Zhao Mengfu was a painter and writer in Yuan Dynasty. Song Xue, a Taoist priest in Shuijing Palace, was born in Xing Wu, Huzhou. Descendants of Song Taizu's son, King Qin Fangde. I have been smart since I was a child, and I have been studying for a long time. After the demise of the Song Dynasty, he returned to his hometown to live in seclusion. Later, he was wooed by Yuan Shizu and became an official in the Five Dynasties. He was appointed as a bachelor of Hanlin, and Dr. Rong Lu was appointed as Wei Gong and Shi Wenmin. He and his wife, Guan Daosheng, are disciples of Mingben monk in Zhongfeng (1263- 1323) and believe in Buddhism. He is proficient in music and is good at identifying ancient cultural relics. His poems are beautiful and elegant, and his calligraphy and painting are especially famous. His calligraphy and cursive script are both excellent, and the real calligraphy and running script have the deepest attainments and the widest influence.
Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. "Biography of the History of Yuan Dynasty" records: "Meng Yi's calligraphy is the highest in ancient and modern times, so the title of the book is the world." Praise. According to Song Lian, a scholar, Zhao's calligraphy learned Lingling's Eight Intellectuals in his early years, Zhong You and Fairy in his middle years and books in his later years. Wang Shimao said: "Most of Wen Min's books are from the two kings (the sum of Xi and Xian). If you are close, you will win the right army; If you have an elegant attitude, you will get a big order; This calligraphy tablet is cool, imitating Li Beihai's "Yuelu" and "Miluo". " In addition, he also visited the Dingding Monument, Tang Yushi Temple, Chu Suiliang and others in the Yuan and Wei Dynasties. In seal script, he studied Shi Guwen and cursed Zhu Wen; Hu, Zhong You; Learning cursive script and offering sacrifices can strive to inherit the tradition. As Wen Jia said, "Gong Wei's calligraphy is superior to the ancients, and they are all imitations. Yu Ji called him: "Development won the" Luo Shenfu "and won its bid. Running script view "the preface to the holy teachings", into its room. As for cursive script, I am full of "seventeen posts" and measure its shape. "He is an accomplished calligrapher who combines Jin and Tang calligraphy. Contemporary calligraphers hold him in high esteem, and some later generations listed him as one of the four masters of regular script "Yan, Liu, Ou and Zhao". Dong Qichang, a painter and calligrapher in Ming Dynasty, believed that his calligraphy was directly oriented to Jin people.
Zhao's success in calligraphy is inseparable from his ability to learn from other people's long sentences. What is particularly valuable is that most calligraphers in the Song and Yuan Dynasties were only good at lines and cursive scripts, while Zhao Mengfu was able to delve into various styles. Later generations, many people studied Zhao Mengfu's calligraphy, and Zhao Mengfu's calligraphy was very popular in Korea and Japan.
Zhao Mengfu has an important position and far-reaching influence in the history of calligraphy art in China. His contribution to calligraphy lies not only in his calligraphy works, but also in his calligraphy theory. He has many original ideas about calligraphy. He believes: "There are two ways to learn books, one is brushwork, and the other is glyph. Exquisite brushwork, although good and evil; The shape is wonderful, although it is still cooked. Learning books can solve this, and then you can tell books. " "It is good to learn books while pondering over ancient books and know what it means to use a pen." When he wrote an ancient book post, he pointed out a meaningful fact: "In the past, people could become famous by carving a few lines in ancient times and studying hard. Kuang Lanting is the masterpiece of the right army, and he has learned a lot. Why not suffer others? " All these can give us important enlightenment.
His article is out of date and bypasses the study of Buddhism and Taoism. His paintings, landscapes take Dong Yuan and Li Cheng; Characters, pommel horse teacher, Li and Tang people; Bamboo, flowers and birds are famous for their mellow brushwork, stone painting is flying white, and calligraphy writes bamboo with a pen. He urged to change the courtyard style of the Southern Song Dynasty, claiming that "painting is expensive with ancient meaning, without which, work is useless". He chased the testimonies of the Five Dynasties and the Northern Song Dynasty from a distance, and the commentator said, "Someone made it lose its fiber in the Tang Dynasty; There is a hero of the Northern Song Dynasty who went there. " Created a new style of painting in Yuan Dynasty. He made many friends and learned from Gao, Qian Xuan, Li Yan and Guo Youzhi. Chen Lin, Tang Di, Zhu Derun, Ke, Huang, Wang Meng, etc. Can write poetry, with style and grace. Part-time seal cutting is called "round Zhu Wen"
There are many books handed down, such as Luo Shen Fu, Tao Te Ching, Danba Monument, Three Stories of Rebuilding the Xuandian, Huanglin Pavilion Classic, Eleven Postscripts of Lanting, Four-body Thousand-character Writing and so on. In the seventh year of Dade (1303), Yuan Zhen (1295) wrote the volume "Autumn Colors in Quehua", which was published in "Three Hundred Famous Paintings in the Forbidden City". Drinking Horses in Autumn Suburbs, written in Huang Qingyuan (13 12), is now in the Palace Museum. He is the author of ten volumes of Song Xuezhai's Collected Works (another volume is attached).
Father and Yi (12 13- 1264) are from China, and their name is Jupo. It is a very good painting and calligraphy, with a rich collection. His wife Guan Daosheng is also good at painting and calligraphy. Brother Meng *, Zi Zijun, can be a figure, a flower and a bird. Zi Yong also painted, and Zhao Jia's artistic style was passed down from generation to generation.
There are many written inscriptions, which are round and beautiful, and are called "Zhao Ti" in the world. According to legend, he can write 10 thousand words in regular script every day, "writing is as fast as wind and rain." There are many excellent works in Zhao Kai's books, such as Sanmen Collection, which are broad in structure, deep and stable in structure and fluent in brushwork, and are most suitable for copybooks. Most of Zhao's handed down works are running scripts, most of which are accurate in brushwork and rigorous in wording, such as Fu on the Red Wall, which is a classic.
The characteristics of Zhao Ti regular script can be summarized as follows:
First, on the basis of inheriting traditional calligraphy, Zhao simplified the complex and turned the past into the present. His brushwork is neither vague nor mysterious, and the brushwork path of starting, transporting and collecting pens is very clear, which makes it easy for scholars to understand and follow.
Secondly, the appearance is round, the bones and muscles have connotation, its stippling is gorgeous and vigorous, the structure is broad and beautiful, and the stippling echoes closely. Soft outside and rigid inside, beautiful figure and strong skeleton. Scholars not only learn its shape, but also learn its spirit;
Third, the pen is square and square, and the lines are taken. When writing Zhao Ti, stippling needs to be round and colorful, but the structure of white cloth should pay great attention to being square and rigorous, horizontal and vertical, flat and stretched, and the center of gravity is stable. Only in this way can we grasp the characteristics of Zhao Ti. In addition, when he writes regular script, he uses running script slightly to make every word beautiful and moving, which is also one of the characteristics of Zhao Ti.
So I think Zhao Ti should be able to do it.