, energetic and hearty. Describe the fluency of poetry and calligraphy.
Source: Song's Cang Shi Debate: "There are probably two things, saying that you don't want to travel far, you are calm and carefree." Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant.
Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain." Lu 'an Drifting Park: Go with the flow.
Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati. Source: Tang Hanyu's poem "Gashen Mountain": "Ke Dou's fist cover is upside down, the phoenix floats, and the tiger flies."
Phoenix dances, dragonfly describes calligraphy as powerful and flexible. Source: "Biography of Heroes of Children" The tenth time: "Only this calligraphy can be written like this, which is really admirable."
Phoenix flies back to Hong Kong: fly high. Metaphor calligraphy strokes flying and stretching.
Source: Jin Fu on the Floating Clouds: "Luan Xiang, Hong Fei, whales catch the waves, thrush crocodiles run." Ancient fat is barren now, which means different calligraphy styles.
Source: Tang Yuanyan's handwritten book Volume 2: "Impermanence is called ancient fat, and amethyst is called today's barren. Different from ancient times and modern times, fat and thin are the opposite. "
Crane knee and bee waist (1) This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry.
② Two kinds of sick pens in calligraphy. Source: Wei Songqing's "Poet Jade Scrap, Poetry Disease, Poetry Disease has Eight": "Three words are called bee waist, and two words cannot be synchronized with five words ... four words are called crane knees, and the fifth word cannot be synchronized with the fifteenth word."
Zhong You and Hu: Bell in the Three Kingdoms Period: Bell in the Three Kingdoms Period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin.
Describe the beauty of calligraphy. Source: Zhang Tang Yan Yuan's "Fa Shu": "The Three Kingdoms are famous for creating running scripts, and Zhong You learns its methods. Hu Shu is fat and thin, and each has its own advantages."
A calligrapher who paints sand and ink, figuratively speaking, uses a pen. Source: Liang Lun Shu: "Brush the sand like a cone and print the sand like mud."
Graffiti describes poor calligraphy or writing. Used as a word of modesty.
Source: Song Minglian's Time Series of Meeting Han Bo: "Grain Rain is insensitive and it is useless to teach. He responded with empty words, doodling every day and giving it every day. " .
6. Appreciation of Four-character Idiom Calligraphy Promote Traditional Art Four-character idiom calligraphy "Be ambitious": "If a worker wants to do a good job, he must first sharpen his tools." If he wants to achieve great things, he must aim high.
To aim high means to pursue lofty ideals, career aspirations and Excellence. There is also the artistic conception of "Let's go straight to my Yun Fan and bridge the deep and deep sea".
For example, the fastest warship of Beiyang Navy was named "Zhiyuan Ship", which means to ride the wind and waves and sail to a distant place. Four-character idiom calligraphy is "quiet and far-reaching": Since ancient times, many scholars have worshipped the famous saying "quiet and far-reaching, indifferent to Zhi Ming", showing a Confucian demeanor.
This sentence can lay a basic view of everything in the world for a person's life, and it is also the highest realm of self-cultivation in China's traditional culture. Only when you are indifferent and quiet can you gain insight into the world, and only when you are purely introverted can you be far-sighted.