In life, fate is always interdependent. 1962, Shanghai Calligraphy and Seal Cutting Research Association (predecessor of Shanghai Calligraphers Association) held a calligraphy exhibition, and Zhou Huijun was selected as "Shu Su Tie" near Mi Fei, which was also published in Xinmin Evening News. Zhou Huijun was greatly encouraged by the success of a small experiment. She learned calligraphy from famous teachers such as Shen, Gong, Weng Kaiyun and Bai Jiao, and has been in various copybooks. Her passion for calligraphy art is in generate.
Unexpectedly, the "Cultural Revolution" came, her father was overthrown, and she became a "black five children". All her father's collections were stolen and the whole family was forced to move into a storage room. The storeroom is small, dark and damp, and the rheumatoid arthritis in Zhou Huijun is getting worse and worse. By chance, Zhou Huijun found a box of copybooks under the bed. From then on, Zhou Huijun buried her pain in her heart, immersed her body and mind in the copybook, savored the layout of ancient Chinese characters, the telescopic opening and closing of the bookshelf structure, and the dense words. She studied the copybook day after day, and writing became the source of her happiness.
Fate once again showed Zhou Huijun a bright color. 1972, when Chairman Mao met with Japanese Prime Minister tanaka kakuei, he delivered a speech entitled "Learn a little history, learn a little philosophy and learn a little calligraphy". 1974, Zhou Huijun was selected by Shanghai Calligraphy and Painting Society to write the running script "Poems and Songs of Lu Xun". This copybook is full of Miffy's vigor and elegance, and has a steady and broad face. Countless young people are amazed and impressed. Who would have thought that this copybook was written by a weak woman with a disability! This copybook, printed in one edition, has been issued 1 10,000 copies! Zhou Huijun became famous in one post! However, Zhou Huijun is very sober. She thinks she is immature and not complacent. On the contrary, she is more involved in the study of calligraphy of rubbings. She was fascinated by the uprightness of the calligraphy of the tablet, and finally formed her own unique calligraphy style, which was integrated with the calligraphy of the tablet, strong, subtle and charming.