Matsushita Huang Guanzheng is sitting on the piano, a few meters high around, and the incense burner has curled up smoke, which seems to be intertwined with the sound of the piano and swaying between the pine and bamboo. Two people sitting in front of the piano player are wearing royal robes, and a child is listening to the man in blue. Although the hand is sitting respectfully, the raised eyes fly to the ethereal place with the sound of the piano.
In the open space opposite the three people, there is a strange stone with a bronze tripod and flowers planted in it, which forms a very complete four-corner space with the three protagonists, like another distinguished guest. There is nothing else, but people strongly feel an elegant and rich atmosphere in the painting. Although elegant and elegant, it is not comparable to ordinary literati.
Extended data:
Listening to the piano tends to be quiet in the sound of the piano. There is nothing in the figure in the painting except that Hui Zong put a black lacquer beside him and put it on the jade stove in Jin Chen, where the fragrance curled up. Behind Hui Zong, there is a tall pine tree, and the piano sounds melodious, penetrating the pine tree. In order to "force" the sound of the piano in the painting, the orientation of the characters is extremely mysterious.
For this "compulsion", a cascade of rockery clouds was painted at the bottom of the painting opposite Hui Zong, and a famous Guding flower was put on it, which was intended to seal the "air port" at the bottom of the painting, so as not to let the piano sound escape, but to force it to return air.
The left and right figures, sitting opposite each other but leaning to one side, did not stagnate, but their positions were slightly different. Therefore, a waiter is added next to the minister in green on the left, but facing the person in red, so that the characters are not dull and tend to be more lively and natural. In addition, in order to prevent the piano from leaking obliquely, put the child beside it, so that the position is no problem.
More "forced" the piano to follow the picture, and the gas bureau went straight to the sky along the pine tree. It was Cai Jing's "The Pine Tree is Doubtful" that was so subtle. After loosening, write three or five bamboo sticks, which will increase the depth of the space. It is really unique and thoughtful to express the sound of the piano in this way.
Baidu encyclopedia-listening to the piano