Author: Li Qingzhao
Original text:
Small pavilions hide spring, while idle windows sell the sun.
The painting hall is infinitely deep.
The seal is burnt out, and the shadow falls on the curtain hook.
It is best to grow plum blossoms by hand.
Why go upstairs in the water?
No one arrives, lonely as Yangzhou He Xun.
Never win like rhyme, borrow like rain,
Not resistant to wind rubbing.
Whose flute blows out deep sadness?
Don't hate incense and jade,
It's hard to leave passages and traces.
It's hard to say, the window is bright and the moon is light, and it's still romantic.
Precautions:
1, seal incense: a kind of incense printed with seal words.
2. Curtain hook: a hook for hanging curtains.
3. Loneliness: silence and emptiness.
4. Hun: Just like.
5. He Xun is in Yangzhou: He Xun, a poet of the Southern Dynasties. In the middle of Tian Jian's career, he served as the guest room of Jianan Wang in Yangzhou (now Nanjing).
6, rhyme wins: refers to the charm of plum blossoms, beyond the average.
By: step, here is the meaning of infringement.
8. Intolerance: I can't stand it.
9. Flute: Di Mei.
10, Xue: Poems of Past Dynasties made jade.
1 1, thin shadow: the sparse shadow of plum blossom.
Appreciate:
This word should have been written before the southern crossing of Qingzhao, and it is a Yongmei word. Like Li Qingzhao's Lonely Goose, it has its own unique artistic conception, which is different from ordinary Yongmei Ci. The author describes and praises Mei in the life and activities of the characters, and combines lovesickness with love, expressing affection and affection with things.
Fang Xiajing
Fang Xiajing, Man Ting, Zhou Bangyan
The wind makes the oriole grow up in spring, the summer rain makes the plums plump, and the dense noon trees give the ground a round shade. Lying low near the mountain, wet clothes, total cost of baking fire. People cry quietly and carefree, and outside the bridge, the new green sea water bumps and splashes. For a long time, Agnes bitter bamboo, suspected pan-Jiujiang ship.
Every year, like a club swallow, I wander in the vast sea and send it to the rafters for repair. Don't think about the performance outside, or koEY spirit, always sit in front of the bottle. I am tired and haggard, and I can't bear to listen to intense and complicated orchestral music. At Song's banquet, a pillow was installed for me, so that I could sleep at will when I was drunk.
Translation and annotation
The wind in spring makes Xiaoying grow up, and the rain in summer makes plums plump. At noon, dense trees and wine covered the round shady ground. Low-lying, close to the mountains, clothes are always baked with fireworks when they are wet. Man is a carefree and happy silent crow. Outside the bridge, the newly rising green water surges and splashes. For a long time, leaning against the railing, Huang Wei and bitter bamboo were everywhere, as if I had been banished to Jiujiang. Year after year. Just like the social swallows from spring to autumn, they wander in the desert wasteland and live in the long eaves. Regardless of my fame and achievements, I am still happy and often sit in front of a bottle. I, a tired and haggard wanderer in the south of the Yangtze River, can no longer bear to listen to the exciting and complicated orchestra. Next to the Song Banquet, put a pillow for me so that I can sleep at will when I am drunk.
1, the shadow of Jiawu is clear and round.
2. Humble: low.
3. Furnace: Smoker, used to burn incense and moisture.
4, black dragonfly: generally refers to birds.
5. New green: refers to rivers.
6. Doubt (Ni Sandiao): general analogy.
7. Yellow deer and bitter bamboo: Bai Juyi's trip to pipa: living in the low temperature by the Minjiang River, the house is full of bitter reeds and yellowed rushes. Being close to Betty Hill means that the place you live is very similar to that where Bai Juyi lived when he lived in Jiangzhou.
8. Swallows living in groups: Swallows fly in spring and return in autumn, hence the name. (Society: Two days of offering sacrifices to the land gods in the Spring and Autumn Period. )
9. vast sea: desert. This refers to distant and remote places.
10, send: delegate.
1 1, rafters: long rafters.
12, external: refers to fame and fortune.
Make an appreciative comment
Zhou Bangyan was a great master of Ci in the late Northern Song Dynasty. Because of his deep understanding of temperament, he created many slow words, which can be described in detail and vividly regardless of scenery or lyric. The composition is changeable, the density is alternating and the brushwork is extremely horizontal. Wang Guowei's admiration for Lao Du in his ci is really not a compliment. This paper analyzes his poem Man Ting Fang, which can be seen as follows:
Zhou Bangyan was appointed as a native of Lishui (now Lishui County, Jiangsu Province) on 1093 (the eighth year of Yuan You of Zhe Zong) at the age of 37. Wuxiang Mountain is located in the south of Lishui County, and there is Han Xizai Reading Hall in Wuxiang Temple (a Zen Temple) on the mountain. A monk's poem in Zeng Zeng Temple in Han Dynasty: I don't want to go far, and the mountain screen is open all around. The teacher led the crane and waited for my laurel. Medicine should be picked according to time, and pine trees should be planted around the house. Nymphs are more prosperous than Liu Lei. This shows the mountain's thoughtless seclusion. Zheng thinks that Wunian Mountain is the name of Bangyan, but it is not.
The first part is all the scenery of early summer in Jiangnan, which is extremely fine; The next film is lyrical and tortuous, and the composition is entirely out of Liu Ci. The third sentence of the wind means that Xiaoying has grown up and plums are strong. Du Mu has a saying that the young swallows are old when the wind blows, and Du Fu has a saying that the rain flower is red and plum blossom is fat, all of which say that wind and rain give birth to everything. The two antitheses are neat, and both the old word and the fat word use adjectives as verbs, which is extremely vivid. At noon, the sun shines directly and the shade is graceful, just as Liu Yuxi said: In the afternoon, the shade is positive and the pavilion is alone by the pond. Round characters depict the image of green trees. This word is the beauty of scenery that the author wrote and heard in Wuxiang Mountain.
Betty's two sentences are mutually inherited. Write about Lishui's special environment with low terrain and close to mountains. It's raining heavily and the trees are dense. This is the Huangmei season. The so-called plum blossom rain makes clothes wet everywhere and smokes them for a long time. It takes a long time to tell the story of wet clothes. The wetter and wetter it is, the more you pay for cigarettes. The word "one fee" has both particularity and generality.
According to Chen Yuanlong's note: Du Fu's poem "Kite Music in Jason Wu". This version of Du Ji has no such language. It is precisely because the empty mountain is lonely that we can realize the leisurely mode of kite. The word "Zi" is vivid, and the freedom to draw birds is enviable, but it also reflects one's own depressed mood. Zhou Ci's "Cold Window" says: I thought that peaches and plums in Dongyuan were spring, and using the word "zi" also had infinite charm. Xiaoqiao sentence is still written statically. The water color is clear and the sound of splashing water indicates that there is a lot of rain, which is related to the lowliness and clothes embellishment mentioned above. When Bangyan ruled Lishui, there were many places of interest, such as Xinlongchi, Ancient Snake Pavilion, Dai Yuexuan and Xiaoxiantang.
Long-term commitment to the railing means that the scenery above is what you see when you look at it. At this point, the meaning of this word is further related to itself. In Bai Juyi's Pipa Trip, he described himself as "I live near the river, low and wet, full of bitter reeds and yellow rushes", and pointed out that his situation was similar to that of Bai Juyi's relegation. Doubt words should be copied from other books, and it is better to win with doubt.
Change your head every year, which is the rhyme in the sentence. "Yuefu Finger Fan" says: There are many rhymes in the words, which many people don't know, not just listening. When singing, the most important thing is that Ye Yun should film them. You can't bet on them for gossip. Another example is Fang, who is like a social swallow. Year rhymes and cannot be ignored. Three sentences sigh that life has experienced twists and turns. Here, the author compares himself to Yan, a social person who comes to the spring party and goes to the autumn party every year, wanders here from the vast sea of people in Mobei, and temporarily stays in the rafters of other people's homes, suggesting that his official feelings are like a rebellious journey.
And a few thoughts, to persuade people to put it down together and have fun, the meaning of the word is endless from Du Fu's thoughtful poems, reflected in the limited cup in front of it. A few words of haggard description, another turn around, exhausted Jiangnan guests, although trying to suppress their sadness, do not think about all kinds of troubles, but in front of them, it is difficult to add sadness. This profound and painful clumsy writing, heavy writing and great harmony are the characteristics of Zhou Ci.
The words next to the song banquet became a collection. Let me sleep when I'm drunk. In Tao Qian's words, if I get drunk first, I will tell the guests: I am drunk and want to sleep, so I can go. Li Bai also said that I was drunk and wanted to go to sleep. Here, the meaning is different. Song is a feast, guests enjoy themselves, get drunk and forget their worries, and do whatever they want Both can choose their own interests. The word "forgive me" is very euphemistic, suggesting that the author is carefree and can only drown his sorrows in wine.
Zhou Bangyan left Bianjing from 1087 (the second year of Yuan You) and lived in seclusion in Luzhou, Jingnan, Lishui and other places, so he lamented his life experience. This idea is also embodied in this word. But the word is characterized by implication, and the poet's inner activities are also vague. For example, the detailed description of the static scenery in the last film shows that the author's feelings about the surrounding scenery are subtle, seemingly extremely objective and purely appreciated; But after three long sentences, Bai Juyi, who was demoted to Jiangzhou, compared himself, and his inner contradictions and pains were also evident. But its expression is different from Pipaxing. Chen Tingzhuo said: Although it is sad, it is not intense, so don't forgive it when you are depressed. (Bai Yu Zhai Hua Ci) explains the difference between these two styles. In the next film, the writer's dilemma of living in another country is unfolded with a twist of the pen. He compared himself to a social swallow who sent rafters to repair temporarily, trying to drown his sorrows by drinking, but in the end he could only get a short-term peace of mind by getting drunk. The Selected Poems of Liaoyuan pointed out that it is difficult to write his mind without thinking about the end of the sentence, and the last sentence is better than words. This is better than language, and it is also implied.
Chen Sunzhen in Song Dynasty wrote "The Problem of Shu Lu in Jiezhizhai", saying: Muslim words are mostly found in Tang poetry, implicit in the law, natural, long in tune, excellent in narrative, rich and delicate. That's right. In other words, this poem uses the poems of Du Fu, Bai Juyi, Liu Yuxi and Du Mu, and combines the true scenery and true feelings to refine words and cut sentences, making it seamless and continuous. It is really a rare masterpiece. Zhou Bangyan is full of Fang Ting
Man Fang Ting
Zhou Bangyan
Wind old warbler chicks, rain fat plums,
In the afternoon, the beautiful trees are clear and round.
Lying low near the mountain, wet clothes, total cost of baking fire.
People are quietly and happily with kites.
The new green splashed outside the bridge.
For a long time, Huang Wei bitter bamboo,
Suspected pan-Jiujiang ship.
Every year, like a gregarious swallow,
Wandering in the vast sea, to send rafters for repair.
Don't think about the performance outside, or koEY spirit, always sit in front of the bottle.
Haggard and tired Jiangnan visitors,
Just listening to strings is unbearable.
Next to the song banquet, rest on the pillow first,
Let me sleep when I'm drunk.
Appreciate:
In the eighth year of Yuan You, Song Zhezong, Zhou Bangyan served as the Lishui Order. Over the years, it was very disappointing to move small officials in various counties. This word uses different landscapes to write the feelings of sadness and joy for no reason. The first one was watched by Pinglan, writing about the scenery in early spring in the south of the Yangtze River. Write three sentences about the summer scenery in the courtyard, two sentences about the indoor atmosphere, six or seven sentences about the prospect in the courtyard, pour a sum of money on the railing, and then use Lotte to belittle Jiujiang, which is always a connecting link. The next film takes Pinglan's thoughts as the main line, lamenting the life experience, expressing the depressed mood of wandering for many years, inheriting the meaning and drifting with the flow; Moth, turn clean; Jiangnan tired guest can't help sighing, the following explanation; Sleep when you are drunk, and stay close to the front, so that you can clean up and collect evil spirits. Such ups and downs of scene changes run through the whole word, reflecting the author's unbearable anguish. Tell the grievances in your heart with a heartbreaking narrative. As Zheng Tingzhuo commented: Although it is sad, it is not intense. Don't be stingy when you are depressed.
Man Ting Fang Xiushui is affectionate
Huang Tingjian, Man Fang Ting, Xiushui, Dark Green.
Xiushui is dark green, the new strip is light green, and the green light reflects the virtual pavilion. Golden flower frost heron, lotus path picks up beautiful apples. Du Xiang's railings are dry and bent, reflecting red makeup, thin and sparse. The night wind is clear, the pond is full, and the water is clear and the stars are moving.
Listen. After a light rain, algae bloomed and duckweed was trivial. Then transfer to the screen of Hu Chuang Xiang Shan Square. The practice scale is full of clouds, the sound is constant, and the eaves ring wind chimes. Re-open the banquet, Yaochi Xueqin, Amber Buddha head green.
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Huang Tingjian (1045.8.9-1105.5.24), whose real name is Lu Zhi, a Taoist in the valley, was named Fuweng at night. Born in Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province), Fenning was a famous writer and calligrapher in the Northern Song Dynasty. He is the founder of Jiangxi Poetry School, which is in its heyday. Together with, Chao and Qin Guan, they all studied in Su Shi's school, collectively known as Su Men's Fourth Bachelor. In his life, he was as famous as Su Shi, who was called Su Huang.
He is the author of Valley Ci, and Huang Tingjian's calligraphy is unique, which makes him one of Song Sijia.