2, the appearance is round, the bones and muscles have connotation, its stippling is gorgeous and vigorous, the structure is wide and beautiful, and the stippling echoes each other very closely. Soft outside and rigid inside, beautiful figure and strong skeleton. Scholars not only learn its shape, but also learn its spirit;
3, the pen is round and square, with lines. When writing Zhao Ti, stippling needs to be round and colorful, but the structure of white cloth should pay great attention to being square and rigorous, horizontal and vertical, flat and stretched, and the center of gravity is stable. Only in this way can we grasp the characteristics of Zhao Ti. In addition, when he writes regular script, he uses running script slightly, which is one of the characteristics of Zhao Ti.
4. Zhao Meng was an influential calligrapher in the early Yuan Dynasty. According to the original biography of Yuan Shi, "Meng Chuan's calligraphy is the highest in ancient and modern times, so its title is the world", which shows its admiration. According to Song Lian, a scholar, Zhao learned the Four Spirits in his early years, virtuous in his middle years, and learned in his later years. Wang Shimao said: "Most of Wen Min's books are from the two kings (the sum of Xi and Xian). If you are close, you will win the right army; If you have an elegant attitude, you will get a big order; The calligraphy tablet is cool, imitating Li Beihai's Yuelu and Miluo. " In addition, he also visited the Dingding Monument in Yuan and Wei Dynasties, Tang Yu Shinan, Chu Suiliang and others. In seal script, he studied Shi Guwen and cursed Zhu Wen; Hu, Zhong You; Learning cursive script and offering sacrifices can strive to inherit the tradition.
5. As Wen Jia said, "Gong Wei's calligraphy is superior to the ancients, and it is all a study of imitation". Yu Ji called him: "Kaifa won the" Luo Shen Fu "and won the bid. Running script view "the preface to the holy teachings", into its room. As for the cursive script, I am full of seventeen posts and measure its shape. " He is an accomplished calligrapher who combines Jin and Tang calligraphy. Contemporary calligraphers hold him in high esteem, and some later generations listed him as one of the four masters of regular script "Yan, Liu, Ou and Zhao". Dong Qichang, a painter and calligrapher in Ming Dynasty, believed that his calligraphy was directly oriented to Jin people.