1. Poetry
Li Bai's poetry creation has a strong subjective color, which mainly focuses on expressing heroic spirit and passionate feelings, and rarely makes detailed descriptions of objective objects and specific events. describe.
Li Bai’s poems are often run through with unrestrained momentum. They pay attention to galloping vertically and horizontally in one go. They have the characteristics of winning people over with their energy. For example, in "Shang Li Yong": "The great roc rises with the wind one day and shakes." Go straight up ninety thousand miles." He said that his poem is "the five mountains are shaken when he writes in high spirits, and the poem becomes Smiling and proud of Ling Cangzhou."
2. Language
Some of the languages ????of Li Bai’s poems are as fresh as spoken language, and some are bold and unrestrained, not restricted to rhythm, and are close to prose, but they are all unified in the meaning of "hibiscus emerges from clear water, natural Go away from the natural beauty of the carvings. This is related to his conscious pursuit of natural beauty.
He inherited Chen Ziang's literary ideas and took it as his duty to restore the tradition of poetic poetry. He once said, "Since the Liang and Chen Dynasties, beauty has been extremely rare, but Shen Xiu's prose still relies on rhythm and restores Taoism. It is not me." And who?" (Meng Qi's "Poetry of Skills·Gao Yi")
He advocates "innocence" and satirizes the ugly girls who "lose their innocence" and learn to walk in Handan. The natural beauty of his poetic language is the result of his careful study of folk songs to understand their popular characteristics. They are as clear as words, popular and vivid.
3. Ci Fu
There is still no unanimous conclusion on whether Li Bai composed Ci, but the works that are now passed down as Li Bai’s Ci, regardless of their authenticity and whether they can be classified There are about 20 poems in the style of poetry, such as "Bodhisattva Man", "Recalling Qin'e", etc.
In terms of its pioneering significance and artistic achievements, "Li Bai's Ci" enjoys an extremely high status in the history of Ci. This status is like the status of ancient Greek mythology in Western art. As an "unattainable" standard, Li Bai's poetry has become an eternal idol in people's minds. Li Bai made significant contributions to the formation of the textual model of Ci and the creation model of Ci.
In fact, since the "Hua Jian Ji" in the late Tang and Five Dynasties, all anthologies and collections of Tang and Song poetry will not forget Li Bai in their specific operations, or at least mention him in the preface and postscript. One sentence. As the first great lyricist in the history of literature, although he only has a few lyrics whose copyright is often doubted, no one has ever expressed any dissatisfaction or criticism against him. If the best poet in the world is selected, Li Bai will undoubtedly be elected as the "King of Ci" by unanimous vote.
4. Calligraphy
"Tie to the Balcony" is Li Bai's own four-character cursive poem, and it is also his only authentic calligraphy handed down from generation to generation.
Paper, length 28.5 cm, width 38.1 cm. 5 lines of cursive script, 25 words. The inscription is "Taibai". It is preceded by the four-character inscription "Qinglian Yihan" in regular script written by Hongli, Emperor Gaozong of the Qing Dynasty, and the seven-character inscription "Li Taibai of the Tang Dynasty went to the balcony" in the upper right corner of the text, written in gold by Zhao Ji, Emperor Huizong of the Song Dynasty.
On the back are inscriptions and inscriptions by Zhao Ji, Huizong of the Song Dynasty, Zhang Yan, Du Ben, Ouyang Xuan, Wang Yuqing, Wei Su, Zou Lu of the Yuan Dynasty, and Emperor Qianlong of the Qing Dynasty. The seals on the front and back of the volume include "Zigu" and "Yizhai" by Zhao Mengjian of the Song Dynasty, "Qiuhe Book" by Jia Sidao, "Zhang Yan's Private Seal" and "Ouyang Xuan Seal" of the Yuan Dynasty, and Xiang Yuanbian of the Ming Dynasty, Qingbiao, Anqi, and Nei of the Qing Dynasty. Mansion, seal collected by Zhang Boju and others in modern times.
5. Swordsmanship
Li Bai is not only brilliant in literary talent, but also very skilled in swordsmanship. He is "fifteen good at swordsmanship" and "has mastered swordsmanship by himself".
The attainments are extraordinary. Li Bai's poems, Pei Min's swordsmanship, and Zhang Xu's cursive calligraphy are collectively called the Three Wonders of the Tang Dynasty. Although Li Bai's swordsmanship is not among the "Three Wonders", his swordsmanship is only lower than Pei Min, ranking second in the Tang Dynasty.
According to statistics, the word "Jian" appears 107 times in Li Bai's poems in "Complete Poems of the Tang Dynasty", excluding "Jiange" as a place name 3 times, "Jianbi" once, and the weapon "Jian" "There are still 103 times.
The word "铗" belonging to the sword appears once, "Wu Gou" once, "Wu Hong" once, "Zhan Lu" once, "Gan Jiang" once, and "Moye" once , "Qingping" 2 times, "Qiulian" 2 times, "Shuangxue" 2 times, "Dagger" 3 times, and "Longquan" 4 times.
In total, the word "sword" appears 118 times (when counting, "Wu Gou Shuang Xue Ming", "Kong Yu Zhan Lu Sword", "Sword Flower Autumn Lotus Light Comes Out of the Box", " "My Clumsy Wife Moxie Sword" and "My Family Qingping Sword" are counted once each), distributed in 106 poems, accounting for about 10 of the total number of poems.
Reference: Baidu Encyclopedia-Li Bai