Fu Baoshi advocates innovation in art, and his artistic creation has achieved the greatest success in landscape painting. During his stay in Japan, he studied Japanese painting, while inheriting the tradition, he integrated Japanese painting techniques, and was inspired by the majestic scenery in central Sichuan. He is a famous contemporary Chinese painting and calligraphy artist. The following is the excellent calligraphy of Fu Baoshi compiled by me for you, I hope it will be useful to you!
Fu Baoshi Excellent Calligraphy Appreciation
Fu Baoshi Excellent Calligraphy Picture 1
Fu Baoshi Excellent Calligraphy Picture 2
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Fu Baoshi Chongqing Years
In 1937, after the outbreak of the Anti-Japanese War, Fu Baoshi was invited by Guo Moruo to work in the Third Hall of the Political Department of the National Revolutionary Committee in 1938, and then he was evacuated to Chongqing. In Chongqing, Fu Baoshi ushered in the first peak of his artistic creation.
in April 1939, Fu Baoshi came to Chongqing with his family and lived in Jingangpo, Shapingba. Since then, he has often painted inscriptions? Jingangpo Xiashanzhai? . During his first year in Chongqing, because the work of the Political Department didn't start, Fu Baoshi had an opportunity to paint with all his strength, and used this opportunity to create his own painting style. At the same time, he began to study the theory of art history in order to demonstrate it through academic research? The spirit of China's fine arts is inferior to that of Japan? It inspired the confidence of Chinese people during the Anti-Japanese War from one side. This year, Fu Baoshi saw an article entitled "The Spirit of Japanese Fine Arts" published by Yokoyama Taikan in Japan's "Transformation" magazine, including? Jihad? Dissatisfied with his remarks, he wrote "Seeing the Victory of the Anti-Japanese War from the Spirit of China Fine Arts" and clearly put forward? China fine arts? The mother of Japanese art? And points out that China's fine arts have three great spirits:? First, China's fine arts emphasize the cultivation of the author's personality; Second, China's fine arts can best absorb and resist the handover with foreigners and foreign countries. Third, what is the performance of China's fine arts? Powerful? Park Mao? , such as a powerful and unconstrained style, Yao Jiao is not a group, and contains calm and stealth enthusiasm. These three characteristics, extended to the national war of resistance of the whole people, are the factors of victory. ? During this period, Fu Baoshi also compiled Biography of National Artists in the Late Ming Dynasty, which also expressed Fu Baoshi's national integrity. Fu Baoshi's works in Chongqing can be divided into figure painting and landscape painting. Figure painting mainly shows the influential figures and stories in history, such as Qu Yuan, Su Wu and Shi Tao. At the same time, it also takes ancient excellent poems as the creative theme, such as Pipa Xing, Long March, Poetry of the Tang Dynasty, and landscape painting is represented by Summer Mountain Map.
In June, 1942, Fu Baoshi created Qu Zixing's Yin Tu. On the screen, Qu Yuan, with a haggard face and a haggard description, walks on the vast waves of smoke, and it seems that he can hear Qu Fuzi's earth-shattering and weeping chanting, expressing? One hundred generations grieve for this man, and they grieve for themselves. China will never die, Qu Zifang? The theme of. Guo Moruo said that this painting is similar to the historical drama Qu Yuan, and he painted poems for it, which became a beautiful talk for a while.
In September, 1944, Fu Baoshi created his masterpiece "Summer Mountain Map", which is a rare work. It is said that it shows the poetry of the Tang Dynasty, and more is the beautiful scenery of the mountains and rivers in Sichuan. The pen is natural and unrestrained, and the ink is smooth, and the water, ink and color are integrated, especially the ink color in the work. The thick ink is bright and the light ink is elegant. In his works, Fu Baoshi's brushwork is also varied. When the ink color is about to dry, he writes with scattered strokes, which embodies the classic characteristics of Fu Baoshi's brushwork and forms the organic rhythm of his works, as the painter Zhang Anzhi commented. A vast expanse of ink and wash is simply the style after the Western Impressionism. The painting method of rocks is unprecedented, and it is casual and casual, but it has achieved a detached position of forgetting things and leaving the shape to go to wisdom. Yes? Unusual work that has never been done before, with bold and unrestrained painting style, flying pen and dancing ink, and original painting method, which has little trace in the ancients? . Does the author of this "Summer Mountain Map" know himself? Fu Baoshi, a new metaphor of Jiashen in September, wrote that Tang people's poetry broke down the mountain in the western suburbs of Chongqing. . For fu? Jingangpo? The representative of landscape painting creation in the period. ? Jingangpo? Fu Baoshi also ushered in the first peak of his artistic creation. After the outbreak of the Anti-Japanese War, Fu Baoshi was invited by Guo Moruo to move to Chongqing with his family in 1939, and lived under Jingangpo in Shapingba until the end of the Anti-Japanese War. During this period, Fu Baoshi devoted herself to artistic creation and art teaching. All the works of this period will be inscribed? Written under Jingangpo in the western suburbs of Chongqing? The words. The same is true of Summer Mountain Map. Are you online? Jingangpo? Among the works of the period, it can be called a large scale, and its inscription was written by Fu Baoshi himself, which shows the importance attached to it. What's more worth mentioning is that as early as 1997, this work was auctioned by a well-known auction company in Shanghai, and it was mainly recommended in the form of catalogue cover. At that time, the Shanghai Cultural Relics Management Committee had not made specific regulations on restricting the exit of modern paintings and calligraphy, but this work was marked with an asterisk at that auction, which meant that it was extremely important and should stay in China. It is understood that Fu Baoshi's "Summer Mountain Map" returned to the auction after more than ten years, with an estimated value of more than 1 million yuan.
in September of the same year, Fu Baoshi wrote two for the road, a century-old masterpiece, on the theme of two for the road, the masterpiece of Du Fu. Xu Beihong praised this? Is it a symphony of sound and soul? Point out the true meaning of this painting in one word. Later, Zhang Daqian inscribed this painting:? It has never been strange for thousands of years, and it is really a master. Sele's belt is like a line carving in the Tang Dynasty, so what Lao Chi (Chen Laolian) did should also be examined. ? The work shows the grand occasion of Yang Guifei's family's outing on March 3rd. Many beauties take the air by the Changan waterfront? ，? The state is so strong, so far, so beautiful and true? , reflecting the king's fatuity and current political corruption. There is no doubt that Fu Baoshi's performance here and now is obvious.
Fu Baoshi's figure paintings in Chongqing period sought for God by form, and deliberately showed the inner temperament of the characters. Although they were disheveled and coarse, they were reserved and quiet. It became the theme of Fu Baoshi's landscape painting creation in this period to express the beautiful scenery under the Jingangpo and on the Chengdu-Chongqing Road, and to reflect the scene interest of evening rain. He inherited the grand composition of the Song painting, took the ink and wash interest of the Fa Yuan people, and wrote a book full of water. And his painting method has also changed the traditional methods of painting, using scattered front and scribbling to express the structure of rocks, forming a unique? Baoshituan? . This kind of painting is magnificent and natural, and it also won Fu Baoshi? The first way to break the pen and ink constraints? .
August 15th, 1945 is an important day in the modern history of China. On this day, the Japanese invaders who had ravaged the people of China for eight years declared their surrender. Fu Baoshi raised his glass and celebrated the national liberation in his unique way. In October of that year, he and his family left Chongqing where they had lived for nearly seven years? Jingangpo Xiashanzhai? , moved back to Nanjing with Central University.