Lei Feng's handwriting is not up to the level of calligraphy, but it has a spirit worth remembering.

Lei Feng has been away from us for a long time, but the spirit of Lei Feng is always the beauty of life and still around us. This kind of beauty is not only reflected in life from time to time, but also kept in his diary forever. Reading Lei Feng's diary will not only be touched by his simple words, but also by his simple calligraphy.

Lei Feng writes calligraphy in his own way. One is neatness. When I saw Lei Feng's handwriting, my first impression was neatness. Neatly is the basic requirement of calligraphy, and it is also the unchangeable law of the development and evolution of calligraphy. There are neat rules for seal script, and there are also neat rules for official script. Even cursive scripts need neat rules. Of course, the neatness of cursive script is not only a requirement of form, but also a requirement of statutes. If you don't scribble casually, it's neat. Obviously, Lei Feng's calligraphy is neat. Good people write neat calligraphy, and Lei Feng's calligraphy is a neat form in which people and books are integrated.

The second is to lean to the right. Lei Feng's calligraphy has a very obvious feature, that is, the word potential inclines to the right and down. Although the word posture is oblique, the center of gravity is stable, and it is oblique but not down. This should be a small miracle of Lei Feng's calligraphy, and it is also the pen and ink embodiment of Lei Feng's high spirit and open mind in his youth. In those days, young people wrote calligraphy to show off their feelings and pursue their own style. In the tide of the times, Lei Feng pursues the characteristics of individuality in calligraphy, and the characters are vivid and lovely.

Third, there is spirit. Lei Feng's calligraphy is neither soft nor light, and his pen is powerful and his words are energetic. The fonts in Lei Feng's diary are all youthful gestures, making public and lively, writing the form into a sense of scene and the spirit into a profound place. Calligraphy is full of spiritual temperament, which stems from Lei Feng's warm and lively mood.

Lei Feng's ordinary is that he is in the ordinary, and Lei Feng's greatness is that he can gather small ordinary into a big spirit. Looking up at these beautiful and neat handwriting written for love in Lei Feng Diary, you will feel that the word "calligraphy" is not ungrounded sublime, but ordinary people can leave a mark on it. As long as there is spirit, pursuit of the times and love, calligraphy will always show emotion. Book lovers read Lei Feng's diary and these youthful calligraphy handwriting. Have their thoughts returned to that fiery era? Like to share.