1. How can I write well? Is it possible to write well just by following the copybook?
There is a lot of material, please be patient and read it - you don’t have to practice the ancients. For copybooks, Deng Tuo said that primary school students should start practicing calligraphy from the basic strokes of regular script, and cannot go beyond Yan Zhenqing and Liu Gongquan. Although we are not primary school students, most of us have never practiced calligraphy seriously when we were young. This opinion is still worthy of reference.
If you are practicing calligraphy, you can start with a brush. If you are short on time and have little energy and just want to write beautifully, you can also use a hard pen. There are some hard-pen copybooks on the market, but most of them are not of high quality. Please choose carefully. Knowledgeable friends and advisors are fine, but the key is to look at what you like. Once you've made your choice, practice hard, like a primary school student, copying first and then copying, and combining copying and copying.
A maximum of a dozen words at a time, break it apart and crush the analysis structure and strokes, don’t be greedy for too much and don’t be greedy for speed. What should be especially noted is that as long as the quality of the copybook is good, don't think about writing in your own style for the time being, and focus on writing "like". This is called "entering into the calligraphy". When you have mastered the calligraphy, you can then practice other calligraphy. Slowly, you can figure out your own style, which is "posting". You should be as careful with your posts as you are with your wife, and don't slip in your writing. Chairman Mao's handwriting was also written honestly and carefully.
The second is what post to choose. If you have never practiced calligraphy as a child, it is best to start with regular script. For copybooks, regular script on the computer will do.
Use a pen to trace and write, and when you feel your hand feels smooth when writing (that is, it is handy, your hand can write whatever you want in your heart, and it will not lose control), then write posts with a sense of calligraphy. . When I was a child, my teacher forced me to practice Kai Ti. At first I thought it was very rigid, but now I have benefited a lot from it.
I don’t have much experience in choosing hard-pen copybooks, and you have to choose what you like. The brush can be talked about.
You have to consider your own needs. If you work in an agency or something and write a lot of official documents, choose a regular and beautiful copybook, such as Zhao Mengfu's regular script (recommended "Poetry for Feelings"); Writing is not your main job, but you need to write well. For example, if you are a teacher, you can practice Wang Xizhi's regular script, such as "The Preface to the Holy Religion"; if you are engaged in something related to art, or want to write "handsome" , practicality is not the first consideration, then practice cursive, Sun Guoting's "Book Book" is a good choice; if you usually like to write articles and pursue a literati-style charm, then Mi Xiangyang is the best. His "Shu Su Tie" and "Tiao Xi Shi Tie" are all excellent works of literati's cursive calligraphy. When I practice them, I feel like I am almost becoming an immortal.
Dong Qichang is also good, but his writing skills are not strong, and he may be stingy in learning for beginners. It is best to practice other people's skills before practicing his. In addition, if you are interested, you can also practice seal script, official script, and regular script. If you just practice calligraphy, it is not necessary.
Yan Liu’s regular script can be used for writing, but I think the hard pen is not as effective as running script. If practicing calligraphy requires order, it is best to practice all of these to lay a solid foundation.
That would take a lot of work. All of these must be practiced slowly, and the most important thing is to be focused, don’t change posts, at least practice until you can memorize it. It may take more than ten or even decades to practice to become proficient, but as long as you write carefully, you will be able to do it. You will benefit from it, don't be fooled by it.
The third is to talk about methods. I can only read my own handwriting and am not a calligrapher, so what I talk about is Yehu Zen. If there are good people who can follow it, it is very good.
First of all, you should always read the copybook, carry it with you, and try to figure it out when you have nothing to do. If you only look at it when you are writing, and the ink will dry if the pen or brush is left in the air for a long time, you will feel cramped and unable to observe carefully.
The second thing is to be confident when writing. It is a big taboo to always look at each stroke and write one after another. It is a big taboo to write blindly at a glance and call it "copying". Neither of these will work. Huang Tingjian said that he can only start writing if he can see the word reappearing in front of his eyes when he closes his eyes.
If you don’t have that much time, you can first read and write one stroke at a time, and the second time, read each word and write each word. Gradually practice until you can read each line and write each line, keeping the stroke structure of the words in mind. time is yours. When I was practicing calligraphy, I found it really difficult to do this. I was always dishonest and impatient, and I wasted a lot of time on this. You must not imitate me, take your time, learn one character a day, which is three hundred and sixty-six dollars a year. Ten characters. Although there are many Chinese characters, there are many similarities in structure and radicals. Gradually, you can draw inferences about other cases.
Then, if you practice calligraphy with calligraphy, it is best not to choose a monument at the beginning. It is best to choose one with ink color and the original handwriting is best. Learn how the master uses ink and pen. Some rules of writing cannot be seen in the stele.
Finally, you can read the theory of calligraphy, which does not necessarily mean you will gain anything. It is also good to cultivate your sentiments. It would be best if it can arouse your interest in calligraphy practice, then you will definitely make rapid progress.
You don’t have to read the ancients. Firstly, the ancients’ writings may not be easy to understand (for non-professionals, of course). Secondly, they are not very systematic or rational. Some people just pretend to talk nonsense. There are times (of course modern people also have it, but it’s easy to judge). I recommend the book "Instructions for Studying Books". The description is relatively detailed and there is basically no nonsense. Mr. Qi Gong liked it very much and even specially wrote the title of the book.
Of course you can also read the theories of the great calligraphers mentioned earlier, if you have time. 1. Which font should I start with when practicing calligraphy? The traditional way to learn calligraphy is to start with Tang Kai script, go against the times, and further practice Nanxing, Beibei, Han Li, and Qin Zhuan on the basis of writing regular script well.
Another concept is that starting from the immature development of hand muscles in teenagers, one can start with Qin Zhuan, which has less changes, and proceed from running cursive to regular script. There is truth to both concepts.
But I think the hard-pen calligraphy we learn is fundamentally different from the brush calligraphy mentioned above, so we cannot follow its practice methods, let alone be fooled by the traditional concept of learning brush calligraphy first and then learning hard-pen calligraphy. . We now widely use hard pens. If you can't write calligraphy with calligraphy, you can still write hard pen calligraphy well. There is no need to make detours.
Which font should you start with when practicing hard-pen calligraphy? I think: starting from the development characteristics of teenagers' hand muscles and the characteristics of uniform thickness and less changes in hard-pen calligraphy strokes, we should start practicing fonts that do not require changes in the speed and weight of the strokes. It is best to use boldface characters in print. The beauty of this font is mainly reflected in its structure. We can grasp the structure of the characters by trying to figure out and analyze the boldface characters.
On this basis, we can choose our favorite font and practice hard according to our own personality and hobbies. 2. What should you practice when practicing calligraphy? First of all, you need to train your eyes, that is, read the posts carefully.
Huang Ting, a calligrapher in the Song Dynasty. 2. Copybook for the size of the characters in the composition
There is no definite specification for this. Even if the specifications are given, for example, if it is almost equivalent to a size 4 font, it does not mean much. When you write a composition, It’s impossible to keep thinking about font size.
This should mainly depend on the size of the essay space given to you on the answer sheet (paper) given by the host. Of course, this space is standard every year.
The standard is: the font should not be too small, otherwise it will be difficult to distinguish, which will affect the marking and, of course, the score.
Don’t make the font too big. If the space is too big and the font is too big, it will be too full, which will give people a crowded feeling, look messy, and the effect will not be good
So it is still moderate. Some are good, the main thing is that the fonts should be nice, and some books that you haven’t practiced calligraphy should practice on.
In addition, don’t overwrite the wrong words. 3. How to write Chinese characters well
To write well, you need to practice calligraphy more. This is the following: 1. Which font should you start with when practicing calligraphy? The traditional way to learn calligraphy is that you should start with Tang Kai script, go against the times, and further practice Nanxing, Beibei, Han Li, and Qin Zhuan on the basis of writing regular script well. Another idea is that you should start with the development of hand muscles in teenagers. Starting from the immature characteristics, you can start with Qin Zhuan, which has less changes, and proceed with the times, from running cursive to regular script. These two concepts have their own reasons. But I think the hard-pen calligraphy we learn is different from the brush calligraphy mentioned above. There are essential differences, so we cannot follow their practice methods, let alone be fooled by the traditional concept of learning calligraphy first and then learning hard pen. What we widely use now is hard pen. If you cannot write calligraphy with calligraphy, you can still write well with hard pen. There is no need. Take a detour. Which font should you start with when practicing hard-pen calligraphy? I think: starting from the development characteristics of teenagers' hand muscles and the characteristics of uniform thickness and less changes in hard-pen calligraphy strokes, we should start practicing with fonts that do not require changes in stroke speed and weight. It is best to use bold fonts in printed fonts. The beauty of a font is mainly reflected in its structure. We can master the structure of the characters by analyzing the boldface characters. On this basis, we can choose our favorite font and practice hard according to our own personality and hobbies. 2 .What should I practice when practicing calligraphy? First of all, you need to train your eyes, that is, read the calligraphy carefully. Huang Tingjian, a calligrapher of the Song Dynasty, said: "The ancients did not always rely on copying to learn to write. They often hung the ancient calligraphy works on the wall, watched them intently, and only started writing after they got it right. ." Ouyang Xun of the Tang Dynasty discovered the stele written by Suo Jing of the Jin Dynasty. He couldn't bear to leave it, so he simply sat down and read the stele for three days. The more posts he read, the better his eyesight will be, and he will know how to write well. Where. There is an idiom called "high eyes but low hands". I think: high eyes are the prerequisite for high hands. If you can't discover beauty and don't know what beauty is, you can't even talk about creating beauty. Many students think that scrawling is the so-called In running calligraphy, the reason why they regard ugliness as beauty is that they have "low eyesight and low hands". Secondly, they must train their brains or their hearts. On the basis of careful observation, they must also firmly remember the well-written characters in their hearts. Carve the shape of the word deeply into your brain. Whenever you mention this word, you can immediately think of the shape of the word on the copybook. Make sure that you have a complete picture of the word in your mind and a complete picture of the word in your mind. The third thing is to practice your hands. The purpose of eye training and brain training is to figure out how to write words. The mind can think of the best effect of the word, but the hand may not be able to write this best effect, because the brain may not be able to direct the hand, and the hand may not be able to You can command the pen. Practicing hands is to achieve the state where the mind and hand are consistent, and the hand and pen are consistent, so practicing hands is also very important. Practicing hands is mainly to practice finger strength, wrist strength, and hand feel. If you write for a long time, you will feel pain in your fingers and wrists. The phenomenon of soreness and inoperable hands will disappear if you exercise more. Students who often help teachers copy questions on the blackboard and students who write blackboard newspapers often write quickly and well. Their finger strength and wrist strength are developed in this way. .You should also pay attention to practicing the feel of the hand, so that the brain can direct the hand, and feel that the pen has become a part of the hand, an extension of the hand. The hand can easily direct the pen, as fast as you want, as slow as you want, as slowly as you want. Be light and heavy when you think about it. You can write whatever effect you want. The fourth thing is to practice the structure, because the key to practicing calligraphy is to master the structure of the characters. The structure of the characters refers to the length of the strokes of the characters. The proportions and the avoidance relationship between strokes. Xie Xiaodong sang in the song "Chinese": "The characters I love to write the most are the square characters taught by my husband. You have to be like him when you are square and upright..." "Square and upright" summarizes Chinese characters. Structural characteristics. Master the structure of Chinese characters and write square and beautiful black-letter characters. By slightly changing the strokes, you can write Song-style, Wei-style, Kai-style, imitation Song-style, Pang-style, Sima-style, and official script. etc. Chinese characters in various fonts. If you cannot master the structure of Chinese characters, no matter how you modify or beautify the strokes of the characters, they will become ugly and unsightly. Therefore, mastering the structure of characters and writing bold characters well are Practice the key and foundation of all calligraphy. The fifth step is to practice strokes. Many students have practiced calligraphy. They started practicing regular script and forgot many rules of writing. They only remembered the strokes. As a result, the words they wrote were cumbersome and cumbersome. , which looks like a ghost-drawing symbol. I encourage everyone to start practicing with bold characters, grasp the glyphs, and cancel the strokes. Below I will introduce to you several common strokes and the mistakes that most students are prone to when writing these strokes: ① Point, There is a process of moving the pen from the upper left to the lower right. Note that the "points" also have lengths and cannot be twisted into dots. ②Horizontally, move the pen equally from left to right. The key is "the horizontal direction must be flat",
It cannot be one end high and the other low, or the strokes should be wavy. Control the length according to the shape of the square characters, not too short or too long. ③ Vertical, move the pen vertically from top to bottom. The key is to "vertically straight" and not skewed left or right. , let alone be written as a vertical hook. Control the length according to the shape of the square characters, not too short or too long. ④ When writing folded pen, move the pen from the upper right to the lower left, and do not write it as dotted or horizontal. ⑤ Folding, when writing folding pen, fold the corners It should be square rather than round. Don't stroke the pen at the corners. Write it as two obtuse angles off the shoulder. It should be written as a right angle. The words written in this way, if written with a ballpoint pen, are small round artistic calligraphy similar to matchsticks; if written with a fountain pen Writing is standard boldface characters. Although the strokes are monotonous, as long as the structure is accurate, they are still beautiful and beautiful. Just like squatting is the basic skill of practicing martial arts, horizontal and vertical are the basic skills of writing Chinese characters. The reason why many people cannot write well It means that the horizontal and vertical lines are not straight, and the structure is not accurate. If the structure is wrong, no matter how rich the strokes are, you will not be able to write good calligraphy. 3. The general steps for practicing calligraphy are to practice boldface characters, master the structure of the characters, and practice the basic skills. On the page, you can select your favorite fonts for practice. The process of selecting fonts is called post selection. On the basis of post selection, there are five steps of reading the posts, tracing, copying the posts, memorizing the posts, and creating. The first step is to read the posts. .We all know the pronunciation of the Chinese characters on the post, no need to read anymore. What do you read? Read the glyphs, structure, and strokes, analyze and figure out the characteristics of the strokes of the characters and the relationship between the strokes. For example: when we read the word "中" in boldface, we need to read that the vertical line of "中" passes through the right part of the "口" In the middle, the character "口" is slightly flat, and the horizontal length is twice the length of the vertical character. The long vertical character in the middle is divided into two equal length segments by the lower horizontal segment of the character "口", and the upper segment is divided by the upper horizontal segment of the character "口". Divide it into two paragraphs of equal length. This is to read the glyph and structure. Different fonts have different strokes. 4. How to finish homework copybook quickly
1. Also think about the benefits of finishing writing. 2. Think about the fact that you only have 1 hour left before going to class. You are still writing, but it depends on your self-control. I want to write well 3 If I persevere, I can draw 3 copybooks in one day, more than that, but I don’t recommend it.
My writing hands are sore because my posture is wrong
Correct my writing posture
Wrong pen holding postures generally include the following situations:
1. Thumb-over-buckle style. In this pen-holding posture, you usually use your thumb to buckle the pen bag into the tiger's mouth from the top of the pen holder. The contact between the thumb and the pen is at the root of the second knuckle of the thumb. The thumb and middle finger buckle and hold the pen. Pen.
2. Clip-on type on the inside of the thumb. This posture mainly uses the inner side of the thumb to press down against the penholder. The front end of the penholder rests on the middle finger, and the rear end rests on the tiger's mouth.
3. Gently pinch with the tip of your thumb and index finger. This method of holding the pen mainly relies on the tip of the index finger and the tip of the thumb. Since the surface against the pen barrel is small and the fingertips cannot use force, the hand will often feel pain after holding it for a long time, and the pen barrel cannot be squeezed tightly at all.
The correct posture of holding a pen is compiled into a formula as follows:
— Two pressure and three backing, the finger is strong and the palm is empty, the wrist is flexible, the angle is suitable and the direction is correct, and the strokes are carefully considered.
The "yiji" in the first sentence means to use the nail of the middle finger to hold the pen from the bottom of the penholder from bottom to top, leaving an inch of distance between the penholder and the penholder, usually before turning the pen knife. Tapered roots.
"Second pressure" means to use the thumb to pinch the pen from the inside and the index finger from the outside and then press it down gently. It's soft and thick, so you can hold the pen tightly without much effort.
"Three foils" means that the ring finger and little finger are slightly bent back and forth, and the two fingers form a flat surface and are attached to the table. In addition, the palm side should be firmly attached to the table, so that the middle finger and the entire pen are held up to form a A stable and flexible pen holding posture.
The "finger to the real" in the second sentence means: the index finger, middle finger, ring finger, and little finger are close to the real thing. "Palm deficiency" means that the ring finger and little finger cannot be curled back into the palm? There are many postures in which the second finger is curled back into the palm, causing the middle finger to lose support, resulting in unstable writing, that is, the palm is empty. "Wrist flexibility" means that the wrist cannot hold force, but must be relaxed and flexible so that the movement of the wrist can be used to achieve a "smart" effect when writing.
The "direction" in the third sentence refers to the direction of the pen tip and pen holder. The correct pen tip direction should generally point forward, while the pen holder should be oriented toward the right and rear.
The "light and heavy strokes" in the fourth sentence refer to the light and heavy force used when writing, that is, allowing students to experience the different results of light and heavy strokes. When writing, use light force to make the strokes thin, and use heavy force to make the strokes thick. It is necessary to let students know that when writing hard-pen characters, the force of force will change. When encountering the thin strokes, for example, when writing a point, the pen must be light to produce a sharp effect, and when the pen is closed, the force must be heavy to produce a thick stroke. effect.
Among the above formulas, the first and third sentences are very crucial, and the key points are not difficult to understand