1. A complete collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen are like the dragon and snake at the bottom of the pen.
Describe calligraphy as vivid and powerful. Source: Chapter 31 of "Jin Ping Mei Ci Hua" by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has a wide range of notes, and his pen is like a dragon and a snake. He is a true talent."
The word "dragon and snake" describes the vivid calligraphy And there is momentum. Source: Tang Dynasty Li Bai's "Cursive Script Song": "Every now and then I see dragons and snakes walking away, and people frowning on the left and right."
Silkworm head and swallow tail describes calligraphy that starts with a dignified stroke and finishes with a light stroke. Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But those who are loyal to the sun and know the world, so the spirit can be seen in the expressions of calligraphy and ink, are unique and inclusive.
... Later secular studies , I am looking for the end of its similar shape, so I call it silkworm head and swallow tail, and I just get it: "calm, happy, strong and fluent, vigorous and hearty."
Describe poetry and calligraphy as vigorous and fluent. Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write People's Names from Ancient Times": "The emperor of Wu people likes to grass, and is known as calm and happy."
Calm, happy and strong. And fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calmness and joy." Fengjin Duolifeng: plump, plump; tendons : tendons or ligaments on bones; many: redundant.
Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had strong muscles and strength, and was able to travel in the clouds and rain Sudden trend. "Feng boluan floats, moss: drifts with the current.
It was originally used to describe the free and elegant style of calligraphy, but later it was used as a metaphor for the separation of couples or the frustration of writers. Source: Tang Dynasty Han Yu's poem "Xieji Mountain": "Ke Douquan's body is draped upside down with sage leaves, and the luan flutters, the phoenix is ??flying, and the tiger is flying."
The phoenix dances and the dragon flies describes the calligraphy strokes as powerful and flexible. Source: Chapter 10 of "The Legend of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan Hui Zhu: Flying high. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: Lu Ji's "Fu Yun Fu" of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whales and salamanders trace the waves, sharks and crocodiles rush along the road." The ancient fat and the present barren metaphors different styles of calligraphy.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry.
②Two kinds of diseased pens in calligraphy. Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is "bee's waist", the second word must not be the same as the fifth...the fourth is "crane's knees", the fifth word must not be the same as the fifteenth The words have the same sound. ”
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin.
Each person is good at describing calligraphy in its own way. Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Three Kingdoms Wei Dynasty was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao both learned from his method. However, Hu's script was fat and Zhong's script was thin, and they each had their own kings and heirs. The beauty of it. ”
Painting with sand ink clay is a metaphor for the calligrapher’s method of using a pen. Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "Use the pen like a cone to draw sand, like sand to seal mud."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws graffiti, and has no time to give.".
2. A collection of 4-character calligraphy idioms
Falling from the peak, changing grace, embodying meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a dragon, majestic. , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers. 3. Four-character idioms in regular script
Dense and full, rich and graceful, soft yet strong, wrapped in iron, majestic, powerful, thick and strong, majestic, majestic, thunderous, dragon Powerful, strong and vigorous, forceful and vigorous, hard and soft, clumsy and skillful, round and smooth, well-equipped, self-contained, well-organized, flexible, beautiful and sparse, compact and steep, sideways and graceful, elegant and elegant, tall and straight Strong, strong and powerful, vigorous and powerful, compact structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a frightening dragon, pen force is strong, pen power is dangerous, steep momentum, strong and upright, power penetrates the back of the paper, penetrating into the wood, combination of hard and soft, airy Smooth, concise, skillful, flowing, free, hearty, pleasing to the eye, elegant and charming, charming, vigorous, powerful, iron painting silver hook, meaningful and handsome, beautiful structure, smart and delicate, delicate and rich, peak fall Stone, unrestrained and unrestrained, thousands of miles of clouds, simple and powerful, natural, simple and elegant, smart and unrestrained, simple and peaceful, peaceful and smooth, graceful and magnanimous, naturally stretched, naturally made, smart and flowing, lifelike, flowing and smooth, Round and round, round and smooth, inspired by foreign teachers, learning from others' strengths, profound in skill, majestic and majestic, smooth in spirit, strong and simple, changeable in style, changing of ideas, vivid in spirit, powerful and unrestrained, straightforward and simple, unique in personality, Hearty and unrestrained, natural and interesting, harmonious in the center, relaxed in the tight, masterpieces handed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and elegant, dignified and simple, dignified and elegant, fresh and straightforward, steep and clear.
4. Is there any 4-character word that describes good calligraphy?
Calligraphy: The pen is vigorous and the ink is full: The pen and ink are used very freely and fully. It is mostly used to describe calligraphy and poetry that are vigorous and vigorous.\x0dThe pen is full of dragons and snakes: The pen is like a dragon and a snake leaping. It describes the calligraphy strokes as vigorous and free and easy. It also represents the command of writing. \x0dThe first writing of Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old comments on calligraphy, there is "first writing" "Huang Ting, just right" is an idiom. It was later used to describe doing things just right.\x0d Spring earthworm and autumn snake: a metaphor for poor calligraphy, as curved as the tracks of earthworms in spring and snakes in autumn.\x0d At stake: The sword is *** from its sheath. , the bow is also opened. It describes a situation that is tense and about to explode. Later, it is also a metaphor for calligraphy that is vigorous and powerful.\x0dExample: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and examples. A general explanation. Later, it is called a classification example to explain the style of a book as "exemplify the style of the book". See "make examples of the world". \x0dStrongly penetrates the back of the paper: originally refers to the powerful and powerful calligraphy, now it is also used to describe the vivid and profound poetry. Powerful.\x0dDragon flying and phoenix dancing: Like a flying dragon, like a flying phoenix. The original description is unrestrained and majestic. Nowadays, it mostly describes the lively calligraphy strokes, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.\x0dDragon and snake flying: Describes calligraphy The writing style is vigorous and vivid. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall." Describes calligraphy as free and unrestrained. It can also be used as a metaphor for the separation of husband and wife of advanced trainees. \x0d Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy strokes. \x0d Beauty hairpin: describes the style of calligraphy or poetry. The beauty is beautiful and colorful.\x0dpenetrating into the wood three-thirds: the original description is that the calligraphy pen is strong (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description, and discussion.\x0dIron painting silver hook: Hua: strokes; hook: hook. Describes calligraphy as strong and beautiful.