Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy.
2. What are the good words and sentences that describe calligraphy works?
1, pen full of ink b ǐ h ā n mò b m: o
Pen and ink are used freely and incisively. It describes calligraphy and poetry.
2, the pen to the dragon snake bǐ zǒu lóng shé
The dragon and snake pranced in the fence. Describe the vigorous and free brushwork of calligraphy.
3, dragon and phoenix dance w incarnation
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
4. Dragons and snakes are flying.
Describe the vigorous and vivid strokes of calligraphy. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
5. Luan Piao Feng Bo LUN piāo fèng bó
Luan: the legendary phoenix. Originally, calligraphy was described as unrestrained and uninhibited, and it was also compared to the separation of husband and wife in high flyers.
6. Luan Simao von Zhou Luan xiá von zh.
Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty and diversity of calligraphy or poetry style.
7. Get to the heart of the problem.
Calligraphy used to be descriptive, but now its analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Good sentences:
1, take a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
2. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
3. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.
4. Wang Xizhi has a deep understanding of real calligraphy, calligraphy and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".
5, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
6, publicity, not tied at all, even the whole line is put down, like a fairy to escape, come and go without a trace.
7. I borrowed a wisp of flying smoke from a meandering stream, polished an inkstone lightly with my hand, and laid a blank sheet of paper for my mood.
8. In one stroke, if the field of vision is out of control, the horse will fly and leave; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
9. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
10, although paternal, is not a new coincidence. Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry.
3. Idioms describing calligraphy works include dragon and snake at the bottom of the pen, exquisite ink pen, dragon and snake pen, swallowtail with silkworm head, hiding the head and protecting the tail, sinking happily, leisurely and happy, graffiti beginners, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon dancing phoenix, full of vigor, dancing with phoenix, dancing with dragonfly, returning with phoenix and ancient fat. Eager to rush to spring, eager to be angry with horses, eager to rush to spring with deer, eager to learn from the back of paper, study in the pool, stick one's bones and tendons, fly and dance, fly like dragons and phoenixes, fly like dragons and snakes, stretch and bend like dragons, jump and lie like tigers, change like Rowen Hu Zhen, Rowen Hu Zhen and leopard. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
4. Idioms about calligraphy, Yan Jinliu ancient, dragons and snakes flying, flowing clouds, iron painting silver hooks, phoenix floating and mooring, Yan Jinliu ancient explanation: Yan: Tang Dynasty calligrapher Yan Zhenqing; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
From: Song Fan Zhongyan's Bachelor of Arts in Sacrificing Stones: "The pen of the pen, Yan Gu." Man Qing's pen, Kuching, Yan Liu.
Second, the dragon and snake fly to explain: it seems that the dragonfly and snake swim. Describe the vigorous and powerful calligraphy.
From: the stone "Xijiang Yuepingshan Hall" words: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." I haven't seen an old fairy for ten years, and the dragon and phoenix dance on the wall.
Third, the explanation of flowing water: describe the article as natural and unconstrained, just like floating clouds and flowing water. From: Shi "Teacher Xie's Book": "Books and poems are familiar; Roughly like a flowing cloud, it has no definite quality at first, but it often goes in what it is doing and stops there. "
Translation: "It seems that the essays on religion and poetry are mature; Generally speaking, it's like running water. There is no fixed form, but it often starts where it should be, only when it can't stop. " Fourth, iron painting silver hook explanation: painting: strokes; Hook: hook.
Describe the softness of calligraphy. From: Tang Ou Yangxun's On Pen: "Wandering and pitching, tolerant of romance, just iron painting, charming as a silver hook."
"Wandering around, gentle and romantic, just iron painting, she is like a silver hook." V. Luan Piao Feng Bo Interpretation: Piao Piao: Go with the flow.
Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati. From: Tang Hanyu's poem "Gashen Mountain": "Buckle fist falls, phoenix floats, tiger flies."
Translation: "Ko fights with fists, and Xiao Luan Phoenix Park kills tigers." .