Frame structure: refers to the forms and laws of stroke collocation, arrangement and composition of compound words. Because Chinese characters are composed of strokes, it is a unique writing system based on hieroglyphics, with a large number of glyphs and complexity.
Terminology introduction:
1. Parallel structure.
⑴ Left and right coordinate structures, such as sex language.
(2) Left-middle-right coordinate structure, such as Zheban Zhelinnuo.
2. Upper and lower structure.
(1) Up and down structures, such as: Taiwan Province is going to suffer.
(2) Upper, middle and lower structures, such as Gao Pu and Zhang Mangjian.
3. The surrounding structure.
⑴ Fully enclosed structure, such as: back to the trapped country circle.
⑵ The upper three peripheral structures, such as using winds in different directions.
(3) the left three-dimensional structure, such as Kuang Xia, Tibetan minister.
(4) the next three peripheral structures, such as: the letter of the storm.
5. The upper and left enclosing structures, such as the investigation of dysuria.
(6) the upper right enclosing structure, such as: the sentence is even, aerobic.
(7) The lower left closed structure, such as this carpet.
Being the lower right enclosure structure, such as the head bucket.
4. The structure of the left and right photos, such as sitting on a witch. The characteristic of this kind of words is that there is a vertical line in the middle of each word. The vertical side is like a mirror, reflecting the image of the other side. )
Expand:
Rack structure is one of the two major elements of calligraphy, also known as "knot pen" or "knot pen", which refers to the reasonable collocation and organic combination of strokes, that is, the organizational form of each word and the composition method to beautify it. It is used to illustrate that it is also a necessary method to write neat and beautiful regular script according to the way pioneered by calligraphers in past dynasties and the law of artistic pattern composition.
Of course, different books or genres have different structural rules, but after careful observation, we find that the inner charm, rules and laws of various books are so similar. In fact, all schools of regular script structure are similar, and the difference lies in the form of strokes and their writing.
In the process of learning regular script, we should not only strive to be neat and upright, but also pay attention to stability and danger, quietness and movement, dignified and vivid brushwork and rigorous and colorful structure.