The other is written by Ji Kang out of Han Dan Chun. This theory has been widely circulated and influenced to this day. This view was put forward for the first time in the preface of Textual Research on Stone Classics. In recent years, Lin Yin of Taiwan Province Province, The Book of Songs in the 1968 edition of The Chinese Dictionary edited by Gao Ming and other masterpieces; "Three-body Stone Classics" in the revised edition of Ci Yuan by Beijing Commercial Press (1979); "Han Danchun"1986 in the Dictionary of China Artists' Surnames, edited by Yu Jianhua and published by Shanghai People's Fine Arts Publishing House; The Complete Works of China Fine Arts published by People's Fine Arts Publishing House 1986. This theory is used to explain the "Zhengshi Book of Songs" in the calligraphy of Wei, Jin, Southern and Northern Dynasties.
The third painting was written by Wei Ji, a famous calligrapher of Wei State. Wei Ji is from Anyi, Hedong (now Xia County, Shaanxi Province). At the end of the Han Dynasty, he was Wei Jianli. He worked as a servant, a minister of history and a township official. In the Qing Dynasty, Kang Youwei called it "eyeing and caring, it's time for you to pass on the crown". Liu Song and Yang Xin also called it "being good at cursive prose, subtle" in "The Name of Ancient Books". The grass is slightly thinner and the handwriting is skillful. "In the first year of Huang Chu (220), Wei Wendi xelloss officially proclaimed himself. The Monument to Wei Shouren written by Wei Han, that is, Wei Ji's eight-part book written with a lily, is very famous in Wei Chu and won Cao Shi's cronies. The name of Wei Ji, a calligrapher of Three-body Stone Classics, originated from the four-body calligraphy of Wei Heng, A Jin. In the Tang Dynasty, Fang and others wrote the Book of Jin, quoting four books, saying, "The ancient sound was passed down because of the spring of Han Dan. Hengzu (Wei Ji) wrote A History of Chun, which was later used to refer to Chun, not Chun.
From the beginning to the middle stage, the establishment of three-character classics lost its pure method and became effective in the name of fighting. In Qing Dynasty, Gu's Notes on Jinshi, Feng's Textual Research on Wei Shijing and Yang Shoujing's Postscript on Wei Shijing's Remnant Words are all masterpieces of this book. As the saying goes, the Book of Songs is Wei's book. Otherwise, what is the relationship between Jing and He recorded in Heng Chuan? This has never been revealed. "
Fourth, it was written by Ji Kang, a Wei writer. Ji Kang is a generation of celebrities, and like Ruan Ji, he is one of the "Seven Sages of Bamboo Forest". His calligraphy is very famous, especially cursive. Zhang Huaiguan's Shu Duan in the Tang Dynasty said: "Reading books (Ji Kangzi) is a good book, which is better than grass. Look at its body, naturally, don't care about pen and ink. " Ji Kang is said to have written "Three-body Stone Classics" according to his contemporary Zhao Zhi's own vision. Book of Jin "Zhao Zhichuan" says: "Zhao Zhizi is quiet, wearing a soldier, living in Luoyang ... 14 years old went to Luoyang to visit the Imperial College. When Ji Kangxue wrote the Classic of Stone, he hesitated to read it. Ji Kangzi's Zhao also said: "(Zhao Zhi) is fourteen years old, too academic. While he was learning to write China's ancient classics, he went. "Zhu's Textual Research on the Righteousness, Liu's Textual Research on the Stone Classics of the Han and Wei Dynasties, and Zhou's Postscript on the Stone Classics of the Three-body Stone Classics of Wei Dynasty are all based on this. The fifth view is that it was written by Zhang Yi. Wang's Commentary on the Han and Wei Dynasties' World Classics was revised according to Guo Zhongshu's Commentary on Han Bamboo Slips in the Northern Song Dynasty. The text of "Jiang Biography" advocates this book. "
The sixth view is that it was written by Dan Wei, a calligrapher of the Three Kingdoms. Wu's Textual Research of Han and Wei Dynasties, Volume III, is also based on it. Wei Shengchen, the main book of River Biography, said, "Was it born through his or her hands?" Wei's birthday books are good in all aspects, especially books and Wei's treasure carvings, which are all natural. Also known as scissors printing, it is good at flying white. In addition, in addition to the six theories mentioned above, some people think that the three-body stone classic is the cooperative work of many people, not one person. Fan Bangjin put forward this view in the article "Calligraphy Research: A Brief Discussion on Scholars of Wei Santi's Stone Classics". Judging from the font size, stroke writing and calligraphy style of the names of the inscriptions engraved in the Three-body Stone Classic, they are very similar. Wang Guowei's Textual Research on Wei Shijing's Remnant Monument said: "The three-body style of ancient prose, seal script and official script seems to be single-handed, while the three-body style seems to be written by three people respectively, and the ancient prose in calligraphy and ancient prose in calligraphy are not single-handed. Not only are the writers different, but the words are not drawn. " Therefore, the classic "Three-body" was not written by one person, but by collective cooperation. However, due to the serious damage of the original monument, the author's name can't be found in the residual stone unearthed since the Song Dynasty, and there is a lack of literature such as the History of the Three Kingdoms, which cannot be inferred at present and needs to be discovered by new materials.