The four-character idioms in the complete collection of calligraphy idioms are as follows:
1. What are the idioms that describe the good handwriting?
1. The pen is full of ink [bǐ hā nm ò b? o]: The pen and ink are used very freely and fully. Describe calligraphy and poetry.
2. The dragon and snake [bǐzǒulóngshé]: The dragon and snake in the pen leap. Describe the vigorous and free-spirited brushwork of calligraphy. Also write for the conductor.
3. Writing Huang Ting for the first time [chūxiěhuángtíng]: In the old days, there was an idiom that "writing Huang Ting for the first time was just right". Later used as a metaphor to do things just right.
4. The sword is at daggers drawn [jiànbánǔzhāng]: The sword is drawn from its sheath and the bow is opened. Describe the tense situation, explosive. Later, it also means that calligraphy is vigorous and imposing.
5. Penetrating through the back of the paper [lò t uzh ǐ bè i]: It originally meant vigorous calligraphy, but now it is also used to describe vivid and profound poetry.
6. while dancing like a dragon [lóngfēifèngwǔ]: flying like a dragon, flying like a phoenix. The original description is bold and unrestrained and magnificent. Nowadays, calligraphy is described as lively, flexible and skilled, and vivid plastic arts of dragons and phoenixes.
7. Flying dragon and snake [lóngfēifèngwǔ]: It describes the vigorous and vivid strokes of calligraphy. Su Shi's Xijiang Moon? Ping Shan Tang: "I haven't seen an old fairy for ten years, and dragons and snakes are flying on the wall."
8. Luan Piao Feng Bo [luánpiāofèngbó]: Originally, calligraphy was described as chic and unrestrained. It is also a metaphor for the separation of husband and wife of advanced students.
9. Luan Xiang Feng Zhu [luánxiángfèngzhù]: A metaphor for the flying posture of calligraphy.
1. [měinǚzānhuā]: describes the beauty of calligraphy or poetry style.
2. Four-word words describing good calligraphy Calligraphy: pen and ink are full: pen and ink are used freely and fully. Describe calligraphy and poetry.
the dragon and snake in the pen: the dragon and snake prance in the pen. Describe the vigorous and free-spirited brushwork of calligraphy. Also write for the conductor.
Huang ting was first written: Huang ting: the Taoist classic Huang ting Jing, and the Jin people had a small regular script of Huang ting Jing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at the beginning is just right". Later used as a metaphor to do things just right.
Spring earthworm and autumn snake: It is a metaphor for poor calligraphy, bending like the tracks of spring earthworm and autumn snake.
The sword is drawn from its sheath and the bow is opened. Describe the tense situation, explosive. Later, it also means that calligraphy is vigorous and imposing.
Examples: Zuo Qiuming made a biography of Chunqiu, and summarized the calligraphy of Chunqiu into several types of examples, and gave a general explanation. Later, the style of the book was described as "giving examples and giving examples" because of the classification and examples. See "Make an example".
penetrating the back of the paper: It originally meant vigorous calligraphy, but now it is also used to describe vivid and profound poetry.
while flying like a dragon, flying like a phoenix. The original description is bold and unrestrained and magnificent. Nowadays, calligraphy is described as lively, flexible and skilled, and vivid plastic arts of dragons and phoenixes.
flying dragon and snake: describe the vigorous and vivid calligraphy style.
3. What are the four-character idioms used to describe calligraphy: total annihilation, dragon snake with a brush, swallow tail with a silkworm head, abundant muscle and strength, deft and startled dragon, penetrating through the back of paper, penetrating into the wood, iron-painted silver hook and fairy pearl
1. Dragon snake with a brush [bǐzǒulóngshé]: It describes calligraphy as vivid and imposing.
2. Swallowtail of silkworm head [cántóuyànwěi]: It describes that calligraphy starts with a dignified stroke and ends with a slight illness.
3. Rich in muscle and strength [fē ngji and NDU not Li]; Abundance: fullness, fullness; Tendon: a ligament on a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than strong.
4. If you are agile, you will be surprised by the dragon [ji m: oru ò j: ngló ng]. It is often used to describe the vigorous strokes of calligraphy or graceful dancing.
5. Penetrating through the back of the paper [lü t ò uzh ǐ bè i]: passing through. Describe that calligraphy is vigorous and powerful, and the brush stroke is almost penetrating to the back of the paper. It also describes poetry as profound in conception and concise in words.
6. Get to the point [rê mê sā nf ē n]; According to legend, Wang Xizhi wrote on the board, and when he was carving, he found that the handwriting penetrated into the board three minutes deep. Describe calligraphy with great pen power. Nowadays, the problem of metaphorical analysis is very profound.
7. Iron-painted silver hook [ti ě huying not u]; Painting: strokes; Hook: Hook. Describe the softness of calligraphy.