"Its official script is in and out of the Qin and Han dynasties, and all four bodies can be prepared, especially the official script implied in the silk script of Han bamboo slips. Wen Ya's cursive script is good, round and smooth, with both the elegant charm of Xiaosan and the demeanor of Jin and Tang Dynasties. Zhang cursive script is beautiful and elegant, leading the way. Oracle Bone Inscriptions's book is quaint and elegant, which is refreshing. " "As far as official script is concerned, it is rare for contemporary calligraphers to have such a posture of magnolia bark, full of vitality and unique charm" (quoted from Sun Xulun's Preface to Calligraphy Collection).
Mr. Guo Yinlao, a famous aesthete and literary critic, also commented: "Tao Jing is simple, simple and practical. He is honest, unwilling to be outdone, perfunctory, never flattering others, and never offending others. He goes straight everywhere. Do things seriously, don't play tricks, don't steal wisdom, don't make public, don't put on a show ... ". "He is a real person, and what he wrote is also true. Although there are also hidden dew, square, dignified and elegant, but more ingredients are hidden dew, square, dignified and elegant. He always wants it back. He wants to put it back. His handwriting is more like mountains than water, more like stones than wind. " "The words he wrote, at first glance, are words that are not mysterious, do not show off skills, and do not rely on gimmicks to shine." "His cursive script is thick and unobtrusive, steady and delicate, but not floating. His pen is full of charm, and his pen and ink are thick or light, and his charm is full. Some of his Oracle Bone Inscriptions works combine simplicity with childishness, and the paper is full of quiet elegance. Some of his official script works are static and dynamic, and static and dynamic coexist. His works, which combine Han bamboo slips and silk scripts, are unique in style and unique. " .