Whose work is Fuchun Shan Jutu?

Fuchun Shan Jutu's description of the early autumn scenery on both sides of Fuchun River is fascinating. In the bushes, or fishermen fishing, or sitting alone in a thatched pavilion, leaning against the railing, watching ducks float and sink in the water. Forever and ever, as if time stood still, I forgot these two things. The water color on the shore is close-up, with one mountain and one sand, and the distant mountains are looming and slowly unfolding, but it is refreshing to feel the boundless river and the color of Tianshui.

"Fuchun Shan Jutu" rocks are twisted and twisted, and the pen is casual and natural. Long and dry, full of skill, free and easy, quite aura. The brush and ink in the whole picture are elegant, and only a layer of almost transparent ink is covered on the rocks. The sand stains and wave shadows in the distant mountains and rivers are stained with a little dark ink, and moss and leaves are dotted with thick ink, which is eye-catching and natural. The whole picture is full of beautiful forests and dense vegetation, full of hermits, wandering fairies and indifferent poems, which exudes a strong flavor of Jiangnan literati. Completed the static and scattered features of Yuan painting and another change of China landscape painting, and the lyricism of Yuan painting was also reflected in this volume.

Extended data

Fuchun Shan Jutu had a far-reaching influence on later generations, especially on the tradition of Zhejiang painters. On the basis of adhering to the tradition of Zhejiang School, Zhejiang painters actively adjust and update their own views on art, aesthetics and life, and draw a new look of Zhejiang School's pen and ink by absorbing the nutrition of painting art represented by Fuchun Shan Jutu. They brought Fuchun Shan Jutu and other Chinese paintings' unique pen and ink and Xuan paper effects to the extreme.

"Pen and ink are to Chinese painting, which is equal to the soul to the body. Huang, Lu and other Zhejiang masters are still variants of Fuchun landscape painting. " There is a vigorous artistic layout in magnificence and a solid artistic layout in emptiness, which is the original meaning of Zhejiang landscape.

Baidu Encyclopedia-Fuchun (Huang created paper ink painting in Yuan Dynasty)