1 calligraphy pen, center-based, flat paper, Qi Li. Qi Li, to show strength.
Pay attention to speed, be calm, and skim it gently, naturally weak.
Pay attention to elasticity, the brush is elastic, and we need to use the best elastic critical point. This critical point is that the maximum elasticity of the brush will not deform the brush. If the brush strokes are distorted blindly, resulting in the deformation of the brush strokes, it is naturally impossible to print evenly and the brush strokes are weak.
4 Pay attention to the paper. The ability of paper to eat ink is different, and the writing effect is also different, so grasp it well in contact.
5 Contrast strokes to enhance your horizons. Write strokes in different ways that you have developed, and observe the texture of strokes carefully. It is best to read more ancient original works to improve the appreciation level.
[Li]
The power of strokes in calligraphy or painting
Ability to write, draw and write articles with a pen; The momentum of the article is called pen power.
Chinese name
The power of strokes in calligraphy or painting
spell
Bly
example
Powerful strokes
Release; Emissions; issue
Words and pictures
The power of strokes in calligraphy or painting
Bly
[Brush power of calligraphy or painting]
Example: the pen is vigorous.
1. The momentum and strength of words, paintings and texts in pen and ink. "Biography of Wang Sengqian in Southern Qi Dynasty": "On the book, it is called the book of Kong Lin. It is naturally indulgent and has great brushwork, and the rules may be behind Yang Xin." "Chen Shu Literature Biography Du Zhiwei": "I shot Xu Mian, tasted his writing style, and valued his brushwork." In the Qing Dynasty, Du Hui wrote the Book of Peace and Literature: "Changli answered Cui Lizhi's book, and the last paragraph also imitated Cao Zijian and Yang Dezu's book, but the brushwork was heroic and revealed." The third time in Travel Notes of Lao Can: "Only one person is painted, which looks like the shape of Liezi against the wind. The clothes and belts are blown up by the wind, and the brushwork is very vigorous. " Huacheng 198 1No. 1: "They are all poems written by some great poets, but none of them is as widely circulated as a night-mooring near maple bridge by Zhang Ji."
2. Writing ability. Song Fan Zhongyan's Book with the Public: "Many people call it a loyal Confucian, but they have no guts, but their thoughts are not refined and their pen power is insufficient." Chen Kangqi's Biography of Lang Qian in Qing Dynasty (Volume 8): "Parallel prose in Zhou Dynasty began with Chen's comments, and it was brilliant and elegant, and its brushwork was enough to control."