(1) From the calligraphy works, it can be seen that the author's innovative ability and skill level are formed by publishing all the personality characteristics, calligraphy styles and styles on the basis of learning from predecessors.
(2) We can also see the author's skill level in brushwork, ink painting and composition, as well as his ability to control and handle various contradictions such as line layout and composition in calligraphy works.
(3) According to whether the works created by the author are the perfect combination of calligraphy and self-created poems, it can be seen that the author's cultural background is actually relatively simple, but the author's cultural level often has a huge gap! We know that great calligraphers in ancient times were usually good at poetry and prose. Preface to Lanting written by Wang Xizhi is a perfect combination of article and calligraphy.
(4) Yan Zhenqing's "Sacrificing a Nephew" is also the true expression of the author's blood and tears, articles, calligraphy and feelings; Zhao, the champion of the Ming Dynasty, wrote more than 2,000 words on the spot, which is also a model of combining articles with lower case calligraphy! The so-called kung fu is above poetry, and our predecessors' calligraphers never only wrote calligraphy, but they have extremely high knowledge!
(5) By tasting calligraphy works, we can see the connotation of the author's ideological interest and spiritual realm, that is, there is an bottomless book soul and noble personality sentiment! China people say that "words are like people", "learning books is in the law, and its beauty lies in people", "Kung Fu is beyond words", "Virtue lies in the Tao", "Learning from thousands of books, walking on Wan Li Road", "cultivating noble spirit, becoming noble wind", "taking pride in poetry and books" and "studying for ten years, cultivating spirit for ten years".