Dare to have less clouds? How many people won?

defeat the many with the few

Zheng Banqiao was a famous painter, calligrapher and writer in Qing Dynasty.

One day, a young man admired Zheng Banqiao's reputation as "Master of Snow Bamboo" and came to worship Zheng Banqiao as his teacher. Zheng Banqiao took him.

Zheng Banqiao first demonstrated bamboo paintings for young people, who watched. When he saw Zheng Banqiao painting Xuezhu, there was only one bamboo, several branches and 15 leaves in the whole picture, but he showed a vigorous and powerful brushwork, which made people feel Xuezhu's indomitable spirit of not being afraid of strong winds and storms.

The young man asked inexplicably, "Why do you only draw a bamboo and 15 leaves on such a big rice paper?" ? Is the picture too empty? "

Zheng Banqiao didn't answer. He raised his pen and wrote four poems in the upper left corner of the painting: "Dare to have fewer clouds and win more people? Try to make autumn sounds, and Yao windows make wind and rain. " I mean, how dare you say that you draw less? Do you win if you draw more? As long as you have both form and spirit, you can show the spirit of bamboo swaying in the autumn wind and standing upright in the autumn rain. )

The young man carefully pondered the teacher's four poems and suddenly realized that painting should be as precious as ink!

Young people also learn to draw bamboo like teachers: just draw a bamboo and a dozen leaves. But after painting, I always feel very empty. After adding some bamboo branches and leaves, I still feel very empty. So, he went to ask the teacher again: "the bamboo branches and leaves you drew are not many, but they don't look obvious;" I drew a lot of bamboo branches and leaves, but they looked less. Why? "

Zheng Banqiao said with a smile: "I have made full preparations before writing, so I have both form and spirit!"

Young people really realize that the teacher "dares to be a little less and wins more?" Meaning of.

Thinking: It's very important to have a clear mind and have both form and spirit.

Composition training

Organize an autumn outing, go to the wild, go to the mountains, go to the botanical garden, go to the park, and observe the color and shape of plant leaves. You are sure to find many different things, and these leaves may also arouse your rich and interesting associations. Please write an article on autumn leaves today.

Appreciation of excellent works

Ginkgo biloba leaves in autumn

Gu yuanqing

Miss Qiu came happily with a beautiful waltz. A cool breeze blew, and the Ginkgo Garden gradually faded its green luster and unconsciously changed into a golden dress.

I picked a piece and put it in my hand to touch it carefully. Not smooth, but not rough. The autumn wind took away its moisture, which was a little hard. There is a small crack in the middle of the leaf, which seems to have been torn by accident. I looked at the leaves towards the sun, and the meridians on the leaves were clearly displayed, much like human blood vessels! I put the leaves in front of my nose, took a deep breath, and the faint fragrance entered my heart, which was the taste of nature. The leaves on the tree are like handfuls of small fans and beautiful butterflies, perching quietly on the branches. Leaves are light green in spring and full in summer. In autumn, Ginkgo biloba leaves can be in many colors, some are yellow, some are half yellow and half green, and some are all yellow. The sun shines in, and the leaves are dazzling against the sun, as if lovely life is jumping on the branches; Leaves that are not exposed to the sun are swaying in the branches not to be outdone. When the wind comes, they will take the opportunity to approach, whispering, and some are reluctant to leave the embrace of the tree, fluttering in mid-air ... After the wind passes, they return to calm, as if immersed in their own reverie and silent.

These ginkgo leaves neither know what death is, nor do they know that spring will come again. They are born for big trees, and countless leaves do the same job-give the milk of life to big trees. These leaves are very simple, live in obscurity and have no publicity. However, this humble leaf can report the news of spring to people and bring people hope and joy; It can also provide shade rest for people under the scorching sun; Autumn has come, and it is willing to sacrifice itself and return to the foundation of the tree and the embrace of the earth.

Ginkgo biloba leaves in autumn are far less vibrant than those in spring and summer, but full of maturity! Because it knows how to give, it is what it is now. It is selfless and silent for the cycle of life.

When the cold wind blows, the golden ginkgo leaves fall down, as if telling a beautiful story. ...

comment

At first, I wrote Miss Qiu and Ginkgo biloba in anthropomorphic ways, giving people a lively and relaxed feeling.

Observe carefully and describe the shape, taste and color of Ginkgo biloba leaves in a detailed and vivid way by means of metaphor and personification.

Imaginative, I wrote about the dynamic beauty of Ginkgo biloba leaves.

Praise the quality of silent dedication of Ginkgo biloba leaves.

The ending is thought-provoking

Appreciate and learn from it

Ginkgo biloba leaves in autumn are a beautiful life full of vicissitudes. There is no doubt that this is a landscape that can represent the characteristics of autumn.

In the author's pen, Ginkgo biloba leaves are exquisite and beautiful, especially the description of Ginkgo biloba leaves in the sun, which endows Ginkgo biloba leaves with dynamic beauty and childlike interest. Of course, the most wonderful thing is the sublimation of the natural theme at the end of the article-the leaves fall to dedicate themselves and realize the reincarnation of life. Reading can't help but shine at the moment.

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A famous teacher guides writing.

This exercise is to observe the composition, observe the shape and color changes of autumn plant leaves, and then select a few autumn leaves and write them down in a certain order.

Observation is the starting point of understanding life and the first cornerstone of composition. Without observation and life, composition becomes a rootless tree and passive water. So, how to observe? Observation means not only seeing with your eyes, but also listening with your ears, smelling with your nose, licking with your tongue and touching with your hands as needed ... Only in this way can you have a three-dimensional and comprehensive impression of what you observe. We should also pay attention to methods in observation, generally in the order of "whole-part (key observation part)-whole". This exercise needs to focus on observing plant leaves.

First, be good at discovering, grasping characteristics and writing personality.

There are two kinds of leaves in autumn, one is deciduous and the other is non-deciduous, which is one of the characteristics of autumn leaves. Different trees and different leaves; Same tree, different leaves; When observing, we should be good at discovering these characteristics, and describe them firmly, and write the unique personality of various autumn leaves.

Second, be good at observing, seize the movement and write "vividness"

Autumn leaves have their own shapes and colors. In autumn wind, they also have static and dynamic performances. For example, what are the fallen leaves like? What does it feel like not to fall leaves? What changes have they made? These all need careful observation and careful consideration. We should also learn to use personification, metaphor, exaggeration and other rhetorical devices to sort out our thoughts in the order of observation and write "live" autumn leaves.

Third, be good at emotion, be full of association and write meaning.

Autumn leaves, some stand firm; Some dance, and the leaves return to their roots; Some are shaped like beads and arranged neatly; Some colors are dark green, thick and straight ... pour your feelings and give things a certain symbolic meaning. In this way, these things have profound ideological content, which can enlighten and infect people.

Thinking: Writing is not for writing, but for observing life.