"Novelty and disorganization, ancient thin concept without pen and ink. Drunk letters come in two or three lines, and books are not allowed after waking up. " Described Huai Su's unconscious creation of Weeds.
Huang Tingjian, a poet in the Song Dynasty, said: "Huai Su has a thin grass worker and a long history of grass workers. Thin and hard, easy to dry, and fat is rare. " As for being fat and thin, Amin scholar Wang Shizhen said: "A fat pen makes the structure dense, while a thin pen makes the structure sparse. This is thin and difficult, and fat is easy. " Putting aside the controversy of being fat and thin, and returning to the weeds in Huai Su, what have I learned? I feel very good. He at least conveyed these messages to us: First, the innovation goal pursued by Huai Su is "novelty", which is unpredictable and has no fixed pattern and form; Second, the lines are thin and the ink is different.
The thinness of Huai Su's works opened the gap between Zhang Xu's works and fertilizer, and formed his own creation, which was novel compared with Zhang Xu's. In addition, the shades of ink are different, and the pen changes rapidly, which strengthens the artistic effect of the novel. For example, the stroke lines and hairspring involved in Weeds, like the wind, blow endlessly; Or like withered vines, curled up withered vines; The ever-changing situation is endless.