There is a loquat tree in the yard, which was planted by my wife when she died. Now it stands tall and luxuriant like an umbrella.
Perilla in The Ode to Red Cliff said, "Do you know the water and the moon in Fu Cha? The deceased is like this, but he has never been there; If you are full of emptiness, the dead will not ebb and flow. Gai must look at it from its own changes, and heaven and earth cannot be temporary; If you look at it from its unchangeable point of view, then things are infinite to me, so why envy them! Besides, between heaven and earth, everything has its own owner, not mine, so I will take it for nothing. However, the breeze on the river and the bright moon in the mountains are empty to the ear and beautiful when they meet. They are inexhaustible and inexhaustible treasures of the creator. My son and I are suitable. "
Post-Red Cliff Fu. The river is noisy, and the shore breaks thousands of feet; The mountain is high and the moon is small, and the truth comes out. Once the sun and the moon were geometric, but the mountains and rivers were unrecognizable. Dressed in clothes, jade walks on rocks, covered with velvet, lives among tigers and leopards, climbs dragons, climbs the dangerous nest of storks and leans against the secluded palace in Feng Yi. You can't cover two guests at will. However, the whistling, the vibration of vegetation, the sound of mountains and valleys, and the wind and water are surging. Giving is also quiet and sad, awe and fear, and it is impossible to stay. Instead, get on the boat, let it flow and stop it.
Luo Shen Fu is as beautiful and graceful as Youlong. Glory Qiuju, Song Chun, Hua Mao. As light as Yun Zheyue, swaying as the wind flowing back to the snow.
There are also poems in the Red Chamber, such as Poems in Sacrifice to Twelve Lang, Gui Ci, Biography of Mr. Wu Liu, Watching the Snow in the Lake Pavilion, The Story of Yueyang Tower, The Story of Zuiweng Pavilion, Preface to Lanting Collection, The Poem of Changmen, Daughter of Furong and Double Eyebrows. , often read.
The realm displayed by simple numbers can produce different understandings from all angles. Please correct me if the article is insufficient. Suddenly I remembered a poem, complaining too much to prevent heartburn, and seeing the scenery is just right. (It seems a little off topic, hee hee. I hope my answer can help you, refill. )
2. What is the charm of classical Chinese? Classical Chinese is relative to vernacular Chinese. The first word "Wen" means to write an article. "Speech" means writing, expressing and recording. Classical Chinese refers to written language, as opposed to spoken language, which is also called spoken language. Classical Chinese refers to articles written in written language, while vernacular Chinese refers to articles written in ordinary and plain spoken language. In ancient China, it was different to express the same thing in spoken and written language. For example, if you want to ask someone if they have eaten, what they say in oral language is eaten. And using books and language to express it is "rice?" "Fanfan" is classical Chinese. In ancient China, all articles were written in written language. Therefore, now we generally refer to ancient Chinese as "classical Chinese". Classical Chinese is a treasure of China culture, and the ancients left us a lot of classical Chinese. In China, the study of classical Chinese occupies a large proportion in the Chinese curriculum in middle schools. What is classical Chinese? 1. Classical Chinese is wonderful. Undoubtedly, it is the main part of China's traditional culture. It can be seen that the history of modern civilization in China is still very short, so it is necessary to deconstruct or interpret the traditional culture, because the inheritance of traditional wisdom is based on the correct interpretation of classical Chinese. 2. Classical Chinese is knowledge. Yes, because classical Chinese is no longer a language, it is purely a text. But classical Chinese is knowledge, and so is Oracle Bone Inscriptions. By the way, it is precisely because Oracle Bone Inscriptions is a relatively primitive writing that classical Chinese is the basis for further study of Oracle Bone Inscriptions and other traditional advanced writing (learning). 3. Classical Chinese is also a skill. The expression, description, combination, transformation, metaphor, comparison and deduction of Chinese fully bear the style of Chinese civilization in ideological expression. If you master the physical structure of classical Chinese and have a deep understanding of modern Chinese, the construction of new Chinese will be based on "Fa". 4. "Classical Chinese" is the antonym of "vernacular Chinese". The structure of this word is as follows: classical Chinese-Chinese. The first word "Wen" is a language. "Classical Chinese" refers to written language. Explain two meanings: first, second, the language was written later. "Written" language also has two meanings: one is a culture that can have language without words, for example, most ethnic minorities only have language without words; Secondly, the function of language quits life and becomes history in the form of words. The literal meaning of "classical Chinese" should be: a style of written language. The latter's "text" refers to style. So besides archaeological research, does classical Chinese still have a "future"? In other words, what life application value will it have? I think so, too. When traditional life fades out of modern society, people just ignore the social life in some marginal areas, which leads to the suspicion or neglect of classical Chinese in modern application. For example, in religious buildings, some inscriptions are still written in classical Chinese, or in calligraphy and carved with tools. The same is true of the application of seal script. If magnified, classical poetry belongs to the category of "classical Chinese". They are not far away from us in our lives. Only in the form of language, they left the oral language and became words. Obviously, they have clear normative requirements for the scrutiny of skills and the expansion of ideographic expression. Its "future" lies in its application and its ability to awaken vague etymologies and allusions. It can be said that the future is promising. The word "classical Chinese" can also include the cultural history between language and writing. Once a language, including dialects, is "literate", its language charm will be reduced and the function of words will be doubled. Because language is usually passed down orally and closely related to life, language has not yet entered the cultural state, but is a reservation of life experience, without the expansion of words. In the process of reading classical Chinese, we will inevitably have an illusion: the ancients also said so. I think this can be "felt" through the differences in the expression of written and spoken languages in the present tense, and there is not much difference in the structural rules between them. It can also be speculated that the ancient people's speech is just more casual and albino than classical Chinese, and "three words and two beats" can also be used as a reference. As for reading classical Chinese now, of course, it does not mean repeating what the ancients said, but reciting or silently reading a style. Reading classical Chinese, we think.
Charming language, in layman's terms, is what we say.
From ancient times to the present, from classical Chinese to vernacular Chinese, language is also developing with the times. As an art, its charm is infinite in all ages and fields.
First, the gentle ancient people of China spoke concisely, and usually a word contained multiple meanings. For example, "see no evil" means "no" and "no" means "don't", which is also the meaning of "forget me" that we still use today.
Classical Chinese uses simple words and pays attention to etiquette, such as "your father", "your mother", "your son" and "my wife", so these titles are still in use in our time. Implicit euphemism is another charm of classical Chinese.
Many great poets' poems and songs have been passed down through the ages. "The drunkenness is not for the sake of wine" is used to describe the speaker's ulterior motives, and "the sword sharpens itself" is used to motivate people to hone hard. Without rules, Fiona Fang cannot be achieved. In many campuses, the words "rules are square" are often used as school mottos to encourage students. Although classical Chinese is no longer used in our time, idioms are still widely circulated as a vocabulary.
We often say "this talented society" and "outstanding people, knowledgeable and versatile" ... This is the embodiment of the charm of ancient China people in modern society. We can easily see that although classical Chinese is no longer commonly used, it still brings us unlimited language power.
Some people say that the use of classical Chinese is a sign of retrogression, but I think inheriting the excellent legacy left by our ancestors is an affirmation and promotion of the times. If there is no classical Chinese, how can there be vernacular Chinese? Mr. Zhang Zhongxing, who works in the middle school Chinese editing room of People's Education Publishing House, summed up the reason why "you must read classical Chinese" in the article "About Learning Classical Chinese": (1) Generally speaking, up to now, most of China classics are written in classical Chinese. If you want to inherit this cultural heritage, you have to learn classical Chinese. (2) History is continuous. For the present and future, we must have a clear understanding of the history of the motherland, which means that we must learn classical Chinese.
(3) There are many majors related to history. If you want to study, you must read China's classics. For example, you can't help reading the history books, studying Chinese medicine can't help reading Treatise on Febrile Diseases, and studying the history of literary criticism can't help reading Wen Xin Diao Long. These classics are written in classical Chinese. (4) If you are not a history major, or if you have free time or like leisure, you will have requirements for appreciating literature and art, which may include reading Chu Ci, Chinese, Tang Poetry and Song Poetry. So you have to learn classical Chinese.
(5) People who are engaged in writing, or just people who often hold pens, need to absorb nutrition from various famous books. Classical Chinese works cannot be expelled from these masterpieces, because they are native products, rich and easy to absorb and utilize. Second, that delicious literary language is like a beautiful woman. Looks like a beautiful woman.
Literary language can be said to be one of the most beautiful languages. It can have gorgeous words to form the most beautiful language; It can have plain words and form the most emotional language; It can express unspeakable feelings through words; It can have a long row of parallelism to express its strongest feelings ... Sketch is its trump card, metaphor is its specialty, rhetorical question is its weapon, exclamation is its shield ... "Go wherever you go, come wherever you come; What's the hurry between going and coming? In the morning, there are two or three oblique suns in the hut.
The sun, with its feet, moves gently and quietly; I also follow the rotation blankly. So-when washing your hands, the days pass from the basin; When eating, the days pass from the rice bowl; When I was silent, I passed by my eyes.
I realized that he was in a hurry, and when I reached out to cover it, he passed by the covered hand again; When it was dark, I was lying in bed, and he quickly passed by me and flew by my feet. "This is a passage in Zhu Ziqing's prose" In a hurry ". I think that as long as you read this passage, you will naturally feel the charm of literary language.
Literary language also keeps pace with the times. Why do writers and works become classics? The answer often lies in an original that cannot be assimilated, or an original that we completely agree with and no longer regard as heresy.
In the palace of literary language, those old and fluent words only make people suddenly feel nostalgic, and even more sigh "the resurrection of so-and-so". I'm afraid they can't make people fall in love with this era. Constant beauty will eventually make people tired. How can the natural beauty of literary language be denied by the times?
Therefore, literary language is also innovating. The most straightforward feeling is to make people "shine". If we can make people "shine" and then "shine again", we are close to success. After all, in the literary world, nothing is more impatient than an old face.
Young writers such as Han Han and Jing M.Guo, who were born in 1980s, played with literary language easily with their unruly personalities, attracting many readers and clearly indicating that this is an image of genetic variation. Third, the film language "IP, IC, IQ card, tell me the password."
"Uncle Li is very angry and the consequences are very serious." "There was a sincere feeling in front of me, and I didn't cherish it. If God gives me another chance, I will say' I love you' to that girl. If there must be a deadline, I hope it is 10,000 years. " Friends who are familiar with movies should know that these are classic lines in movies.
We are people who live in the forefront of the times and feel the freshest things in this era. Movies and TV play an important role in our lives, and the language of movies and TV has become popular among us. The reason why it can become a classic and spread to many people, I think it has a natural charm: it contains many humorous elements, "What is the most expensive in 2 1 century? Talent! " Praise the people around him with this sentence, and he will be dizzy with joy; Full of philosophy of life, condensed the real life. "The couple, as long as they can be together, try to be together, especially after having children.
With children, marriage is not a matter of two people, but a matter of three people. "; It makes people cry. "I want you to know that there is a person in this world who will wait for you forever." "
Whenever, wherever, you.
4. Charm Story and Language Culture Classical Chinese Liu Yiqing wrote in "Shi Shuo Xin Yu Speech": Xu Ruozi was nine years old and tasted the drama under the moon. People say, "If there is nothing on the moon, it will be extremely evil?" Xu Yue said, "Otherwise, for example, people have a pupil in their eyes, so it is unknown." Note: ① If, things refer to people and things. According to myths and legends, there are Chang 'e, Yutu and osmanthus trees on the moon. When Xu Ruzi was nine years old, she once played in the moonlight. Someone said to him, "If there is nothing on the moon, will it be brighter?" Xu Ruzi said, "No, it's like the pupil in people's eyes. You can't see it without it. " This is a philosophical topic. Xu Ruzi's viewpoint represents subjective idealism. He believes that subjective consciousness is the source of the world and matter is the product of human consciousness. Without people's subjective consciousness, matter cannot exist. He skillfully compared the human eye with the appearance of the moon. He didn't answer the questioner's question directly, but told him something.
5. What is the charm of a story in classical Chinese? According to Liu Yiqing's Shi Shuo Xin Yu Yan, Xu Ruzi was nine years old and tasted the drama under the moon. People say, "If there is nothing on the moon, it will be extremely evil?" Xu said, "Otherwise.
For example, there are pupils in people's eyes, without which we can't know. Note: ① Ruo Ling: If.
Things: refers to people and things. According to myths and legends, there are Chang 'e, Yutu and osmanthus trees on the moon.
When Xu Ruzi was nine years old, she played in the moonlight. Someone said to him, "If there is nothing on the moon, will it be brighter?" Xu Ruzi said, "That's not true. Like a pupil in a person's eyes. Without this, you must be invisible. "
This is a philosophical topic. Xu Ruzi's viewpoint represents subjective idealism. He believes that subjective consciousness is the source of the world and matter is the product of human consciousness. Without people's subjective consciousness, matter cannot exist. He skillfully compared the human eye with the appearance of the moon. He didn't answer the questioner's question directly, but told him his answer with something.
6. Primary School Chinese Book 6 Original "The Charm of Language" On the roadside of the bustling streets of Paris, there stood an old man who was in rags [Lá n], was in rags [[〔lǐ〕?]], his hair was gray and his eyes were blind.
Unlike other beggars [Gà i], he stood beside him with a wooden sign that said, "I can't see anything!" "Needless to say, he was forced by life to do so. There are many passers-by in the street. Those gentry and ladies in luxurious clothes, boys and girls dressed beautifully, were indifferent to the words on the' re' brand, and some even smiled, so she left [sh ā n]. At noon that day, the famous French poet Jean Peyer passed by. He looked at the words on the wooden sign and asked the blind old man, "Old man, did anyone give you money this morning?"
"alas!" The blind old man sighed and replied, "I, I have nothing." Say, the expression on her face is very sad. Hearing this, Jean Peyer picked up a pen, quietly added the words "Spring has arrived, but" before that line, and left in a hurry.
In the evening, Jean Pihale passed by here again and asked the blind old man about his income in the afternoon. The blind man smiled and said to the poet, "Sir, I don't know why so many people gave me money this afternoon!" " Hearing this, Jean Peyer touched his beard and smiled with satisfaction.
"Spring is coming, but I can't see anything!" This poetic language has such a great effect because it has a very strong sense of color. Yes, spring is beautiful. Blue sky and white clouds, green trees and red flowers, birds singing and flowing water, why can't it be intoxicating? But this beautiful scenery, for a blind person, is only darkness.
How pathetic! When people think of this blind old man who has never seen colorful spring in his life, how can they not feel sympathy for him?