How much is Sun Guangmin's official script a foot?

Official script is a sign of maturity. This is not only far-fetched, but also brings difficulties to the interpretation of official script ontology theory. This is because: First, the transformation of stereotyped writing to official script is based on the standardization of art and the modification of lines. Not only does it not have the randomness and rationality of writing, but it increases the difficulty of writing and loses the practical position of official script which was originally simple and convenient to write; Secondly, from the perspective of the writing subject, from the original official official position to the literati and officials. It can be seen from the stone inscriptions such as Yi Ying Monument, Li Monument, Huashan Monument, Cao Quanbei, Zhang Qianbei, etc. that the eight-part essay has begun to have the artistic characteristics of elegance, standardization and literati. These calligraphy characters generally have one feature, that is, waves. This wave is actually a beautification of the original official script writing method of seal interpretation. The flying lines and waves make the carved stone official script break away from the simplicity and simplicity of the original official script and begin to have the artistic characteristics of elegance and literati, which is the embodiment of the romantic and chic artistic aesthetic spirit of the literati in Han Dynasty. It is this artistic feature of elegance, standardization and literati that makes the official script lose its internal conditions and social foundation for widespread circulation in society, so it should not belong to the official script in the original sense. In fact, the official script in stone carvings shows a trend of gradual standardization, and its essence is the dual result of the standardization and aesthetic transformation of the official script in the first edition of seal script. The Book of Songs in Xiping embodies the stability of stereotyped writing to the greatest extent with its highly standardized formal order, structural similarity principle and formal similarity characteristics. From the perspective of philology, octupole should be a new and relatively independent font. Therefore, we say that the general trend of official script development from the simplicity of the Western Han Dynasty to the standardization of the Eastern Han Dynasty is not entirely a sign that official script is maturing, but a new font. Because of its own essential characteristics and use orientation, it is bound to break away from the mainstream of official script writing and develop in a more standardized direction. The characteristics and contents of Xiping Book of Songs also prove the limitations of using stereotyped writing as a standard font in the Eastern Han Dynasty.